Fat Pizza (Uncut) [ NON-USA FORMAT, PAL, Reg.4 Import - Australia ]

• THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER

Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Deleted Scenes, Featurette, Interactive Menu, Production Notes, Scene Access, Short Film, Uncut, SYNOPSIS: Australian director Paul Fenech leaves virtually no topic of Australian interest unsatirized in his scatologically-laden 2003 gross-out comedy, Fat Pizza. Pizza delivery guys Pauly (Fenech), Sleek (Paul Nakad), and Davo (Jabba) all go about their daily business while getting caught up in a series of misadventures. Pauly manages to get into fights with a rival fast food outlet's mascot while incurring the wrath of a gang of midgets miffed about his usage! of a handicapped stall in a restroom. Sleek is a Lebanese rapper who simultaneously hides from the various women he's slighted and from racist cops who are just interested in roughing him up for being Middle Eastern. New delivery man Davo's mission is much simpler: he's a druggie in search of a new high. Meanwhile, their violent boss Bobo Gigliotti (Johnny Boxer) attempts to divert the brow-beating he regularly gets from his mother due to his being a middle-aged virgin and signs up for a mail-order bride from Vietnam. Based on an Australian television series of the same name, Fat Pizza premiered in Australia in 2003 with decidedly mixed reviews.Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Deleted Scenes, Featurette, Interactive Menu, ! Production Notes, Scene Access, Short Film, Uncut, SYNOPSI! S: Austr alian director Paul Fenech leaves virtually no topic of Australian interest unsatirized in his scatologically-laden 2003 gross-out comedy, Fat Pizza. Pizza delivery guys Pauly (Fenech), Sleek (Paul Nakad), and Davo (Jabba) all go about their daily business while getting caught up in a series of misadventures. Pauly manages to get into fights with a rival fast food outlet's mascot while incurring the wrath of a gang of midgets miffed about his usage of a handicapped stall in a restroom. Sleek is a Lebanese rapper who simultaneously hides from the various women he's slighted and from racist cops who are just interested in roughing him up for being Middle Eastern. New delivery man Davo's mission is much simpler: he's a druggie in search of a new high. Meanwhile, their violent boss Bobo Gigliotti (Johnny Boxer) attempts to divert the brow-beating he regularly gets from his mother due to his being a middle-aged virgin and signs up for a mail-order bride from Vietnam. Based on an ! Australian television series of the same name, Fat Pizza premiered in Australia in 2003 with decidedly mixed reviews.

Like Stars on Earth (Two Disc DVD + CD)

• LIKE STARS ON EARTH TAARE ZAMEEN PAR (DVD MOVIE)

Ishaa Ishaan is an 8 year old whose world is filled with wonders that no one else seems to appreciate; colors, fish, dogs, and kites are just not important in the world of adults, who are much more interested in things like homework, grades and neatness. Ishaa just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to be disciplined. Things are no different at hsi new school, and Ishaa has to contend with the added trauma of separation from his family. A new art teacher infects the students with joy and optimism and breaks all the rules of how things are done by asking them to think, dream and imagine. All the children respond with enthusiasm except Ishaa. The teacher soon realizes that Ishaa is unhappy and sets out to discover why. With time, patienc! e and care, he ultimately helps Ishaa find himself. Bonus features include: Director's Commentary, panel discussinon on children, deleted scenes, making of, Music CD with two collectible postcards

Deathstalker

• Directed by: John Watson
• Written by: Howard R. Cohen
• Cast: Rick Hill ("Bloodfist II"), Barbi Benton ("Fantasy Island"), Richard Brookner
• Year: 1983
• # Producers: James Sbardellati, Alejandro Sessa, Frank K. Isaac, H?ctor Olivera, Roger Corman

Deathstalker (Richard Hill) is the mighty warrior chosen to battle the evil forces of a medieval kingdom, who sets off on a journey to the most challenging tournament in the land. To the winner will go the throne of the evil wizard, the ultimate mystical power and the love of the beautiful Princess Codille (Barbi Benton). But first, Deathstalker must prove himself worthy of his legacy and treachery lurks at every turn.

Brawny blond longhair Richard Hill is the rogue barbarian hero Deathstalker in this hilariously slapdash sword-and-sorcery adventure. Armed with a sword that makes him invincible (provided by a! n otherwise completely useless sidekick), he heads off for a tournament of warriors sponsored by an evil wizard with a nasty plot to kill all his rivals... but don't worry about the plot because it makes no sense. This shot-in-Argentina, Roger Corman production features badly staged swordfights, loads of gratuitous nudity, female mud wrestling, trolls in bad rubber masks, and a funky eyeball-eating demon sock puppet. Former Hugh Hefner girlfriend Barbi Benton seems rather embarrassed in her role as a whiny harem girl. John Terlesky took over the title role in the sequel (Deathstalker II: Duel of the Titans) while topless warrior woman costar Lana Clarkson graduated to her own series, Barbarian Queen. --Sean Axmaker

Deathstalker II (John Terlesky) has a mission: to save the kingdom from the wicked grip of the immoral wizard Jerak and his queen Sultana. Together they have ruled the land by creating a controllable evil twin of the lovely Prin! cess Evie (Monique Gabrielle). Capturing the real Princess Evi! e, Death stalker must now return her to her rightful place of power:but the swordsman’s battle has just begun.

On the eve of her wedding, Amathea (Lana Clarkson) sees her world dissolve: her groom imprisoned, her village razed, her friends attacked and slaughtered. Becoming the Barbarian Queen, she vows revenge and retribution, enticing and then destroying adversaries.

Warrior woman Lana Clarkson (Deathstalker) survives the massacre of her little village (on the eve of her marriage to a tribal prince) and vows revenge. Surrounding herself with an estrogen brigade of female fighters, she makes quick work of the marauders before moving on to the city to lead the brewing rebellion against the evil king. Don't think for a second that this is about empowered women: every female character is raped or molested in the picture. Ostensibly directed by Héctor Olivera (Funny Dirty Little War), this silly, badly dubbed, shot-in-Argentina production is full ! of gratuitous nudity and slapdash but serviceable action and is enlivened largely by Clarkson's charisma and energy. Much of the marvelous music is cribbed from James Horner's lush Battle Beyond the Stars score. Clarkson returns in the sequel, Barbarian Queen II: The Empress Strikes Back. --Sean Axmaker

Travel to a distant world of exciting battles, exotic women, mystical secrets and evil wizards in The Warrior And The Sorceress. Kain (David Carradine) was once an exalted warrior-priest but now wanders the planet Vra as a mercenary sword-for-hire. In the small village of Yam-A-Tar, he finds two vicious clans struggling for power, and he becomes embroiled in the treachery and battles, the mighty wizardry and rampant debauchery.

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A rare sexploitation item starring Playboy Playmate Barbi Benton as a sex kitten from Sc! ranton whose sexual misadventures take her to Boston (where sh! e and an old sea captain do the nasty) to Miami (where she's paid $3000 to have sex while impersonating Miss Luxembourg) to Italy (where she learns about the casting couch). Klaus Kinski, Clyde Ventura, Broderick Crawford and Lionel Stander also star; look for Ed Begley, Jr. as a bellhop. AKA: "How Did a Nice Girl Like You Get Into This Business?" 85 min.Bob Hope interview,Barbi Benton pictorialThe legendary outlaw Deathstalker is called upon by King Tulak to help save his kingdom from the evil Wizard Munkar, but Deathstalker is not driven to destroy Munkar until the nightmare from his past is revealed. Format: Color, DVD, NTSC . Language: English . Region: Region 1 . Aspect Ratio: 1.33:1 . Number of discs: 1 . Rated: R (Restricted) . Studio: New Concorde . DVD Release Date: October 23, 2001 . Run Time: 80 minutesBrawny blond longhair Richard Hill is the rogue barbarian hero Deathstalker in this hilariously slapdash sword-and-sorcery adventure. Armed with a sword that makes him in! vincible (provided by an otherwise completely useless sidekick), he heads off for a tournament of warriors sponsored by an evil wizard with a nasty plot to kill all his rivals... but don't worry about the plot because it makes no sense. This shot-in-Argentina, Roger Corman production features badly staged swordfights, loads of gratuitous nudity, female mud wrestling, trolls in bad rubber masks, and a funky eyeball-eating demon sock puppet. Former Hugh Hefner girlfriend Barbi Benton seems rather embarrassed in her role as a whiny harem girl. John Terlesky took over the title role in the sequel (Deathstalker II: Duel of the Titans) while topless warrior woman costar Lana Clarkson graduated to her own series, Barbarian Queen. --Sean Axmaker

The Best Advice I Ever Got: Lessons from Extraordinary Lives

• ISBN13: 9780812992779
• Condition: New
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What was the tipping point for Malcolm Gladwell? What unscripted event made Meryl Streep who she is? How did Mario Batali cook up his recipe for success? In this inspiration-packed book, Katie Couric reports from the front lines of the worlds of politics, entertainment, sports, philanthropy, the arts, and businessâ€"distilling the ingenious, hard-won insights of leaders and visionaries, who tell us all how to take chances, follow our passions, cope with criticism, and, perhaps most important, commit to something greater than ourselves.

Among the many voices to be heard here are financial guru Suze Orman on the benefits of doing what’s right, not what’s easy; director Steven Spielberg on list! ening rather than being listened to; quarterback Drew Brees on how his (literal) big break changed his life; and novelist Curtis Sittenfeld on the secrets of a great long-term relationship (she suggests marrying someone less neurotic than you); not to mention:

• Michael Bloomberg: “Eighty percent of success is showing up . . . early.”
• Eric Stonestreet: “Remember that the old lady who’s taking forever in line is someone’s grandma.”
• Joyce Carol Oates: “Read widelyâ€"what you want to read, and not what someone suggests that you should read.”
• Jimmy Kimmel: “When in doubt, order the hamburger.’”
• Apolo Ohno: “It’s not about the forty seconds; it’s about the four years, the time it took to get there.”
• Madeleine K. Albright: “Never play hide-and-seek with the truth.”

Along the way, Couric reflects on the good adviceâ€"and the misstepsâ€"that have guided her from her early days as a desk assistant a! t ABC to her groundbreaking role as the first female anchor of! the CBS Evening News. She reveals how the words of Thomas Jefferson helped her deal with her husband’s tragic death from cancer, and what encouraged her to leave the security of NBC’s Today show for a new adventure at CBS.

Delightful, empowering, and moving, The Best Advice I Ever Got is the perfect book for anyone who is thinking about the future, contemplating taking a risk, or daring to make a leap into the great unknown. This book is for all of us, young or old, who want to see how today’s best and brightest got it right, got it wrong, and came out on top.

Mother [Blu-ray]

• Mother is a devoted single parent to her simple-minded twenty-seven-year-old son, D0-joon. Often a source of anxiety to his mother, Do-joon behaves in foolish or simply dangerous ways. One night, while walking home drunk, he encounters a schoolgirl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused

Mother is a devoted single parent to her simple-minded twenty-seven-year-old son, Do-joon. Often a source of anxiety to his mother, Do-joon behaves in foolish or simply dangerous ways. One night, while walking home drunk, he encounters a schoolgirl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder. An inefficient lawyer and an apathetic police force result in a speedy conviction. His m! other refuses to believe her beloved son is guilty and immediately undertakes her own investigation to find the girl's killer. In her obsessive quest to clear her son's name, Mother steps into a world of unimaginable chaos and shocking revelations.Just as South Korean director Bong Joon-ho's previous film, The Host, subverted the traditions of the giant monster movie to examine the effects of a crisis on a unique family, his latest effort, Mother, embraces the tropes of the murder mystery for an unsettling and affecting story of parental love taken to its extreme. Popular South Korean television actress Kim Hye-ja gives a powerful performance as a downtrodden acupuncturist whose mentally challenged son (Korean A-lister Won Bin) is accused of murdering a local schoolgirl. Bullied into a confession by the local police (led by Yoon Je-moon of The Host), the young man faces incarceration at a mental hospital unless his mother can discover the killer's true ! identity. Her inquiry leads her into classic noir territory, w! ith perc eived truths blown apart at every turn; in typical Joon-ho fashion, these discoveries are marked by moments of shocking violence, dark slapstick humor, and moving familial drama, which come together in a genuinely unique perspective on the nature of truth and commitment. The official South Korean submission for Best Foreign Language Film at the 82nd Academy Awards, Mother is yet another entry on a growing list of exceptional motion pictures from one of the international scene's most intriguing filmmakers. --Paul Gaita

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The Thriller Poster Movie Indian D 11 x 17 Inches - 28cm x 44cm Lalu Alex Anand Vincent Ashoka Catherin Shivaji Guruvayoor Mallika Kapoor Riyaz Khan

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The Thriller Reproduction Poster Print Indian Style D 11 x 17 Inches - 28cm x 44cm

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WINONA RYDER 16X20 PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 16X20 inches
• Would look great at home or in your office!
• Exclusive product only available from Moviestore!

An odd-but-gifted poet, Evan Merck (Wes Bentley, American Beauty) makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte (Winona Ryder, Girl, Interrupted), the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother. Curiously attracted by his evasive charms, a smitten Charlotte begins her pursuit, forcing Evan to juggle an amorous new girlfriend, a sarcastic new client (Ray Romano, Everybody Loves Raymond) and an ever-increasing mountain of lies in this dark romantic comedy about a quirky young man who can't tell write from wrong.HOW TO MAKE AN AMERICAN QUILT - DVD MovieBased on the be! stseller by Whitney Otto, this film seemed to miss all the poetry and the ephemeral charms of the wispy novel by trying to make a concrete movie out of it. Directed by Jocelyn Moorhouse (who made a similar hash out of A Thousand Acres), the film centers on Winona Ryder, who is debating her impending marriage and decides to make up her mind while spending the summer with her grandmother (Ellen Burstyn). This leads to a variety of encounters with Grandma and her sewing circle (which includes Anne Bancroft, Kate Nelligan, and Maya Angelou, among others), who reminisce about men, love, and marriage. It's put together piecemeal, like a quilt, but the parts add up to a fragmented, unsatisfying whole, despite some solid acting. --Marshall FineAs the Civil War rages on, the four sisters of the March family struggle to grow up without the guiding hand of their loving father.
Genre: Feature Film-Drama
Rating: PG
Release Date: 3-JUN-2003Media Type: DVDThe flaws are easily forgiven in this b! eautiful version of Louisa May Alcott's novel. A stirring look at life in New England during the Civil War, Little Women is a triumph for all involved. We follow one family as they split into the world, ending up with the most independent, the outspoken Jo (Winona Ryder). This time around, the dramatics and conclusions fall into place a little too well, instead of finding life's little accidents along the way. Everyone now looks a bit too cute and oh, so nice. As the matron, Marmee, Susan Sarandon kicks the film into a modern tone, creating a movie alive with a great feminine sprit. Kirsten Dunst (Interview with the Vampire) has another showy role. The young ensemble cast cannot be faulted, with Ryder beginning the movie in a role akin to light comedy and crescendoing to a triumphant end worthy of an Oscar. --Doug ThomasAFTER A BOTCHED SUICIDE ATTEMPT, SUSANNA KAYSEN CHECKS HERSELF INTO A RENOWNED PSYCHIATRIC HOSPITAL, WHERE SHE MEETS A GROUP OF TROU! BLED YOUNG WOMEN INCLUDING THE CHARMING SOCIOPATH LISA AND SOON REALIZES SHE'LL HAVE TO FIGHT FOR HER SANITY AND HER FREEDOM.Based on Susanna Kaysen's acclaimed journal-memoir, Girl, Interrupted bears inevitable resemblance to One Flew Over the Cuckoo's Nest, and pale comparison to that earlier classic is impossible to avoid. The mental institution settings of both films guarantee a certain degree of déjà vu and at least one Oscar winner (in this case, Angelina Jolie), since playing a loony is any actor's dream gig. Unfortunately, director James Mangold seems to have misplaced the depth and delicacy of his underrated debut, Heavy, despite a great deal of earnest effort by everyone involved. It's easy to see why Winona Ryder chose to star in (and executive-produce) this nearly worthy adaptation of Kaysen's book, since it's a strong vehicle for female casting and potent drama. Mangold certainly got the former; whether he succeeded with the latter is no! t so clear.

To be sure, Ryder conveys the confusion and ch! aos that signified Kaysen's life during nearly 18 months of voluntary institutionalization beginning in 1967. But the film seems too eager to embrace the cliché that the "crazies" of the Claymoore women's ward are saner than the war-torn world outside, and lack of narrative focus gives way to semipredictable character study. Susanna (Ryder) is labeled with "borderline personality disorder," a diagnosis as ambiguous as her own emotions, and while Jolie chews the scenery as the resident bad-girl sociopath, Ryder effectively conveys an odyssey from vulnerable fear to self-awareness and, finally, to healing. The ensemble cast is uniformly superb, making this drama well worthwhile, even as it treads familiar territory. If it ultimately lacks dramatic impact, Girl, Interrupted makes it painfully clear that the boundaries of dysfunction are hazy in a world where everyone's crazy once in a while. --Jeff ShannonREALITY BITES 10TH ANNIVERSARY EDITIO - DVD MovieBen Stiller's ! directorial debut was this sporadically successful twentysomething comedy that tries too hard to codify the generational experience of its young adult characters. Winona Ryder plays a still-unformed woman struggling with career and relationship issues, Janeane Garofalo portrays her best friend, and Ethan Hawke and Stiller play the two lovers pursuing her. The story is as also about generation-X confusion over how to get by in a hand-me-down world with not much to get excited about, a world filled with a pop culture currency of bad music and poetry slams. The film's chief strength is its appealing cast, which is bolstered by appearances from David Spade, Renee Zellweger, Kevin Pollak, Jeanne Triplehorn, and Stiller's mother, Anne Meara. --Tom KeoghSince her appearance in "Heathers" (1989), Winona Ryder has been touted as a generational icon. Her work ranges from period drama ("Age of Innocence" and "Little Women") to pop culture ("Reality Bites"). This biography comb! ines interviews and profiles with photographs and movie stills! .The Sal em witch trials of 1692 are brought vividly to life in this compelling adaptation of Arthur Miller's play, directed by Nicholas Hytner ("The Madness of King George"). A group of teenage girls meet in the woods at midnight for a secret love-conjuring ceremony. While the other girls attempt to cast love spells, Abigail Williams (Winona Ryder) wishes for the death of her former lover's (Daniel Day-Lewis) wife. When their ceremony is witnessed by the town minister, the girls suddenly find themselves accused of witchcraft. Soon the entire village is consumed by cries of witchcraft, and as the hysteria grows, blameless victims are torn from their homes, leading to a devastating climax.The Salem witch hunts are given a new and nasty perspective when a vengeful teenage girl uses superstition and repression to her advantage, creating a killing machine that becomes a force unto itself. Pulsating with seductive energy, this provocative drama is as visually arresting as it is intell! ectually engrossing. Arthur Miller based his classic 1953 play on the actual Salem witch trials of 1692, creating what has since become a durable fixture of school drama courses. It may look like a historical drama, but Miller also meant the work as a parable for the misery created by the McCarthy anti-Communist hearings of the 1950s. This searing version of his drama delves into matters of conscience with concise accuracy and emotional honesty. Three passionate cheers for Miller, director Nicholas Hytner, and costars Daniel Day-Lewis and Winona Ryder. --Rochelle O'Gorman Synopsis: After nearly two decades under the wing of an aging, avuncular husband (Alan Arkin), dutiful mother and housewife Pippa Lee (Robin Wright Penn) undergoes a midlife breakthrough. Unearthing the sexually curious wild child of teens (as portrayed by Blake Lively), middle age Pippa sparks a relationship with a divorcee loner (Keanu Reeves). The Private Lives of Pippa Lee features Wright Penn i! n a revelatory performance as a resilient woman, refusing to l! et life pass her by.
Written by award-winning screenwriter and director Rebecca Miller, daughter of renowned playwright Arthur Miller.
Critics are saying it is Robin Wright Penn s tour de force performance and award buzz has already begun! the difference between growing old and growing up.
Produced by Plan B Entertainment, Brad Pitt s Production Company!Written and directed by Rebecca Miller (The Ballad of Jack and Rose), The Private Lives of Pippa Lee is a film that, like Thelma and Louise and those that have followed in its footsteps, seems best suited for women who yearn for a little adventure. The female characters in this film are better developed than the male, which on one hand makes one more sympathetic to Pippa and her plight, but on the other hand makes it difficult to imagine any man watching the movie with interest. The story focuses on Pippa Lee (Robin Wright Penn), a middle-aged woman married to an older man, publisher Herb Lee (Alan Ar! kin), with whom she feels bored and disconnected. Flashing back through time, scenes depict Pippa as a young girl (played by Madeline McNulty), then as a rambunctious, drug-addled twenty-something (played by Blake Lively). Some scenes, set in the 1960s and 1970s, feature Suky Sarkissian (Maria Bello), Pippa's hyper, dysfunctional mother, acting out her suburban housewife malaise to imply that boredom among married women is a contagious curse. Before Pippa Sarkissian gives her hand in marriage to the chauvinistic Lee, a few fun, original scenes do occur that spice up this generally tepid film. As Pippa leaves her childhood home, she encounters the most dynamic characters in the film, her Aunt Trish (Robin Weigart) and Trish's girlfriend, Kat (Julianne Moore), who teach her what it means to relish sexual freedom. However, Pippa grows into an uptight and unhappy woman who is only slightly rescued by her neighbor's son, Chris (Keanu Reeves). Since the film portrays a woman who ! is rather dull, it unfortunately suffers from a lack of passio! n as wel l. Still, the moments in which Pippa's surviving family does succeed and thrive may remind the viewer of that old phrase carpe diem. --Trinie DaltonWINONA RYDER 24X36 POSTER PRINT