Clan of the Cave Bear

• Daryl Hannah and Pamela Reed star in this richly detailed, beautifully shot saga of the rise of a more advanced clan of people. John Sayles wrote this adaptation of Jean M. Auel's worldwide bestseller.Starring: Daryl Hannah, Pamela Reed Year: 1986 Sound: ENG; Subtitles: ENG, FR Screen Format: Side A: Widescreen; Side B: StandardRunning Time: 98 min. Format: DVD MOVIE Genre: DRAMA Ratin

While driving down a country road, Carrie Mitchell (Daryl Hannah) is en route to her new life in Salem, Maine. Suddenly, from out of the woods staggers Amy Singer, injured and scared! Carrie pulls over to help, and her young passenger begins to tell Carrie a horrifying story of what happened to her and her friends in the woods. Through a series of flashbacks we witness the horrific events of Amy and her colleagues, who days earlier were out on an environmental studies trip for college. Camped in the forest ex! cavating what they believed was an ancient Indian burial site, they come across an arm bone, with a Rolex watch still attached around the wrist. It dawns on the group that they have discovered a burial ground, but not the type they were seeking! Carrie soon discovers that Amy carries a deadly secret, and the unspeakable horror that happened in the woods is far from over.Ayla, a young Cro-Magnon girl, is rescued and raised by a Neanderthal clan, but is the constant object of scorn and derision because of her beauty and greater intelligence.
Item Type: DVD Movie
Item Rating: NR
Street Date: 11/23/99
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: SleeveEvery statuesque, beautiful blonde woman has spent more time in the company of Neanderthals tha! n she cares to remember. Seems it's always been that way: ! Clan of the Cave Bear, a 1986 feature scripted by John Sayles and based on Jean Auel's bestselling novel set in prehistoric times, stars former mermaid Daryl Hannah as an intelligent Cro-Magnon woman adopted and raised by lesser-evolved Neanderthals. Berated for her brains, sexually exploited, and generally treated as uppity chattel, Hannah's character sets out for the far country to see who else is there. Eventually, she finds more Baywatch-like gods and goddesses similar to herself, including an Aryan-looking stud with whom she discovers how good sex can feel with a warm, caring, proto-human. Sayles's writing on this project is forceful but cheeky. It's hard not to laugh at a number of scenes that shouldn't, in the strictest sense, be laughed at (the use of subtitles to decipher caveman grunts and clucks may or may not be an intentional running joke), but one gets the feeling Sayles looked upon this challenge as a pop exercise instead of (as many of the boo! k's fans would have preferred) a religious experience. Michael Chapman, ace cinematographer of Mean Streets and The Wanderers, directed with an eye toward primitive exotica and made this a terrific-looking movie. Author Auel was reportedly unhappy with the final results on screen, but the film is well worth a fascinated look. With Pamela Reed and James Remar. --Tom Keogh

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Bernard and Doris

• Inspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar? winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on a

Lust turns to love for a 40-ish working-class woman and a 20-ish yuppie adman with little in common. Studio: Uni Dist Corp. (mca) Release Date: 03/01/2005 Starring: Susan Sarandon Jason Alexander Run time: 103 minutes Rating: R Director: Luis MandokiGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by! the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younge! r man. He gives her a lift, she seduces him, and the rest of t! he movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakGlenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on ! getting his money back, and meets a testy Nora, who is bemused! at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad,! or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula NechakSettle in. Take a deep breath. Hold tight. The best screen version yet of a novel by John Grisham (The Firm, The Pelican Brief) delivers all-out, moment-by-moment suspense! Headliners Susan Sarandon and Tommy Lee Jones join newcomer Brad Renfro in The Client, a whirlwind thriller that "starts like a house afire and keeps on blazing" (Chicago Tribune). Renfro plays Mark Sway, an 11-year-old torn between what he knows and what he can never tell. A hitman will snuff him in half a heartbeat if Mark reveals what he learned about a Mob murder. An ambitious federal prosecutor (Jones) will keep the pressure on until Mark tells all. Suddenly, Mark isn't a boy playing air guitar anymore. He's a pawn in a deadly game. And his only ally! is a courageous but unseasoned attorney (Sarandon) who risks ! her care er for him...but never imagines she'll also risk her life.The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis, and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Sch! umacher's work on this movie that he later asked him to direct A Time to Kill. --Jim EmersonThe exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J.T. Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis, and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashi! on designer/screenwriter-turned-director Joel Schumacher's wor! k on thi s movie that he later asked him to direct A Time to Kill. --Jim EmersonBased on the novel by Sidney Sheldon, this riveting story of love and revenge boasts dazzling portrayals by Marie-France Pisier, John Beck and Susan Sarandan in one of her career-making roles.

Although American WWII pilot Larry Douglas (Beck) promises to marry French femme fatale Noelle Page (Pisier), he instead returns Stateside and marries well-to-do Catherine Alexander (Sarandon). And once Noelle takes a Greek multi-millionaire (Raf Vallone) as a lover, she plots to shame Larry by arranging for him to be the tycoonÂ's private pilot. But in one of many delicious twists of fate in this gripping tale of love, war and betrayal, Noelle and Larry again become passionate, and when Catherine refuses to divorce Larry, the cheating couple seek a murderous revenge.An over-the-top film co-starring a young and gorgeous Susan Sarandon, The Other Side of Midnight is a deliciously melodr! amatic adaptation of Sidney Sheldon's sweeping (and often schlocky) novel of the same name. Released theatrically in 1977, the film focuses on the intermingling lives of sexily innocent Noelle (Marie-France Pisier), who has a brief affair with a cad named Larry (John Beck), who ends up marrying wealthy and proper Catherine (Sarandon). When Noelle and Larry meet first lock eyes, he is a dashing World War II American fighter pilot who professes his love for her. But when she discovers she is pregnant with his baby, he is nowhere to be found. So what's a poor girl to do but abort her baby, rise to stardom as one of the world's most famous actresses, and plot revenge against her duplicitous ex-lover? But faster than you can say, "You go, girl!" (or "Oh no she didn't," depending on your point of view), Noelle once again falls for Larry's vaguely porn star charms. But what to do with Catherine, who refuses to divorce her cheating spouse? Make no mistake about it: The Other Sid! e of Midnight is not quality filmmaking and is probably no! t someth ing Academy Award winner Sarandon even lists on her resume. But she is a joy to watch, even as she has to deliver clunky lines such as, "If you don't love me, Larry, don't lay me." This is not a great movie. Heck, it's not even a particularly good movie. But it's one of those guilty pleasures that you'll watch all the way through, even as you're complaining about the implausibility of it all. --Jae-Ha KimInspired by the true story of tobacco billionairess Doris Duke and her devoted Irish butler Bernard Lafferty, the touching HBO Films drama Bernard and Doris stars Oscar® winner Susan Sarandon (Dead Man Walking) and Ralph Fiennes (The English Patient). After failed relationships with her previous waitstaff, Doris meets Lafferty, fresh out of rehab and without a penny to his name. She takes him on as her butler and he is put in the unenviable position of having to convince the notoriously demanding Duke to keep him in her employ. Directed by Bob Balaban (Gosford Park),! the film effectively captures the elegance of a bygone era and is scored with countless musical standards, such as Peggy Lee's "The Best Is Yet To Come". Bernard and Doris tells the witty and endearing tale of an unconventional bond between a society "princess" and her flawed "pauper" of a butler. Bravura turns by Ralph Fiennes and Susan Sarandon in the title roles carry Bernard and Doris, director Bob Balaban’s 2007 film about the long relationship between zillionaire tobacco heiress-philanthropist Doris Duke and her butler, Bernard Lafferty. These are two fine actors (Sarandon has been nominated for five Oscars, winning for Dead Man Walking, while Fiennes has been nominated twice) at the top of their games. That’s a good thing, as they are on screen almost constantly; and the truth is that other than the evolution of the Duke-Lafferty bond, not a lot actually happens. Sarandon delivers a measured, almost casual performance as Duke, a woman who seems rel! atively unpretentious (if clearly entitled) about her vast for! tune, de spite have done absolutely nothing to earn it. Duke barely even acknowledges her various employees, except to fire them (or occasionally sleep with them; the twice-married heiress has a predilection for studly, much younger men)--until Lafferty comes along, that is. Stone broke and fresh out of rehab (his alcoholism is an ongoing theme), the shy Irishman gradually ingratiates himself with his demanding employer until he becomes as much a companion as a servant. It helps that as a gay man, he has no interest in seducing her; moreover, unlike the many others who are out to get their hands on her money, Lafferty seems to genuinely value loyalty and friendship over more venal concerns ("I just want to take care of you," he says in one of several poignant scenes), and he’s rewarded with several million dollars and full control of her estate after her death (in 1993). Fiennes is also admirably restrained in a role that could have been meretricious and over the top; combine that ! with a fine script (by Hugh Costello) and some great songs by Peggy Lee, and a splendid time is guaranteed for all. --Sam Graham

KELLY LEBROCK 24X36 COLOR POSTER PRINT

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Seduction is a powerful force, and in the form of The Woman in Red, it's certain to lead to unbridled passion and unlimited laughs! Featuring a first-rate cast that includes Gene Wilder, Charles Grodin, Joseph Bologna, Judith Ivey, Kelly Le Brock and Emmy-winner Gilda Radner, this comedy bombshell scores a perfect 10! Businessman Teddy Pierce (Wilder) has always played by the rules... until he meets the woman in red. With killer legs and a knock out style, sexy Charlotte (Le Brock) is the ultimate fantasy woman. Now Teddy's headed straight for trouble. Deciding just this once 'to give in to temptation, he's looking forward to the most romantic experience of his life. But Teddy's amorous affections soon lead to hilarious consequences when his friends, his secretary and Charlotte's husband get involved!! For a few years in the mid-1970s, thanks mostly to his collaboration with Mel Brooks, Gene Wilder was the hottest name in comedy. His films with Richard Pryor made him such a star that he was given the chance to write and direct--a big mistake. The nadir was this slow-moving, self-conscious Americanization of the French bedroom comedy Pardon Mon Affaire. Wilder plays an American executive who glimpses a gorgeous woman and turns his life and his marriage upside down in his misguided pursuit of an unattainable ideal. Heavy-handed sex farce doesn't get much help from Wilder, who does himself no favors as a director; LeBrock is a worthy object of obsession, but she deserves a better movie. --Marshall FineFor a few years in the mid-1970s, thanks mostly to his collaboration with Mel Brooks, Gene Wilder was the hottest name in comedy. His films with Richard Pryor made him such a star that he was given the chance to write and direct--a big mistake. The nadir was this ! slow-moving, self-conscious Americanization of the French bedr! oom come dy Pardon Mon Affaire. Wilder plays an American executive who glimpses a gorgeous woman and turns his life and his marriage upside down in his misguided pursuit of an unattainable ideal. Heavy-handed sex farce doesn't get much help from Wilder, who does himself no favors as a director; LeBrock is a worthy object of obsession, but she deserves a better movie. --Marshall FineKelly LeBrock: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Mov! iestore we will gladly refund your money!

Sex and the City Poster TV D 11x17 Sarah Jessica Parker Kim Cattrall Kristin Davis Cynthia Nixon

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
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• Sex and the City 11 x 17 Inches Style D Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Kim Cattrall, "Sex and the City"'s Samantha, slides between the sheets and shares her secrets on reaching the heights of pleasure. She teams up with her husband in this how-to-sex book, based on viewer feedback from the show and designed to help couples focus on achieving the female orgasm. 75 illustrations.Pleasing color sketches and simple diagrams adorn the pages of Satisfaction: The Art of the Female Orgasm by famed Sex and the City actor Kim Cattrall and her husband, jazz musician Mark Levinson. The fact that Cattrall's character on the ! show, Samantha Jones, is a sexual giantess is likely to bump up sales a notch for this attractive, children's-size book, but nevertheless it's a very worthwhile read.

Simple concepts--open communication, trust, love, and a consistent interest in pleasing one another--are the ingredients for an enriching and fulfilling sex life that can bring two people ever closer, according to the text. The facts speak for themselves: when pressed, women will confess in droves that they are sexually frustrated. It's tricky to communicate one's carnal desires to one's lover, yet both parties must be open to this type of ongoing discussion for the formula to work.

Meanwhile, a little education for men can go a long way. The concepts are basic--anyone who isn't a virgin probably knows them. But the rub lies in the consistency, the selflessness, and the patience required of the man. Cattrall and Levinson ask their male readers how they'd feel if they experienced some physic! al pleasure during lovemaking but never got to climax; they wo! uld like ly get frustrated after a while. So an abiding devotion to pleasing the woman is a basic assumption throughout, and one that isn't commonly pointed out in such an open way elsewhere. Some readers may think Cattrall and Levinson's approach offers nothing new or exciting, but this honest reminder of what it takes to be a sensitive and satisfying lover is just what the doctor ordered. --Teri Kieffer In this irreverent comedy, awkward teenager Tobe (Dustin Ingram) sets off on a road trip to meet Monica Velour (Kim Cattrall), his favorite '80s porn star, at a rare live appearance hundreds of miles away. Instead of the glamorous sexpot portrayed on film, he finds a 49-year-old single mom living in a trailer in rural Indiana, performing at seedy strip clubs to make ends meet. A starry-eyed Tobe, still captivated by his crush, befriends Monica, further complicating her difficult life. Kim Cattrall gives a career-defining performance in this offbeat love story that appeals to! the dreamer -- and the nerd -- in all of us.Now in paperback--"Sex and the City" star Cattralls's provocatively illustrated exploration of the mysteries of sexual desire.This may well be the sexiest coffee table book ever created. A companion to the HBO documentary of the same name, Sexual Intelligence is a follow up title to Kim Cattrall's simpler, more technical Satisfaction: The Art of the Female Orgasm. Gorgeously sensual photos and a sprinkling of poetry cozy up to science, combining experts like Betty Dodson and Thomas Moore with Sappho and Georgia O'Keefe; this time around, the goal is exploration, rather than instant delivery.

Specifically, all this lush intelligence directs itself towards education about why we want what we want. After poring over the five lovely chapters (Desire, Messaging, Arousal, Fantasy, and Release), you still might not have a definite answer, but the final pleasure far outweighs the impression of flightiness. Stra! ightforward explanations of anatomy (a definite step up from s! chool he alth class) intermingle with tales of ancient gods and goddesses that liven up facts, while the layer of glamour over all wraps the package in a big fluffy bow. Shots of classic paintings mix equally with shots of Kim, each providing eye candy that is tailored to please.

Six "average folks," ostensibly representing a wide sample of sexual interests and ideas, provide quotes throughout the text; sometimes offering a complex thought, other times simply throwing in something along the lines of, "I drive a nice Porsche so I can get chicks." While their voices do help make the book more representative of the general population, it still feels like a book aimed mostly at straight women--which might make it a very handy title for straight men to keep in their living rooms.--Jill Lightner

Amazon.com Interview with Kim Cattral

Amazon.com: Can you explain what you've got in mind by the phrase "sexual intelligence"?
Kim Cattrall: A person who knows what they like! And has some idea why. Intelligence is traditionally defined -- Webster's for example would define intelligence as success in coping with situations and solving problems. Intelligence can also mean a collection of useful insight and information that enriches understanding. I used the word "intelligence" in the title of the book and the documentary because it reflects my desire to gather whatever insights, inspirations, and informatio! n that could nourish the part of us that is sexual and sensual! , so tha t it might be strong and function well.
Amazon.com: What was the starting point for Sexual Intelligence?
Kim Cattrall: My previous book Satisfaction: The Art of the Female Orgasm was unabashedly a how to, complete with colored arrows and schematic diagrams by way of demonstration. People responded so positively the book -- they wrote me these amazing letters and I could see there remained an enormous amount to explore and learn -- for myself as well as everybody else. Orgasm is fabulous, but I realized I had started at the end of the story. Writing a book on how to satisfy sexual desire lead me to become more interested in what its roots and sources actually are. What inspires arousal in the first place? Where does it come from? What can it tell us? How does it keep us engaged with the world?
Amazon.com: Of the five chapters (Desir! e, Messaging, Arousal, Fantasy and Release), the one on desire is by far the longest. What makes this topic so much more important?

Courage! [Samantha Jones] was courageous and totally without prejudice.

Kim Cattrall: The idea of "desire" is really the central theme of the book. At one point I even thought of calling the book "desire" but it sounded too much like another celebrity fragrance, you know -- Kim Cattrall: Desire. But really, an investigation of desire was the key idea growing out of my previous book. It’s funny, in a way this book is almost like a pre-quel to my previous book Satisfaction 'cause without desire, there ain't no "satisfaction." Something that came up right away in regard to desire or arousal, is that men and women tend to ! experience it differently and of course we wanted to include b! oth poin ts of view, so that made the chapter even longer!
Amazon.com: Your book draws on so many eras and cultures. Which one is the most inspirational for you?
Kim Cattrall: Looking at the stories and images that have informed and given expression to erotic impulses over the centuries was fascinating to me. They help give shape to the individual struggles and joys we experience through sex

The classical era of Greece and Rome are endlessly fascinating because those cultures so openly celebrated sex on both a literal and a metaphorical level.

and also show what an enduring and central role sexuality plays in being human. The classical era of Greece and Rome are endlessly fascinating because those cultures so openly celebrate! d sex on both a literal and a metaphorical level. Their worship of the phallus mines a very rich vein of human drives and drama. The mythical figure of Aphrodite or Venus, the great Goddess of love, is an invention of pure cultural genius in how well it expresses the complexity, allure and power of sexuality.
Amazon.com: Satisfaction: The Art of the Female Orgasm came about in relation to your character on Sex in the City. How did your role as Samantha Jones influence this project?
Kim Cattrall: Courage! She was courageous and totally without prejudice. She was also self-accepting. Those are three valuable characteristics that I had the benefit of continually rubbing up against in the skin of Samantha Jones and I believe they came strongly into play on this project.
Amazon.com: What was the most surprising thing you learned while ! working on the book?
Kim Catt! rall: Well, after living inside Samantha Jones for 6 years, you would think nothing would surprise me! But I learned an ENORMOUS amount. Even in areas that are very familiar, like looking at parts of the body or discussing the differences between men and women. I think "revelation" might be a better word -- there were so many instances of insight -- moments of -- "Aha, so that explains it!" Sexuality is such a vast subject and so complex. You realize you've been going on a trickle of knowledge when there's like gushing waterfall out there.

Examining the underpinnings of eroticism was very exciting.

Some of the most revelatory material to me centered on new brain research and learning about what actually happens to us on a physiological and biochemical level during arousal, and even throughout a sexually! charged relationship. Another area that offered so much new insight was learning how sexual fantasies actually function and how better to approach and understand them, even when they're quite odd -- which of course, being fantasies, they certainly can be. Also, examining the underpinnings of eroticism was very exciting. It's like we live with all of these images -- icons really -- like the dominatrix, the masked man, the naked half beast, or even from a classical standpoint, Venus on the half-shell. The images are achingly familiar, they've been with us for centuries, but what ever are they supposed to actually mean? Getting into all of that was extremely enriching. Images like those endure for reason. They speak to something elemental and universal.

In this irreverent comedy, awkward teenager Tobe (Dustin Ingram) sets off on a road trip to meet Monica Velour (Kim Cattrall), his favorite '80s porn star, at a rare live appearance hundreds of miles away. Instead! of the glamorous sexpot portrayed on film, he finds a 49-year! -old sin gle mom living in a trailer in rural Indiana, performing at seedy strip clubs to make ends meet. A starry-eyed Tobe, still captivated by his crush, befriends Monica, further complicating her difficult life. Kim Cattrall gives a career-defining performance in this offbeat love story that appeals to the dreamer -- and the nerd -- in all of us.Award-winning "Sex and the City" actress Kim Cattrall offers heartfelt adviceto today's teens. Cattrall tackles real questions in an honest, intimate, andtotally hip way. Info-packed spreads feature never-before-seen teen photos ofthe actress.A charming romantic comedy starring Andrew McCarthy (Pretty in Pink), Kim Cattrall ('sex andthe City ), Meshach Taylor ( Designing Women ), Estelle Getty ('the Golden Girls ) and James Spader(Stargate), Mannequin is more than the sum of its fiberglass body parts it's all heart! Jonathan Switcher (McCarthy) has certainly been living up to his name. A frustrated artist, he switches from one dead-end j! ob to another, never managing to hold on to any of them. But all of that changes when a mannequin he created for a department store window comes magically to life! Gorgeous and statuesque, this fiberglass femme fatale (Cattrall) helps Jonathan turn his career around, inspiring him to be the best window dresser in town. But she soon discovers that the real world isn't so easy, when they run into competitors who want to put them out of businessfor good!Mannequin is notionally a romantic comedy in which Andrew McCarthy plays a luckless department-store employee and Kim Cattrall (Sex and the City) is an Egyptian princess reincarnated as a shop-window dummy, who comes to life when she encounters McCarthy, only to revert to mannequin status when anyone else is watching her. With her encouragement, he becomes emboldened in his career as a window decorator as well as falling in love with the princess. James Spader's oily, stammering executive is just one of the many e! xamples of a film that tries way too hard to be funny, the sor! t of cha racterization that would be barely adequate for a TV commercial, let alone a 90-minute movie. Still, for fans of Sex and the City who might want to feast upon the spectacle of a younger Kim Cattrall, Mannequin might offer a measure of relief. --David StubbsSex and the City reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style D mini poster print

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CHARLOTTE LEWIS 8X10 PHOTO

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Lewis and Clark's 1804 to 1806 expedition to discover a direct water route to the Pacific Ocean resulted in accomplishments never imagined. Although they never found a water route west, they discovered and described more than 40 American Indian tribes, 122 animals unknown to science, and 178 types of plants. In exquisitely detailed watercolor illustrations and intriguing essays, Common to This Country explores more than two dozen of these plants' place in history and their significance.

The book skillfully chronicles Lewis' obsession with plant collecting, often in his own words, and botanically accurate watercolors display the salient features often noted in Lewis's journal. This beautiful ! guide will appeal to natural history buffs and gardeners alike.Action hero Dolph Lundgren thrilled you in UNIVERSAL SOLDIER ... now he's back in the heart-stopping adventure MEN OF WAR! Lundgren is part of a topflight team of ex-Special Forces agents hired by ruthless con men. Their mission: to carry out a secret operation and overtake an exotic island that's loaded with precious jade. But once there, the agents -- led by Lundgren -- defect to defend the islanders against the savage attackers! It's nonstop action as Lundgren and his elite group wage war to defeat the deadly opposition at any cost. From the screenwriter of THE QUICK AND THE DEAD -- you'll love every hard-hitting minute.Men of War stars tall, craggy Dolph Lundgren as a down-and-out commando who agrees to do another job because there's nothing else he knows how to do. He assembles a crack team and travels to an isolated Pacific island with orders to secure it for a mysterious business venture. But once ! there, he discovers an idyllic paradise with peaceful natives ! who welc ome the mercenaries into their village. When Dolph learns what the venture is really about, he decides he's on the wrong side and, with part of his team, fights to defend the island from destruction. The first third of Men of War is drenched in sweaty machismo--the camera constantly lingers over rippling muscles and bruised skin during an endless bar fight. But once on the island, the mercenaries frolic sweetly with native children and the scenery is astoundingly beautiful (and beautifully filmed). A native who speaks English delivers some heavy-handed pacifist speeches. Then, as another team of more ruthless mercenaries arrive, the movie again turns into an ecstasy of gunshots and explosions--only, because of the genuinely charming middle third, there are actually some emotional stakes to the violence. Furthermore, the natives turn out to be not quite as peaceful as they presented themselves, adding some surprising layers to the movie's moral tone (likely due to the ! hand of co-screenwriter John Sayles, the man responsible for Brother from Another Planet and Lone Star). All in all, better looking and better written than any movie starring Dolph Lundgren has any right to be. --Bret Fetzer Must Be 18 Or Over To Purchase. Playboy Magazine Are From A Private Collector`s Collection Who Took Great Care In Keeping Them Flat & Clean. Very Collectible & Many Issues Are Very Hard To Come By.CHARLOTTE LEWIS 8X10 PHOTO

Whiteout

• Condition: New
• Format: DVD
• Color; Dolby; DVD; Widescreen; Dubbed; Subtitled; NTSC

Lone u.S. Marshal the only one assigned to antarctica must investigate a murder and track down a serial killer on the frozen continent within three days before the dark winter begins. Studio: Warner Home Video Release Date: 01/19/2010 Starring: Kate BeckinsaleBaby, it's cold outside: that's the problem for U.S. Marshal Carrie Stetko (Kate Beckinsale), the only law-enforcement officer assigned to Antarctica. On the verge of shipping out before the really bad weather hits, Carrie is confronted with a mysterious murder that sounds like a riddle: how'd a lone corpse find its way to the middle of an ice field, as though dropped from a great height? And what's this have to do with the prologue about a Soviet fighter jet crashing some decades earlier? Whiteout, based on the graphic novel by Gr! eg Rucka, solves these questions in a brisk if mostly preposterous manner, and it moves swiftly enough so you don't have to spend too much time on the plausibility of it all. Among the other snowbound stragglers are a U.N. investigator (Gabriel Macht, of The Spirit), some cocky pilots (Alex O'Laughlin, Columbus Short), and a grizzled doctor (Tom Skerritt). If the presence of Skerritt conjures up memories of Alien, with its ten-little-Indians structure and female warrior, hold on--Whiteout doesn't actually have a supernatural twist to it, and Beckinsale is no Sigourney Weaver. But director Dominic Sena (undistinguished by his cheesy film Swordfish) puts the screws to the material in a relentless way, and the vast exteriors (shot in Canada) are impressive. And when it comes to one particular wow-you're-really-going-there instance of potential amputation for a main character, the film doesn't back down. In fact it sort of revels in the moment. --! Robert Horton

Signed Seymour, Stephanie 8x10 Photo

• Comes with Powers Collectibles COA and matching authenticity holograms

Yes, dahling, you can be as beautiful as today's top supermodels with the hundreds of beauty tips awaiting discovery in Beauty Secrets For Dummies. Hailed as "...the ultimate manual on beauty and skin care" by Sarah, The Duchess of York, this friendly, plain-speaking reference book guides you along the way, whether you're looking for touch-up secrets and solutions or an entire makeover. Beauty Secrets For Dummies covers everything you need to know: skin basics and beyond; hair care, coloring, processing, and styling; finding, selecting, and applying the right makeup; and supermodel Stephanie Seymour's own tried-and-true home spa regimen. Plus, check out her tips for ways to vary your makeup look, and verse yourself in more than 100 beauty terms and a special section on beauty resources (from corner dru! gstores to beauty-related Web sites) along with a 16-page, full-color Makeup Workbook. This is a beauty book like no other! This item comes with a certificate of authenticity from LCG Signatures.Signed 8x10 comes with powers collectibles coa and matching holograms