Thursday, September 15, 2011

Getting Played

  • Welcome to the new players club where everyone's in on the game! Vivica A. Fox, Carmen Electra, and Stacy Dash star as three smart and sexy friends fed up with being played by the men in their lives. To prove that all men are predictable and easily seduced, this hot trio decides to play by a new set of rules. They enter into a wild contest of seduction to convince one lucky man that he's living a
Color FS4_27 is DARK BROWN WITH LITE AUBURN FROST (Color shown is FS1B/30) - Deep Lace Front Wig. 20" LAYERED LOOSE/SPIRAL COMBINATION CURL. Futura synthetic fiber can be styled using heat-based tools.When the wife of a prominent Haitian
doctor comes up missing, the focus
immediately turns on her husband.
The plot thickens when a beautiful
detective (Vivica A. Fox) assigned to
the case is led to believe that the wife
was the victim of a powerful Haitian
Voodoo priest (Obba Babatu! ndé). But
nothing is as it seems in this complex
psychological thriller that delves into
the dark world of Voodoo, deception,
and the fragility of the mind.Color FS1B_30 is OFF BLACK WITH MEDIUM AUBURN FROST (Color shown is) - 21"CENTER SKIN LONG LAYERED CUT LITTLE FLIP ENDS. Futura synthetic fiber can be styled using heat-based tools.The Lavender by Vivica Fox is a long, red carpet ready synthetic wig. This glamorous wig has big bouncy curls all over and a side swept bang. The lace front extends ear to ear to give you the most realistic front hairline ever. The lace front invisibly blends into your skin with easy self application. The lace front can be attached using the special adhesive kit or toupee tape and then blended with makeup. It has a total stretch cap to give you maximum comfort. Lavender Features heat friendly synthetic fiber. Curl it or straighten it. The styling possibilites are endless!Welcome to the new players club where everyone's in on the g! ame! Vivica A. Fox, Carmen Electra, and Stacy Dash star as thr! ee smart and sexy friends fed up with being played by the men in their lives. To prove that all men are predictable and easily seduced, this hot trio decides to play by a new set of rules. They enter into a wild contest of seduction to convince one lucky man that he's living a dream... but what the girls don't realize is that their mark is in onto their game and he's got a few plays of his own.

Wednesday, September 14, 2011

Quoizel TY8601WT Taylor Contemporary Uplight or Downlight Bath Fixture with Opal Etched Glass, Western Bronze

  • 8-1/2-Inch H, 4-1/2-Inch W, 5-1/2-Inch Ext
  • Can be mounted as uplights or downlights
  • Use 100W med. Base bulb
  • Opal Etched Glass
  • Western Bronze Finish
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Skinny Diva Beefy Cabbage Stew
Skinny Diva Butternut Squash Soup
Skinny Diva California Medley Soup
Skinny Diva Chicken and Pasta with Roasted Garlic
Skinny Diva Chicken and Shrimp Gumbo
Skinny Diva Chicken Cheese Enchilada Soup
Skinny Diva Chicken Chili
Skinny Diva Chicken Mushroom Chowder
Skinny Diva Chicken Noodle Soup
Skinny Diva Chicken Rice Soup
Skinny Diva Chicken Vegetable Medley Soup
Skinny Diva Chili Habanero Hell Fire Soup
Skinny Diva Creamy Asparagus Soup
Skinny Diva Creamy Celery Soup
Skinny Diva Creamy Crab Soup
Skinny Diva Cre! amy Mushroom Soup
Skinny Diva Creamy Shrimp Soup
Skinny Diva Egg Drop Soup
Skinny Diva Fiesta Chili Beef Soup
Skinny Diva Garden Vegetable Soup
Skinny Diva Golden Butternut Squash Soup
Skinny Diva Golden Mushroom Soup
Skinny Diva Hearty Chicken Vegetable Soup
Skinny Diva Hearty Tomato Soup
Skinny Diva Hearty Vegetable with Pasta Soup
Skinny Diva Herbed Chicken with Vegetables Soup
Skinny Diva Italian Eggplant and Tomato Soup
Skinny Diva Italian Tomato and Roasted Garlic Soup
Skinny Diva Japanese Vegetable Soup
Skinny Diva Lobster Bisque
Skinny Diva Manhattan Clam Chowder
Skinny Diva Mexican Chicken Soup
Skinny Diva Minestrone
Skinny Diva Mushroom and Asparagus Soup
Skinny Diva Old Fashioned Vegetable Soup
Skinny Diva Onion Soup
Skinny Diva Oyster Stew
Skinny Diva Pepper Beef Soup
Skinny Diva Pepper Pot Soup
Skinny Diva Red Pepper Soup
Skinny Diva Roa! sted Garlic Soup
Skinny Diva Roasted Vegetable Soup
! Skinny D iva Root Vegetable Medley Soup
Skinny Diva Savory Beef Vegetable Soup
Skinny Diva Scotch Broth
Skinny Diva Seafood Bisque
Skinny Diva Skinny Cabbage Soup
Skinny Diva Southwest Chicken Vegetable Soup
Skinny Diva Southwest Tomato and Roasted Pepper Soup
Skinny Diva Spinach Garlic Soup
Skinny Diva Tomato Garden Soup
Skinny Diva Turkey Chili
Skinny Diva Turkey Noodle Soup
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Here’s a preview of Skinny Diva Fat Flushing Soup recipes:

Skinny Diva Beefy Cabbage Stew
Skinny Diva Butternut Squash Soup
Skinny Diva California Medley Soup
Skinny Diva Chicken and Pasta with Roasted Garlic
Skinny Diva Chicken and Shrimp Gumbo
Skinny Diva Chicken Cheese Enchilada Soup
Skinny Diva Chicken Chili
Skinny Diva Chicken Mushroom Chowder
Skinny Diva Chicken Noodle Soup
Ski! nny Diva Chicken Rice Soup
Skinny Diva Chicken Vegetable ! Medley S oup
Skinny Diva Chili Habanero Hell Fire Soup
Skinny Diva Creamy Asparagus Soup
Skinny Diva Creamy Celery Soup
Skinny Diva Creamy Crab Soup
Skinny Diva Creamy Mushroom Soup
Skinny Diva Creamy Shrimp Soup
Skinny Diva Egg Drop Soup
Skinny Diva Fiesta Chili Beef Soup
Skinny Diva Garden Vegetable Soup
Skinny Diva Golden Butternut Squash Soup
Skinny Diva Golden Mushroom Soup
Skinny Diva Hearty Chicken Vegetable Soup
Skinny Diva Hearty Tomato Soup
Skinny Diva Hearty Vegetable with Pasta Soup
Skinny Diva Herbed Chicken with Vegetables Soup
Skinny Diva Italian Eggplant and Tomato Soup
Skinny Diva Italian Tomato and Roasted Garlic Soup
Skinny Diva Japanese Vegetable Soup
Skinny Diva Lobster Bisque
Skinny Diva Manhattan Clam Chowder
Skinny Diva Mexican Chicken Soup
Skinny Diva Minestrone
Skinny Diva Mushroom and Asparagus Soup
Skinny Diva Old Fashioned Vegetable Sou! p
Skinny Diva Onion Soup
Skinny Diva Oyster Stew
Skinny Diva Pepper Beef Soup
Skinny Diva Pepper Pot Soup
Skinny Diva Red Pepper Soup
Skinny Diva Roasted Garlic Soup
Skinny Diva Roasted Vegetable Soup
Skinny Diva Root Vegetable Medley Soup
Skinny Diva Savory Beef Vegetable Soup
Skinny Diva Scotch Broth
Skinny Diva Seafood Bisque
Skinny Diva Skinny Cabbage Soup
Skinny Diva Southwest Chicken Vegetable Soup
Skinny Diva Southwest Tomato and Roasted Pepper Soup
Skinny Diva Spinach Garlic Soup
Skinny Diva Tomato Garden Soup
Skinny Diva Turkey Chili
Skinny Diva Turkey Noodle Soup
Skinny Diva Yellow Squash SoupThe precise styling of this collection offers a strong contemporary look that adds beauty to your bathroom, as well as ample lighting for your grooming needs. The layering the rectangular backplate, the long bar and round rod gives this design a special richness. It is available in ! 2 popular finishes: Antique Nickel and Western Bronze TY8601WT!

Tuesday, September 13, 2011

G.I. Jane

  • Screen megastar Demi Moore ("Disclosure", "Indecent Proposal") is in top form in this action-packed hit! Moore stars as gutsy Lieutenant O Neil, the first woman ever given the opportunity to earn a place in the armed forces most highly skilled combat unit--the elite Navy Seals! But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it become
A young couple very much in love can end their financial worries by allowing the wife to spend one night with a handsome billionaire.
Genre: Feature Film-Drama
Rating: R
Release Date: 19-AUG-2003
Media Type: DVDOne of the biggest teases in film history, this film's sensational plot finds a young wife (Demi Moore) solicited for sex by a wealthy bachelor (Robert Redford), for which the latter offers to pay a cool million bucks to her and her underachieving husba! nd (Woody Harrelson). The two accept Redford's deal, and their marriage is ruined. The twist in the film, though, is that the sin doesn't lie with the rich guy, but rather with this unfocused, immature, equivocating couple who would do such a thing, naively believing it would get their lives on track. Director Adrian Lyne, who caused an even greater stir by filming Lolita (the one starring Jeremy Irons), thus pulls a kind of thinking person's bait and switch, promising something tawdry and then turning the story around so its focus is on a rite of passage for the estranged spouses. Still, Lyne has some peculiarly garish ideas at times: the final disposition of that million dollars is like a joke out of Monty Python. --Tom Keogh Sexy Demi Moore (DISCLOSURE, INDECENT PROPOSAL) heats up this powerfully sensual story of illicit love! In a time when adultery is punishable by death, Hester Prynne (Moore) becomes involved in a risky and scandalous affair with her tow! n's handsome minister (Gary Oldman -- MURDER IN THE FIRST). Bu! t when t heir secret passion results in a child, Hester is confronted with the town's overwhelming scorn ... and is condemned to forever wear the scarlet letter "A" as a public brand of shame! A highly provocative retelling of the classic tale of forbidden love, THE SCARLET LETTER combines a sizzling story with exciting stars and delivers must-see entertainment.In yet another example of Demi Moore's astonishing narcissism, this appalling adaptation of Nathaniel Hawthorne's Great American Novel becomes a teary, talk-show-worthy story of a woman rediscovering the erotic, of interrupted love, of a brave-but-beleaguered heroine's personal struggle against male stupidity. Never mind that this has little to do with Hawthorne's magnificent, protofeminist book, which is a million times more relevant today than this film could ever be. Director Roland Joffé (The Killing Fields) deserves to be horsewhipped for colluding with Moore's self-fascination, while Gary Oldman should be kicked ! in the pants for allowing the novel's main character to come off as an inconsequential ninny. Making matters worse, Robert Duvall can be seen ridiculously dancing with a deerskin on his head. If this film were a joke, it would be a very bad joke. But it's not, and that's worse. --Tom Keogh To take on the system, she first must take it off. Demi Moore is a single mom who turns to stripping to acquire the money she needs for a custody suit involving her child. Year: 1996 Director: Andrew Bergman Starring: Demi Moore, Burt Reynolds, Armand Assante, Ving Rhames Special Features: Scene access Video Format: A: Standard; B: WidescreenSound: English, French: Dolby Surround 2.0; Subtitles: English, French Region Coding: 1 (U.S. and Canada)This horrible misfire from the usually reliable writer-director Andrew Bergman (The Freshman) has nothing funny, provocative, timely, or interesting to say (despite being based on a novel by Carl Hiaasen) once Demi Moore gets her clot! hes off. Moore plays a single, unemployed mom caught up in a c! ustody b attle who elects to make some money by stripping at a club. The character's troubles don't end there, however: Her ex-husband is posing a threat, and a perverted congressman (Burt Reynolds) is looking for more than a lap dance. Bergman's great wit is nowhere in sight, and the film primarily becomes another opportunity for Moore to function like a special effect. The unrated video version of the film includes two minutes of footage not seen in the theatrical release. --Tom KeoghDemi Moore stars as Rachael Carson, a successful mystery writer whose life is shattered following the accidental drowning of her 5-year-old son. Knowing she desperately needs solitude and rest, her best friend rents Rachel a secluded cottage in a remote fishing village. But instead of a peaceful retreat, Rachel finds herself caught up in a supernatural murder mystery that rocks the tranquil town and threatens Rachel's fragile sanity - and her life - in this spooky suspense thriller.A MAN AND WOM! AN MEET AND TRY TO HAVE A ROMANTIC AFFAIR, DESPITE THEIR PERSONAL PROBLEMS AND THE INTERFERENCE OF THEIR DISAPPROVING FRIENDS.For better or worse, David Mamet's hit play Sexual Perversity in Chicago is watered down into this romantic comedy about a couple (played by Rob Lowe and Demi Moore) who get together and then fall apart due to Lowe's character's inability to commit. Jim Belushi is on hand as the gratuitously swinish best friend who looks at women as meat, and Elizabeth Perkins is entertainingly arch as Moore's gal pal and Belushi's nemesis. There's nothing about this 1986 film by Edward Zwick (cocreator of TV's thirtysomething and director of Glory and Courage Under Fire) that is at all reminiscent of Mamet, but that doesn't make it bad or dull. While one can feel the script straining to fill in gaps where chunks of the original play have disappeared, Zwick often successfully tells the story without words at all, relying on the actors to c! onvey pure emotion. Lowe is good, and the then-willowy Moore's! underst ated performance reminds one of the actress she might have been before she became a spectacle. --Tom Keogh IN THE NEW WORLD OF HIGH TECH, THERE'S AN OLD WAY TO GET AHEAD. EXECUTIVE TOM SANDERS REJECTS THE SEXUAL ADVANCES OF HIS NEWBOSS, SO SHE CHARGES HIM WITH SEXUAL HARRASSMENT. TO SAVE HIS CORPORATE LIFE SANDERS BRINGS COUNTER CHARGES AGAINST HER.INCLUDES FILMOGRAPHIES AND PRODUCTION NOTES.Michael Crichton's bestselling novel was both a high-tech thriller and source of controversy with its hot-button plot about a man's charge of sexual harassment against a female colleague and former lover. The movie, directed by Barry Levinson, turned these issues into a prurient thriller gussied up in glossy production values, virtual reality computer graphics, and steamy sex between Michael Douglas and Demi Moore. Having cornered the market on roles for men whose brains are located south of their waistline, Douglas is well cast as the computer-industry guy who loses a plush promo! tion to the opportunistic Moore, and he's perfected the expression of paranoid panic. If you don't think about it too much, this is one of those films that can draw you into its manipulative web and really grab your attention. Disclosure is more entertaining than thought provoking (because the filmmakers basically danced around the story's potential controversy), but there's enough star power and visual glitz to make this an enjoyable ride. --Jeff ShannonDemi Moore (DISCLOSURE, INDECENT PROPOSAL) is in top form in this action-packed hit! Moore stars as gutsy Lieutenant O'Neil, the first woman ever given the opportunity to earn a place in the armed forces most highly skilled combat unit -- the elite Navy SEALS! But the already brutal rigors of training camp turn into an unimaginable test of courage and determination once it becomes clear that no one -- powerful politicians, top military brass, or her male Navy SEAL teammates -- wants her to succeed! A criticall! y acclaimed triumph directed by action hitmaker Ridley Scott (! ALIEN, T HELMA & LOUISE) -- you'll cheer for G.I. JANE as this brave soldier proves she belongs among the best of the best!It seemed like a pretty good career move, and for the most part it was. Demi Moore will never top any rational list of great actresses, but as her career stalled in the mid-1990s she had enough internal fire and external physicality to be just right for her title role in G.I. Jane. Her character's name isn't Jane--it's Jordan O'Neil--but the fact that she lacks a penis makes her an immediate standout in her elite training squad of Navy SEALs. She's been recruited as the first female SEAL trainee through a series of backroom political maneuvers, and must prove her military staying power against formidable odds--not the least of which is the abuse of a tyrannical master chief (Viggo Mortensen) who puts her through hell to improve her chances of success. Within the limitations of a glossy star vehicle, director Ridley Scott manages to incorporate the women-i! n-military issue with considerable impact, and Moore--along with her conspicuous breast enhancements and that memorable head-shaving scene--jumps into the role with everything she's got. Not a great movie by any means, but definitely a rousing crowd pleaser, and it's worth watching just to hear Demi shout the words "Suck my ----!!" (rhymes with "chick"). --Jeff Shannon

Meera Herbal Hairwash Powder

Monday, September 12, 2011

Clan of the Cave Bear

  • Daryl Hannah and Pamela Reed star in this richly detailed, beautifully shot saga of the rise of a more advanced clan of people. John Sayles wrote this adaptation of Jean M. Auel's worldwide bestseller.Starring: Daryl Hannah, Pamela Reed Year: 1986 Sound: ENG; Subtitles: ENG, FR Screen Format: Side A: Widescreen; Side B: StandardRunning Time: 98 min. Format: DVD MOVIE Genre: DRAMA Ratin
While driving down a country road, Carrie Mitchell (Daryl Hannah) is en route to her new life in Salem, Maine. Suddenly, from out of the woods staggers Amy Singer, injured and scared! Carrie pulls over to help, and her young passenger begins to tell Carrie a horrifying story of what happened to her and her friends in the woods. Through a series of flashbacks we witness the horrific events of Amy and her colleagues, who days earlier were out on an environmental studies trip for college. Camped in the forest ex! cavating what they believed was an ancient Indian burial site, they come across an arm bone, with a Rolex watch still attached around the wrist. It dawns on the group that they have discovered a burial ground, but not the type they were seeking! Carrie soon discovers that Amy carries a deadly secret, and the unspeakable horror that happened in the woods is far from over.Ayla, a young Cro-Magnon girl, is rescued and raised by a Neanderthal clan, but is the constant object of scorn and derision because of her beauty and greater intelligence.
Item Type: DVD Movie
Item Rating: NR
Street Date: 11/23/99
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveEvery statuesque, beautiful blonde woman has spent more time in the company of Neanderthals tha! n she cares to remember. Seems it's always been that way: ! Clan of the Cave Bear, a 1986 feature scripted by John Sayles and based on Jean Auel's bestselling novel set in prehistoric times, stars former mermaid Daryl Hannah as an intelligent Cro-Magnon woman adopted and raised by lesser-evolved Neanderthals. Berated for her brains, sexually exploited, and generally treated as uppity chattel, Hannah's character sets out for the far country to see who else is there. Eventually, she finds more Baywatch-like gods and goddesses similar to herself, including an Aryan-looking stud with whom she discovers how good sex can feel with a warm, caring, proto-human. Sayles's writing on this project is forceful but cheeky. It's hard not to laugh at a number of scenes that shouldn't, in the strictest sense, be laughed at (the use of subtitles to decipher caveman grunts and clucks may or may not be an intentional running joke), but one gets the feeling Sayles looked upon this challenge as a pop exercise instead of (as many of the boo! k's fans would have preferred) a religious experience. Michael Chapman, ace cinematographer of Mean Streets and The Wanderers, directed with an eye toward primitive exotica and made this a terrific-looking movie. Author Auel was reportedly unhappy with the final results on screen, but the film is well worth a fascinated look. With Pamela Reed and James Remar. --Tom Keogh

Sunday, September 11, 2011

Alessandra Ambrosio 24X36 Poster - Very Hot - New! - Buy Me! #05

Bernard and Doris

  • Inspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar? winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on a
Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common. Studio: Uni Dist Corp. (mca) Release Date: 03/01/2005 Starring: Susan Sarandon Jason Alexander Run time: 103 minutes Rating: R Director: Luis MandokiGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by! the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younge! r man. He gives her a lift, she seduces him, and the rest of t! he movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on ! getting his money back, and meets a testy Nora, who is bemused! at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad,! or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakSettle in. Take a deep breath. Hold tight. The best screen version yet of a novel by John Grisham (The Firm, The Pelican Brief) delivers all-out, moment-by-moment suspense! Headliners Susan Sarandon and Tommy Lee Jones join newcomer Brad Renfro in The Client, a whirlwind thriller that "starts like a house afire and keeps on blazing" (Chicago Tribune). Renfro plays Mark Sway, an 11-year-old torn between what he knows and what he can never tell. A hitman will snuff him in half a heartbeat if Mark reveals what he learned about a Mob murder. An ambitious federal prosecutor (Jones) will keep the pressure on until Mark tells all. Suddenly, Mark isn't a boy playing air guitar anymore. He's a pawn in a deadly game. And his only ally! is a courageous but unseasoned attorney (Sarandon) who risks ! her care er for him...but never imagines she'll also risk her life.The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis, and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Sch! umacher's work on this movie that he later asked him to direct A Time to Kill. --Jim EmersonThe exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis, and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashi! on designer/screenwriter-turned-director Joel Schumacher's wor! k on thi s movie that he later asked him to direct A Time to Kill. --Jim EmersonBased on the novel by Sidney Sheldon, this riveting story of love and revenge boasts dazzling portrayals by Marie-France Pisier, John Beck and Susan Sarandan in one of her career-making roles.

Although American WWII pilot Larry Douglas (Beck) promises to marry French femme fatale Noelle Page (Pisier), he instead returns Stateside and marries well-to-do Catherine Alexander (Sarandon). And once Noelle takes a Greek multi-millionaire (Raf Vallone) as a lover, she plots to shame Larry by arranging for him to be the tycoonÂ's private pilot. But in one of many delicious twists of fate in this gripping tale of love, war and betrayal, Noelle and Larry again become passionate, and when Catherine refuses to divorce Larry, the cheating couple seek a murderous revenge.An over-the-top film co-starring a young and gorgeous Susan Sarandon, The Other Side of Midnight is a deliciously melodr! amatic adaptation of Sidney Sheldon's sweeping (and often schlocky) novel of the same name. Released theatrically in 1977, the film focuses on the intermingling lives of sexily innocent Noelle (Marie-France Pisier), who has a brief affair with a cad named Larry (John Beck), who ends up marrying wealthy and proper Catherine (Sarandon). When Noelle and Larry meet first lock eyes, he is a dashing World War II American fighter pilot who professes his love for her. But when she discovers she is pregnant with his baby, he is nowhere to be found. So what's a poor girl to do but abort her baby, rise to stardom as one of the world's most famous actresses, and plot revenge against her duplicitous ex-lover? But faster than you can say, "You go, girl!" (or "Oh no she didn't," depending on your point of view), Noelle once again falls for Larry's vaguely porn star charms. But what to do with Catherine, who refuses to divorce her cheating spouse? Make no mistake about it: The Other Sid! e of Midnight is not quality filmmaking and is probably no! t someth ing Academy Award winner Sarandon even lists on her resume. But she is a joy to watch, even as she has to deliver clunky lines such as, "If you don't love me, Larry, don't lay me." This is not a great movie. Heck, it's not even a particularly good movie. But it's one of those guilty pleasures that you'll watch all the way through, even as you're complaining about the implausibility of it all. --Jae-Ha KimInspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar® winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on as her butler and he is put in the unenviable position of having to convince the notoriously demanding Duke to keep him in her employ. Directed by Bob Balaban (Gosford Park),! the film effectively captures the elegance of a bygone era and is scored with countless musical standards, such as Peggy Lee's "The Best Is Yet To Come". Bernard and Doris tells the witty and endearing tale of an unconventional bond between a society "princess" and her flawed "pauper" of a butler. Bravura turns by Ralph Fiennes and Susan Sarandon in the title roles carry Bernard and Doris, director Bob Balaban’s 2007 film about the long relationship between zillionaire tobacco heiress-philanthropist Doris Duke and her butler, Bernard Lafferty. These are two fine actors (Sarandon has been nominated for five Oscars, winning for Dead Man Walking, while Fiennes has been nominated twice) at the top of their games. That’s a good thing, as they are on screen almost constantly; and the truth is that other than the evolution of the Duke-Lafferty bond, not a lot actually happens. Sarandon delivers a measured, almost casual performance as Duke, a woman who seems rel! atively unpretentious (if clearly entitled) about her vast for! tune, de spite have done absolutely nothing to earn it. Duke barely even acknowledges her various employees, except to fire them (or occasionally sleep with them; the twice-married heiress has a predilection for studly, much younger men)--until Lafferty comes along, that is. Stone broke and fresh out of rehab (his alcoholism is an ongoing theme), the shy Irishman gradually ingratiates himself with his demanding employer until he becomes as much a companion as a servant. It helps that as a gay man, he has no interest in seducing her; moreover, unlike the many others who are out to get their hands on her money, Lafferty seems to genuinely value loyalty and friendship over more venal concerns ("I just want to take care of you," he says in one of several poignant scenes), and he’s rewarded with several million dollars and full control of her estate after her death (in 1993). Fiennes is also admirably restrained in a role that could have been meretricious and over the top; combine that ! with a fine script (by Hugh Costello) and some great songs by Peggy Lee, and a splendid time is guaranteed for all. --Sam Graham

Saturday, September 10, 2011

KELLY LEBROCK 24X36 COLOR POSTER PRINT

  • Description: High Quality real photograph printed on Fuji Paper.
  • Size: 24X36 inches
Seduction is a powerful force, and in the form of The Woman in Red, it's certain to lead to unbridled passion and unlimited laughs! Featuring a first-rate cast that includes Gene Wilder, Charles Grodin, Joseph Bologna, Judith Ivey, Kelly Le Brock and Emmy-winner Gilda Radner, this comedy bombshell scores a perfect 10! Businessman Teddy Pierce (Wilder) has always played by the rules... until he meets the woman in red. With killer legs and a knock out style, sexy Charlotte (Le Brock) is the ultimate fantasy woman. Now Teddy's headed straight for trouble. Deciding just this once 'to give in to temptation, he's looking forward to the most romantic experience of his life. But Teddy's amorous affections soon lead to hilarious consequences when his friends, his secretary and Charlotte's husband get involved!! For a few years in the mid-1970s, thanks mostly to his collaboration with Mel Brooks, Gene Wilder was the hottest name in comedy. His films with Richard Pryor made him such a star that he was given the chance to write and direct--a big mistake. The nadir was this slow-moving, self-conscious Americanization of the French bedroom comedy Pardon Mon Affaire. Wilder plays an American executive who glimpses a gorgeous woman and turns his life and his marriage upside down in his misguided pursuit of an unattainable ideal. Heavy-handed sex farce doesn't get much help from Wilder, who does himself no favors as a director; LeBrock is a worthy object of obsession, but she deserves a better movie. --Marshall FineFor a few years in the mid-1970s, thanks mostly to his collaboration with Mel Brooks, Gene Wilder was the hottest name in comedy. His films with Richard Pryor made him such a star that he was given the chance to write and direct--a big mistake. The nadir was this ! slow-moving, self-conscious Americanization of the French bedr! oom come dy Pardon Mon Affaire. Wilder plays an American executive who glimpses a gorgeous woman and turns his life and his marriage upside down in his misguided pursuit of an unattainable ideal. Heavy-handed sex farce doesn't get much help from Wilder, who does himself no favors as a director; LeBrock is a worthy object of obsession, but she deserves a better movie. --Marshall FineKelly LeBrock: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Mov! iestore we will gladly refund your money!