Dracula - Dead and Loving It

• A comic reinvention of the Bela Lugosiic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.Running Time: 90 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Ag

A comic reinvention of the Bela Lugosi classic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.

DVD Features:
Audio Commentary:Commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck, and co-writers Rudy De Luca and Steve Haberman
Theatrical Trail! er

In 1995, it was promising to hear that Mel Brooks was creating "the companion piece to Young Frankenstein." He had also brought in the heavyweight of deadpan--Leslie Nielsen. As Lt. Frank Drebin in the Police Squad movies, Nielsen has no peer for silly stuff--just the player Brooks would seem to need for a strong movie, as any fan of Brooks perpetually hopes a new film may rekindle his madcap magic. Alas, the end results in Dracula: Dead and Loving It include a sprinkling of amusements and one big belly laugh. Brooks and his writers use a very tight adaptation of Bram Stoker's novel, but the spoofs can be spelled out as we go, as if they are paint-by-number. Some are jabs at Coppola's version of Dracula, but most are attached to classic Dracula films. If any real pleasure comes from the movie it's thanks to the efforts of the cast. Peter MacNicol plays the crazed Renfield to the letter, Steven Weber has a good time as the tight Bri! tish Harkin, and Lysette Anthony charms as the doomed Lucy. Br! ooks and Nielsen ham it up just fine. There's even a surprisingly controlled performance by Harvey Korman (a character spoofing Anthony Hopkins's role in the misfire The Road to Wellville). As with Brooks's period comedies, the film looks better than it needs to and includes a few tricky special effects for good measure. This has nothing to do with the audience laughing--we need bigger jokes. And when you double over laughing in one scene--involving a stake through the heart and a bucket of blood--you want the movie to achieve Brooks's days of glory, when hearty laughter was the norm, not an isolated moment. --Doug Thomas

Breach

• Breach is a first-person multiplayer shooter that arms you with a Destruction Toolbox - a whole new set of real military tactics that are not possible in any other military game.
• Destruction Toolbox - Blow out the ceiling to send your enemy flailing down in front of you, saw away your enemy's cover with your .50, or create a protected vantage point anywhere by shooting a few bricks out of a wall.
• Join the CIA's mysterious Special Activities Division as it executes deniable operations. Breach brings the clandestine world of black operations to life with accurate weapons, gear, and unique real-life spy gadgets that you can earn.
• Active Cover gives you huge advantages for using cover - even while it's being destroyed! Use Active Cover to turn the poor fool who runs around in the open into more Experience Points for you!Attach instantly to cover with the push of a button.
• I! nitially, you'll start with four character classes: Rifleman, Support, Sniper, or Gunner. You can unlock the Recon class once you've mastered the Sniper and Rifleman classes.

Inspired by the incredible true story of the greatest security breach in U.S. intelligence history, Breach is a spellbinding thriller starring Academy Award® winner Chris Cooper, Ryan Phillippe, Academy Award® nominee Laura Linney and Dennis Haysbert. Eric O'Neill (Phillippe) is assigned to work with renowned operative Robert Hanssen (Cooper), the sole subject of a long-term, top-secret investigation. Determined to draw this suspected double-agent out of deep cover, O'Neill finds himself in a lethal game of spy vs. spy, where nothing is as it seems. Critics are hailing Breach as "electrifying" (Peter Travers, Rolling Stone) and "suspenseful" (Ty Burr, The Boston Globe). Starring: Chris Cooper, Ryan Phillipe, Laura Linney, Dennis Haysbert, Caroline Dhavernas, Kathleen Quinlan, Gary Cole, Br! uce Davison, Ryan Phillippe Directed by: Billy RayIs a mystery! really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's genuinely stranger than fiction: FBI agent Robert Hanssen spent over 20 years selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative c! ipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen's treachery; thinking he's been brought in only to gather evidence about his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames ! (i.e., Hanssen's arrest in February 2001); the exquisite tortu! re of O' Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key element: the relationships that O'Neill maintains with Hanssen, his father (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamINSPIRED BY TRUE EVENTS, THIS TAKES YOU DEEP INSIDE THE HALLS OF THE FBI FOR A TOP-SECRET INVESTIGATION TO UNCOVER THEGREATEST BREACH IN THE HISTORY OF U.S. INTELLIGENCE.Is a mystery really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's genuin! ely stranger than fiction: FBI agent Robert Hanssen spent over 20 years selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative cipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen'! s treachery; thinking he's been brought in only to gather evid! ence abo ut his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames (i.e., Hanssen's arrest in February 2001); the exquisite torture of O'Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key element! : the relationships that O'Neill maintains with Hanssen, his father (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamUniversal Breach (HD-DVD / DVD Combo) Inspired by true events, "Breach" is a gripping and intense thrillerthat takes you deep inside the halls of the FBI for a top-secret investigation to uncover the greatest breach in the history of US Intelligence. Featuring powerful performances by Chris Cooper and Ryan Phillipe, nothing is as it seems in this suspenseful, action-packed film that will keep you riveted until the climatic ending.Is a mystery really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's gen! uinely stranger than fiction: FBI agent Robert Hanssen spent o! ver 20 y ears selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative cipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen's treachery; thinking he's been brought in only to gather evidence a! bout his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames (i.e., Hanssen's arrest in February 2001); the exquisite torture of O'Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key ele! ment: the relationships that O'Neill maintains with Hanssen, h! is fathe r (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamOnline play ONLY, no single play. Stun and obliterate your opponents with a whole new set of real military tactics not possible in any other game. Breach is a first-person multiplayer shooter that introduces the first destruction system robust enough to radically alter how you play.

Flawless

• From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater expe

From director Michael Radford (THE MERCHANT OF VENICE IL POSTINO) comes FLAWLESS a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn a bright driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs the nighttime janitor at London Diamond who is virtually invisible to the exec! utives that work there but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura s frustration he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura Hobbs plans go even farther than he s let on and together they set in motion a thrilling heist of dizzying proportions the likes of which London has never seen.System Requirements:Running Time: 109 mintuesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: PG-13 UPC: 876964001038 Manufacturer No: 10103It would be overpraise to propose that Flawless reviews itself with its title, but... how about "supremely decorous"? It is, at any rate, a film that merits a grateful salute from audiences weary of being beaten about the head and shoulders in pursuit of an engrossing caper movie. A plot to make off with a fortune in gems from England's premier diamond co! mpany unfolds without explosions, vrooming vehicles, or rapid-! fire sho otouts. It's like a feature-length variation on those sly, soft-spoken Alfred Hitchcock Presents episodes of the '50s, with the patient accumulation of mood, detail and character leading to wry twists and satisfying revelations. We are in 1960 and a London not yet disposed to swing. Laura Quinn (Demi Moore), the lone female officer of London Diamond Corporation, is smarter and more capable than her male colleagues, but that doesn't deter the company from promoting them over her while profiting from her talents. This has long since gotten old, so when Mr. Hobbs (Michael Caine), the mild-mannered night janitor, enlists her in a scheme to fill his thermos with two million pounds' worth of diamonds from the vault, she listens. Suffice it to say that the vault is penetrated according to plan--and then the real tension sets in. Things are not what they seem, even to those supposedly in the know (us, for instance), and distrust springs up between the conspirators as they fin! d themselves under close scrutiny by a steely investigator (Lambert Wilson).

All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an invisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson

Coraline (Two-Disc Blu-ray/DVD Combo w/ Anaglyph 3D)

• Format: AC-3, Animated, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, 3D, Widescreen
• Language: English, Spanish, French
• Aspect Ratio: 1.85:1
• Run Time: 100 minutes
• Actors: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French

From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Critics are hailing Coraline as "a remarkable feat of the imagination" (Kenneth Turan, Los Angeles Times). Directed by: Henry SelickIncludes: 3D Glasses (4 pairs) From the Director of The Nightmare Befor! e Christmas comes a visually stunning stop-motion animated feature - the first to be originally filmed in 3-D! Discover how the filmmakers and artisans created the magical handmade world of Coraline, exclusively in this 2-Disc Collector's Edition! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "A visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry SelickA dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated! characters with huge eyes and demonic grins set against menac! ing back grounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who antici! pate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi

Stills from Coraline (Click for larger image)

Crooks & Castles Men's Knit Transport Angels Crew T-Shirts, White, X-Large

• Knit crew t-shirts
• Tees

Men's knit transport angels crew t-shirts

Hunter - After The Fall (Book One)

• Twenty-First Century Civilization Will Soon Collapse
• Just One In Ten Thousand Will Survive The Apocalypse
• You Have Been Chosen To Escape The Great Purging
• Welcome To The Future...

Publishers Weekly Top 10 Best of the Year

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."-Nancy Pearl, NPR

"Hauntingly beautiful."-Booklist

"Unpredictable and poeti! c work."-The Plain Dealer

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.<

This science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story ha! s something important to say about humanity and packs a punch ! the read er will feel for a while." -- Sarah NicolasThis science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader will feel for a while." -- Sarah NicolasThe apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going! to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree ! Award-winner China Mountain Zhang and New York Times! edi tor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.The apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological b! reakthrough, Time Travel, a catastrophic failure occurs. This ! strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited.In volume one of his epic post-apocalyptic adventure saga, master storytelle! r John Phillip Backus brings this not-so-distant vision of the future to life with intriguing characters, gifted narrative, believable settings and mythic heroes and villains. Driven by a riveting storyline brilliantly illustrated by Asheville, NC artist, Chad Schoenauer, the author weaves his linguistic magic until the reader is utterly immersed in this brave new world and dare not fail to turn the next page for fear of missing out. On his own in the Wyoming wilderness, fourteen years after the End War and its aftermath nearly wiped out the human race, self-exiled survivor, Hunter Macintosh, is suddenly faced with more than he bargained for-three sisters and a child crossing the uncharted wilds alone. Suspicious at first, Hunter soon discovers they've traveled more than three hundred miles to find him, at the request of their father, Adam Planchet-Hunter's former commander and comrade-in-arms-whose besieged Colorado community is at risk of being overrun by lawless hordes! Honor-bound by a pledge made many years earlier, Hunter agrees to return with Elise Planchet to help turn the tide before all is lost. Set against the majestic backdrop of the North American Rockies, Hunter - After The Fall is an engrossing tale of adventure, betrayal and hope, where the true character of an individual is thoroughly tested and the outcome uncertain at best. Join Hunter and Elise as they battle bands of outlaws, enraged grizzlies, numbing blizzards, armed militias and their own stubborn hearts in an epic tale of good-versus-evil in a potential future all too easy to conceive!

Day Watch / Dnevnoy Dozor - (PAL/R5 - Russian Import)

• - Deluxe Digipak (Collector's Edition)
• - Region 5

NO ENGLISH SUBTITLES!!! PAL formatted, Region 5, Russian DVD. Audio track: DD 2.0 and DD 5.1 RUSSIAN. WILL NOT play on regular R1 DVD player (multisystem PAL/NTSC compatible, region free DVD player required).........................................SYNOPSIS: This time the World happens to be on the threshold of war between the Dark and Light Powers... The Inquisitor steps into the limelight. It means that stakes are very high now and all the participants are only pawns in the big game. Anton Gorodetsky, the operative of Night patrol, nightly battling witches and vampires in the streets of Moscow, becomes such a pawn in intrigue that has very thin plot. But neither the master manipulator, nor the victim can imagine what the outcome of this chain of unfortunate events will follow...

District B13

• In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 876964000208 UPC: 876964000208 Manufacturer No: 10020

In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable! gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer