Sunday, February 12, 2012

The Butterfly Effect: How Your Life Matters

Wednesday, January 25, 2012

Calendar Girls

Thursday, January 19, 2012

Brady 81843 18" Width x 7" Height B-523 High Intensity Self Sticking Polyester, Glow-In-The Dark Safety "Exit to Street" Guidance Sign (Pack of 10)

  • NYC Approved
DARK STREETS - DVD MovieAcclaimed soundtrack to the motion picture "Dark Streets"

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

No Description Available.
Genre: Horror
Rating: R
Release Date: 18-MAR-2008
Media Type: DVDBRITISH CINEMA - DVD MovieRosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-! old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sex! ual assault and interracial rape fueled civil rights campaigns! through out the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she he! lped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a ! twenty-four-year-old mother and sharecropper, Recy Taylor, who! strolle d toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil righ! ts campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becomin! g a leader of the movement she helped to start, was turned int! o a symb ol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and shar! ecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and int! erracial rape fueled civil rights campaigns throughout the Sou! th that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was ! turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Exit to street signs mark intermediate exit doors leading to a street level lobby. BradyGlo photoluminescent signs provide a bright, long-lasting afterglow during a lights-out evacuation. Maximum charge is achieved in two hours with 2 foot-candles of bright white light. Brady B-523 BradyGlo high intensity laminate is a glow-in-the-dark (photoluminescent) polyester film coated with an aggressive pressure sensitive adhesive. Brady B-523 BradyGlo high intensity laminate is designed to provide high adhesion and luminance for egress m! arking in low light areas in and along stairwells of public bu! ildings as required by the city of New York. Complies with all indoor use requirements specified in RS 6-1 and 6-1A of New York local law 26 including photoluminescence, washability, flammability, toxic gas generation, and radioactivity. Brady B-523 is a non-toxic, non-radioactive, explosion safe (does not generate energy to induce explosions) material allowing for safe and effective egress marking. With nearly 150 different options for exit signs. Brady has a wide range of egress signage products to help you mark the location of your facility's exits, including photoluminescent exit signs (glow-in-the-dark exit signs), LED exit signs, directional exit signs, and other exit signage. Brady also offers exit signs with combination lighting and emergency floodlights, as well as exit markings with safety and egress instructions.

Goodbye Bafana - Laminated Movie Poster - 27 x 40 Inch (69 x 102 cm)

  • You are looking at a beautiful, professionally laminated poster.
  • Lamination is a cost effective way to extend the life of your print or poster.
  • Rolled and shipped in a sturdy tube.
  • Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
  • This poster is from Goodbye Bafana (2007)
An account of how the author was Nelson Mandela's gaoler for over twenty years. Despite opposing political views and Gregory's initial dislike of Mandela, the two gradually formed a firm friendship, becoming each other's confidant and source of comfort. Gives insight into the character and political beliefs of Mandela.Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develops between political prisoner Nels! on Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom makes him a worldwide symbol of South Africa's heroic fight for democracy.Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’s superior charges the warder with! censoring correspondence and supervising visits between the A! frican N ational Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color of Freedom captures the natural beauty of South Africa and the unnatural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effort means well, but fails to registe! r as more than a made-for-TV movie with superior production values. --Kathleen C. FennessyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Wednesday, January 18, 2012

Heavyweights

  • From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to
When a harried businessman and a hapless crook collide on the biggest day of both their careers the only road seems to lead straight to comic disaster. A workaholic advertising executive (David Paymer) is stuck driving the neighborhood carpool on the day of a make-or-break presentation. A down-on-his luck carnival owner (Tom Arnold) fleeing a bungled robbery takes the exec and his vanful of kids hostage and begins a comic day-long chase through the city streets where the two men learn some unexpected lessons! and forge an unlikely friendship.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393183226Studio: Paramount Home Video Release Date: 11/20/2007 Run time: 109 minutes Rating: PgFrom the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to turn the tables, take back their woodsy hideaway, and challenge the rival camp to the most outrageous summer games of all! You'll laugh out loud with these HEAVYWEIGHTS -- they're big, loud, and proud, and ready to win their way into your heart!

Cowboys & Angels

Rocawear Men's R Plus Loose Fit Core Jean, Deep Indigo, 38x30

Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's Finest).This family drama beg! ins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberl! y HeinrichsThis family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsBased on the award w! inning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in D! a Noise, Bring in Da Funk) is apparent; adapted by scriptw! riter Ru ben Santiago-Hudson from his own autobiographical play, Lackawanna Blues is less a story than a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to ov! erlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhome country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham