Monday, November 14, 2011

Holes

  • ISBN13: 9780374332662
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
10th Anniversary Edition
 
Louis Sachar received great recognition for his groundbreaking story of Stanley Yelnats â€" a boy with a history of bad luck. As School Library Journal predicted in their starred review of the book when it was first published, “Kids will love Holes.” A decade later, the book is still quenching young readers’ thirst for a gripping story about a far-reaching family curse, friendship, adventure, endurance, and, finally, a generous helping of good karma.
 
Celebrate with this special 10th Anniversary Edition, which includes portraits of the author as a li! ttle brother (by his big brother), as a husband (by his wife), and as a father (by his daughter), along with photos and Louis Sachar’s 1999 Newbery acceptance speech. Vladimir Radunsky, who created the original iconoclastic cover illustration, has made new art from the familiar images. Wrapped in an acetate jacket, this edition is an appealing package that will be equally welcome in public, school, or home libraries.
 
Holes is a 1998 New York Times Book Review Notable Children's Book of the Year and the winner of the 1998 National Book Award for Young People's Literature, the 1999 Boston Globe - Horn Book Award for Fiction and the 1999 Newbery Medal.
"If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, ! and there are no happy campers. In place of what used to be "! the larg est lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick! as the irony.

It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis

The King of Kong: A Fistful of Quarters

  • In this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't re
AMERICAN MOVIE - DVD MovieStruggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-! minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him through it all is Mark's childhood buddy, Mike Schank, who is the strongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film h! as been compared to Spinal Tap and Waiting for Guffm! an-- two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien Davis This limited edition, special collectors' DVD set celebrates 25 years of the Sundance Institute. It contains ten ground-breaking films that embody the sprit of independence, creative risk-taking, and diversity that define the Sundance Film Festival. Bonus materials include a booklet and an 11th disc with behind-the-scenes footage from the Sun! dance Institute Labs and never-before-seen interviews with filmmakers and founder Robert Redford.Struggling filmmaker Mark Borchardt is the subject of American Movie, and he may also be the most determined man you'll ever meet. The straggly haired, fast-talking, Menomonee Falls, Wisconsin, native lists his greatest influences as Dawn of the Dead, Night of the Living Dead, and The Texas Chainsaw Massacre. He began making horror movies as a gangly adolescent, and is now set on finishing Coven (which he pronounces like "woven"), the "35-minute direct market thriller" he has worked on for two years. In the process, he steadfastly battles immense debt, the threat of losing his kids, and birds chirping gleefully through scenes set in the dead of winter. His mother would rather do her shopping than be an extra, his brother contends he's best suited for factory work, and his father just wants him to "watch the language."

Standing by him throug! h it all is Mark's childhood buddy, Mike Schank, who is the st! rongest weapon against drug use a task force could ever hope for, and Uncle Bill, begrudging financier of Coven, who appears to be wasting away before our very eyes. In less perceptive hands these two could easily become caricatures--the burnt-out stoner and the crotchety old coot--but through director Chris Smith's lens we see why Mark loves them, why they love Mark, and why each of these stories is uniquely compelling.

Winner of the Grand Jury Prize at the 1999 Sundance Film Festival, the film has been compared to Spinal Tap and Waiting for Guffman--two unquestionably hilarious mock-documentaries--and, indeed, American Movie has plenty of laugh-out-loud moments. But in the spoofs, we feel encouraged to point and giggle at the poor slobs trying to get a piece of the action. Smith, however, offers us a funny and overwhelmingly affectionate portrait; you may sit down expecting to laugh at Mark's pie-in-the-sky hopes, but you soon find yourself bursting! with admiration. "The American dream stays with me each and every day," Mark says, and by the end, we want nothing more than for it to come true. (The DVD version includes the complete short film "Coven.") --Brangien DavisIn this hilarious, critically acclaimed arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to renquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong. The stuff of gladiatorial battle is here: good versus evil, right versus wrong, nerd versus... super-nerd? At any rate, it's a more entertaining showdown than most fictional movies can muster. The King o! f Kong is the saga of Steve Wiebe, a Redmond, Washington d! weeb who sets a new record in the video game Donkey Kong, only to see his accomplishment challenged by the grand poobahs of the gaming establishment. And if you don't know how pernickety the grand poobahs of the gaming establishment can be, well, one of the pleasures of this movie is finding out about this collection of oddballs. It seems Wiebe has toppled a score that has stood since 1982, when eminent "Gamer of the Century" Billy Mitchell set it, and Mitchell isn't too happy about being overthrown. A black-mulleted showboat, Mitchell provides the perfect counterpoint to Wiebe's mild-mannered family man, and the smaller fish around him are no less colorful. This is one of those movies you watch in delighted disbelief, marveling that such people exist--and that they gladly allowed themselves to be filmed. Director Seth Gordon does an important thing in presenting this world of eccentrics: he doesn't mock them, or provide editorial nudging; he simply lets them be. The result ! is an ingratiating classic. --Robert Horton

Deuces Wild : Widescreen Edition

  • Widescreen
Take West Side Story, remove the music, add excessive profanity and violence, and you'll get Deuces Wild. It's an overripe melodrama in which rival street gangs--in this case Deuces vs. Vipers in 1958 Brooklyn--inevitably clash in a deadly rumble, preceded by shameless scenery-chewing from nearly everyone involved. Stephen Dorff plays the head Deuce, agonizing over his older brother's drug overdose and leading a cast of rising stars and familiar faces including Brad Renfro as Dorff's hot-tempered kid brother, Norman Reedus as the vicious lead Viper, Fairuza Balk as Renfro's no-nonsense girlfriend, and Matt Dillon (uncredited) as the kingpin who introduces heroin to Dorff's drug-free turf. Balthazar Getty, Frankie Muniz, and James Franco are also in the cast, suggesting that director Scott Kalvert was hoping for an unforgettable ensemble. What he got instead was a stal! e story crowded with percolating posers, recommended only for those who've never seen the 1979 street-gang classic The Warriors. --Jeff ShannonJapanese Release featuring Four Bonus Tracks: Polly's Birthday Boogie (W/Jules Holland), Hummingbird (W/Dion Warwick), Let the Good Times Roll (W/Zucceiro), and an Undecided Bonus Track.B.B. King, probably the most celebrated living blues player, has come a long way from Itta Bena, Mississippi, and this CD illustrates just how far. A series of guest shots by such artists as Van Morrison, Tracy Chapman, Eric Clapton, Mick Hucknall, Bonnie Raitt, Dr. John, Joe Cocker, Marty Stuart, the Rolling Stones, and Willie Nelson, Deuces Wild is far removed from the blues King played in the '40s and '50s. It's more like psychodrama, especially in the case of the Cocker track, "Dangerous Mood." Nobody here, celebrity notwithstanding, is just going through the motions. The album's crass concept is redeemed by, among others, dru! mmers Steve Jordan, Jim Keltner, and Charlie Watts. Although i! t's an o verblown international project with no affinity for the meaning of the blues, the players and their love for the music triumph. --Stanley Booth DVD

Infantino Swift Classic Carrier Black

Bring It On: Fight to the Finish

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
BRING IT ON - DVD MovieSunny, happy Torrance (Kirsten Dunst) is the new leader of the Toros, the cheerleading squad of Rancho Carne, an affluent San Diego high school that has lousy football players but one hell of a cheerleading team. National champions, they're the ones who bring in the bodies to the football games with their award-winning moves and sassy grace, and they're poised to take their sixth national cheer title. Torrance's new reign as cheer queen, though, is cut short when she discovers that her snotty, duplicitous forerunner was regularly stealing routines from the East Compton Clovers, the hip-hop influenced cheerleaders of a poor inner city school, and passing them off as the original work of the Toros. Scrambling to come up with a new routine for the Toros--and do the righ! t thing by giving the Clovers their due--Torrance butts heads with the proud and understandably wary Isis (Gabrielle Union), the leader of the Clovers, who wants nothing to do with a rich blond white girl, but does want to get her squad to the championships. Problem is, only one team can take home the national title. Who's it gonna be?

An unexpected box-office hit in the late summer of 2000, Bring It On is a smart, snappy teen comedy that bristles with good cheer (literally) and lively, down-to-earth characters. The story may be fairly predictable (who's going to win the big championship?), but director Peyton Reed and screenwriter Jessica Bendinger have fleshed out their characters with formidable strength and provided them with sharp dialogue. Dunst is a radiant comedian, projecting warmth, determination, sincerity, and a sublime airheadedness, and Union is an impressive dancer and counterpart to Dunst, matching her admirably despite her limited onscreen time.! An excellent young supporting cast rounds out the film, most ! notably Eliza Dushku (Faith of Buffy the Vampire Slayer) and Jesse Bradford (Steven Soderbergh's King of the Hill) as siblings new to Rancho Carne, who become Torrance's best friend and potential new boyfriend, respectively. All in all, a pleasantly surprising and intelligent teen movie. Don't miss the opening sequence, a hilarious send-up of all those high school cheerleading routines you had to sit through at boring pep rallies. --Mark EnglehartBring on the spirit, spunk and sass with everyone's favorite cheerleading series in the Bring It On
Collection! All four high-energy, fun Bring It On movies are here: Bring It On, starring Kirsten Dunst; the hilarious sequel Bring It On Again; the elecGet ready for more fun, attitude and excitement in this all-new comedy! When popular Britney Allen (Hayden Panettiere) moves from posh Pacific Vista to working-class Crenshaw Heights, her life goes from cheer-topia to cheer-tastrophe. Britney finds herself at odds with ! her new classmates, especially head cheerleader Camille (Solange Knowles-Smith). But when she wins a spot on the cheer squad and faces her former team in a cross-town cheer-off to star in music sensation Rihanna's upcoming video, only one team can "bring it" and earn a place in cheer history! Starring: Solange Knowles, Hayden Panettiere, Gus Carr, Marcy Rylan, Cindy Chiu, Giovonnie Samuels, Francia Raisa, Danielle Savre, Jessica Nicole Fife, Jake McDorman, Eric Bruskotter, Kiersten Warren, Rihanna Directed by: Steve RashBring It On: All or Nothing is the idealized version of what happens when a rich girl from an elite California school is forced to transfer to an urban setting for her senior year of high school. Former head cheerleader Britney (Hayden Panettiere, Ice Princess) finds herself with a quandary--does she join the new squad, or does she stick to the promise she made to her old teammates that she'll never cheer again? Given that this is the second s! equel to the Bring It On franchise, which started with ! Kirsten Dunst's 2000 flick, and that there's really no reason for this movie to exist without a match-up between Britney's old and new squads, of course she must bring her pompoms out of retirement. In between routines, she manages to land the hottest male cheerleader, Jesse (Gus Carr), and befriend Camille (Beyonce's little sis Solange Knowles-Smith), the feisty head of the squad. She even excuses Britney from practice when the latter lies and says her family pet has died: "Who am I to stand between a white girl and her dead dog?" Beyond the inclusion of a few broad stereotypes dealt for laughs, this straight-to-DVD movie doesn't dwell on any real racial issues that a spoiled white girl actually might face at a predominantly ethnic school. Unlike Dunst's film, which was mindless but well-crafted, this sequel asks nothing of its actors but to look good and leap high. Bring It On: All or Nothing has already been brought. Twice. --Jae-Ha KimChristina Milian stars as sas! sy cheer captain Lina Cruz, whose world is turned upside-down when her family moves from the urban streets of East Los Angeles to the sunny beach town of Malibu. At her new school, Lina clashes with Avery, the ultra-competitive all-star cheer captain, while also falling for Avery’s super-cute brother, Evan. Lina’s always been able to rise to a challenge, but can she create a new all-star squad, beat Avery at the Spirit Championships, and still keep her romance with Evan? Hot music, fierce competition and high-flyin’ fun continue in this all-new movie!Like its predecessors in the Bring It On franchise, Bring It On: Fight to the Finish focuses on a perky cheerleader who's taken out of her comfort zone and ends up excelling in her new environment. This time around, the focus is on Lina Cruz (singer Christina Milian), whose family moves from East Los Angeles to Malibu. The streetwise teen makes an instant frenemy of alpha female Avery (Rachele Brooke Smi! th)--also a cheerleader--at her new school. Never mind that th! e two gi rls don't get along. There's more drama when Lina and Avery's brother Evan (Cody Longo) fall for each other. Though Lina describes her new classmates as living "lifestyles of the rich and annoying" and Avery refers to Lina and her Latina friends as "illegal cheermigrants," the two really aren't that different. Both live for cheerleading and are super driven when it comes to their sport of choice. The viewer gets the impression that if both girls shared the same ethnicity (or at least a similar bank account), they'd be besties at school. The Bring It On franchise was spawned by Kirsten Dunst's hit film from 2000, which clearly had better writing and acting, as well as a larger budget to work with. While films like Bring It On: Fight to the Finish aren't going to win any awards, they do have an appeal to teenage girls and/or cheerleading fans. The plot really doesn't matter so much as the cheerleading choreography and the driving music behind it. And there's ! plenty of both in this production. --Jae-Ha Kim

Stills from Bring it On: Fight to the Finish (Click for larger image)


Grindhouse (Two-Disc Collector's Edition) [Blu-ray]

  • GRINDHOUSE SPECIAL BLU-RAY ED. (BLU-RAY DISC)
Together for the first time the Rodriguez/Tarantino Double Feature Grindhouse is back and better than ever! These rip-roaring and adrenaline-pumping films are now featured in the original theatrical exhibition format. Loaded with over 2 hours of bonus content, including the fan favorite Rodriguez's 10 Minute Cooking School this 2-disc Blu-Ray will deliver a new experience like never before!Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films fo! r an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. Rodriguez's Planet Terror is a rol! licking horror/sci-fi/action piece about a plague outbreak tha! t turns citizens into cannibalistic murderers; it's heavy on the gore and explosions but also features a terrific cast of A players (Freddy Rodriguez, Naveen Andrews, Marley Shelton) and B-movie vets (Michael Biehn, Jeff Fahey, Tom Savini) and the indelible image of Rose McGowan as a stripper whose torn-off leg is replaced by a high-powered machine gun.- Paul Gaita

D.O.A. - Dead or Alive

  • Four gorgeous women are invited to a remote island to participate in a fighting tournament. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019796941 UPC: 796019796941 Manufacturer No: 79694
Four gorgeous women are invited to a remote island to participate in a fighting tournament.Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly (My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Ho! lly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. --Paul Gaita

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