Tuesday, November 15, 2011

Guys & Balls

Best Man, Worst Man

  • 100% cotton
  • Wash warm; dry low
  • Imported
  • Listed in men's sizes
The official CM Punk "Best In The World" design T-shirt is here!

He’s the one problem she can’t solve.

From hysterical bridezillas to grooms with sub-zero feet, renowned wedding planner Claire Pomeroy has never met a disaster she couldn’t handle. Then she runs afoul of her client’s not-so-best man, a devilishly flirtatious rogue with a killer smile and a chest as solid as a concrete roadblock. Yet their sparks of attraction only highlight his obvious questâ€"to make sure this wedding knot never gets tied.

Confirmed bachelor Ryder Price knows one unshakable truth: marriage is nothing but a fairy tale. No way is he going to stand idly by while his wingman face-plants into the dreaded marital trap. But there’s a problem. A dark-eyed, dangerously curvaceous problem whoâ€! ™s bound and determined to pull this wedding off.

As her suddenly skittish clients teeter on the edge of cancellation, Claire challenges her nemesis to imagine long-term as something more than a quickie and a vague promise to call. Ryder counters with a challenge of his own. Let him give her a taste of just how fulfilling a little no-strings-attached passion can be.

Warning: This product contains cold feet, heavy petting, heavier breathing, and chocolate-covered fingers. To avoid a sweet-tooth side-effect, the author recommends having a chocolate-covered man nearby.

He’s the one problem she can’t solve.

From hysterical bridezillas to grooms with sub-zero feet, renowned wedding planner Claire Pomeroy has never met a disaster she couldn’t handle. Then she runs afoul of her client’s not-so-best man, a devilishly flirtatious rogue with a killer smile and a chest as solid as a concrete roadblock. Yet their sparks of attrac! tion only highlight his obvious questâ€"to make sure this wedd! ing knot never gets tied.

Confirmed bachelor Ryder Price knows one unshakable truth: marriage is nothing but a fairy tale. No way is he going to stand idly by while his wingman face-plants into the dreaded marital trap. But there’s a problem. A dark-eyed, dangerously curvaceous problem who’s bound and determined to pull this wedding off.

As her suddenly skittish clients teeter on the edge of cancellation, Claire challenges her nemesis to imagine long-term as something more than a quickie and a vague promise to call. Ryder counters with a challenge of his own. Let him give her a taste of just how fulfilling a little no-strings-attached passion can be.

Warning: This product contains cold feet, heavy petting, heavier breathing, and chocolate-covered fingers. To avoid a sweet-tooth side-effect, the author recommends having a chocolate-covered man nearby.


The Other Side of Sadness: What the New Science of Bereavement Tells Us About Life After Loss

  • ISBN13: 9780465021901
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In 1989, a 6-year-old boy is lured into the vehicle of a stranger. The stranger is a serial killer with a tendency of butchering teenage girls. In the basement of a rural Pennsylvania slaughterhouse, he will teach the boy everything he knows. Five years later, teen Allison (Alexandra Daddario of Hall Pass) comes to live with her uncle (Michael Biehn of The Terminator) following her parents' death. In time, she will discover the boy and his madman mentor. And they will all be plunged into an unimaginable evil from which there may be no escape. Nolan Gerard Funk (Deadgirl), Brett Rickaby (The Crazies), Valentina de Angelis (Gossip Girl) and John Savage (Th! e Deer Hunter) co-star in this graphic and acclaimed shocker from writer/director Stevan Mena about family, torment, and the nightmare absolution that is Bereavement.In 1989, a 6-year-old boy is lured into the vehicle of a stranger. The stranger is a serial killer with a tendency of butchering teenage girls. In the basement of a rural Pennsylvania slaughterhouse, he will teach the boy everything he knows. Five years later, teen Allison (Alexandra Daddario of Hall Pass) comes to live with her uncle (Michael Biehn of The Terminator) following her parents' death. In time, she will discover the boy and his madman mentor. And they will all be plunged into an unimaginable evil from which there may be no escape. Nolan Gerard Funk (Deadgirl), Brett Rickaby (The Crazies), Valentina de Angelis (''Gossip Girl'') and John Savage (The Deer Hunter) co-star in this graphic and acclaimed shocker from writer/director Stevan Mena about family, torment, and the nightmare absolut! ion that is BEREAVEMENT.In this title, a leading expert in the! field o f emotions research challenges the conventional model of the 'Five Stages of Grief' offering fascinating new insights on the bereavement process and the ways in which we find positive meaning in loss. In "The Other Side of Sadness", psychologist and emotions expert George Bonanno highlights a complete rejection of the widely-accepted theory of grief model established by Elisabeth Kubler-Ross, which notes five distinct stages we go through during loss and bereavement. Until now, we have come to understand grief as a predictable and straightforward process of: denial; anger; bargaining; depression; and, acceptance. But in this paradigm-shifting new look at loss and life, George Bonanno proves otherwise: he argues that this process discounts our universal ability to be resilient, and does not allow for exceptions, which ultimately does a disservice to those in need. Weaving in fascinating explorations of Chinese mourning rituals, case studies from families who lost a loved one! during 9/11, and more, Bonanno offers a refreshing new discussion of cultural differences surrounding loss and healing-something most books about grief gloss over - and argues that we are much more capable than we know. Grief is an emotion largely associated with suffering, denial, anger, and other negative emotional states, but George Bonanno explores growth and change in great detail, and points out how certain types of grief can actually deepen interpersonal connections and, in some cases, lead to a profound new sense of meaning in life. "The Other Side of Sadness" reveals a surprisingly positive perspective on death and dying, which will be a must-read for those going through the death of a loved one, people in the mental health professions looking for a different approach to a universal experience, and readers of general science books on the human mind and positive psychology.

Believe In Me

Needless Casualties of War

  • Paerback book
  • 1999
  • self published
The story of a combat squad gone berserk in the jungles of Vietnam. Based on a true story.
Genre: Feature Film-Drama
Rating: R
Release Date: 23-MAR-2004
Media Type: DVDBased on a true story, this Brian De Palma film casts Michael J. Fox as a soldier in Vietnam in a squad led by Sean Penn. While on patrol, in the wake of an ambush that has left friends dead, they kidnap and rape a Vietnamese woman--then murder her. But Fox, one of the soldiers who refused to participate in the rape, is so appalled by the killing that he reports it--and finds himself being treated as the villain. Penn is scarily tough as the vindictive soldier and De Palma does a solid job of re-creating the crime, making it a thing of horror. Yet this film never quite connects, despite a strong performance by Fox and a supporting cast tha! t includes John C. Reilly and John Leguizamo. --Marshall FineStudio: Sony Pictures Home Ent Release Date: 03/27/2007 Run time: 119 minutes Rating: RBased on a true story, this Brian De Palma film casts Michael J. Fox as a soldier in Vietnam in a squad led by Sean Penn. While on patrol, in the wake of an ambush that has left friends dead, they kidnap and rape a Vietnamese woman--then murder her. But Fox, one of the soldiers who refused to participate in the rape, is so appalled by the killing that he reports it--and finds himself being treated as the villain. Penn is scarily tough as the vindictive soldier and De Palma does a solid job of re-creating the crime, making it a thing of horror. Yet this film never quite connects, despite a strong performance by Fox and a supporting cast that includes John C. Reilly and John Leguizamo. --Marshall FineULTIMATE ACTION PACK DOUBLE FEATURE CASUALTIES OF WAR AND BLACK HAWK DOWNBased on a true story, this Brian De Palma! film casts Michael J. Fox as a soldier in Vietnam in a squad ! led by S ean Penn. While on patrol, in the wake of an ambush that has left friends dead, they kidnap and rape a Vietnamese woman--then murder her. But Fox, one of the soldiers who refused to participate in the rape, is so appalled by the killing that he reports it--and finds himself being treated as the villain. Penn is scarily tough as the vindictive soldier and De Palma does a solid job of re-creating the crime, making it a thing of horror. Yet this film never quite connects, despite a strong performance by Fox and a supporting cast that includes John C. Reilly and John Leguizamo. --Marshall FineIn this timely teaching, Needless Casualties of War, John Paul Jackson reveals some startling insights that will uncover spiritual strategies of the dark side. Find out how you can protect yourself from Satan's onslaught and escape his unforseen and unperceived attacks. Read by Carol Cavazos.

Elizabeth: The Acclaimed Saga of England's Virgin Queen

  • One of the most important rulers in history, Elizabeth I came to the throne at a time when England was under threat of annexation from abroad and collapse from within. When she died after a reign of 45 years, she left behind a nation protected by the greatest navy on earth and in the midst of a cultural explosion she made possible.Hosted by the world-renowned historian David Starkey (author of Eli
Studio: Uni Dist Corp. (mca) Release Date: 03/22/2011 Rating: R

One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her dea! th--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.

Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of s! uch lines as "There will be only one mistress here and no m! aster!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee

Academy Award-winners Cate Blanchett, Geoffrey Rush and Richard Attenborough lead a distinguished cast in Elizabeth - the critically acclaimed epic of the Queen's turbulent and treacherous rise to power! Before the Golden Age, Elizabeth was a passionate and naïve girl who came to reign over a land divided by bloody turmoil. Amidst palace intrigues and attempted assassinations, the young Queen is forced to become a cunning strategist while weighing the couns! el of her mysterious advisors, thwarting her devious rivals, and denying her own desires for the good of her country. Relive the majesty and drama of one of history's greatest monarchs in this stunning production that was honored with 7 Academy Award nominations including Best Picture!

One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough)! beg her to marry any one of her would-be suitors to stabilize! England 's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.

Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages! . Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee

Academy Award® winners Cate Blanchett and Geoffrey Rush join Academy Award® nominee Clive Owen in a gripping historical thriller full of suspense, intrigue and adventure!

When Queen Elizabeth's reign is threatened by ruthless familial betrayal and Spain's invading army, she and her shrewd advisor must act to safeguard to the lives of her people. But when a dashing seafarer, Walter Raleigh, captures her heart, she is forced to make her most tragic sacrifice for the good of her country.

Elizabeth: The Golden Age tells the thrilling tale of one woman's crusade to control her love, destroy her enemies and secure her position as a beloved icon of the western world.In 1998's Elizabeth, Shekhar Kapur add! ed a layer of suds to his history lesson; the director follows! the sam e audience-pleasing recipe in Elizabeth: The Golden Age. Since the first film, Blanchett scored an Oscar for her note-perfect rendition of Katharine Hepburn in The Aviator, and she plays the preternaturally bemused monarch in a similar fashion. By 1585, Elizabeth I is an experienced ruler about to face two of her biggest challenges: betrayal by her Catholic cousin, Mary Stuart (Control's Samantha Morton), and invasion by the Spanish Armada. It isn't so much that the Protestant Elizabeth wishes to rid England of "papists," but that she wants her country to remain free from foreign domination. Closer to her home, she enjoys a sisterly relationship with lady-in-waiting Bess (rising Aussie star Abbie Cornish). That changes when Sir Walter Raleigh (a dashing Clive Owen) hits the scene. In order to continue exploring the New World, he seeks the queen’s sponsorship. She is charmed, but Raleigh only has eyes for Bess. As in the previous picture, Elizabet! h enjoys better luck at affairs of state than affairs of the heart, but the conclusion is more beatific than before (and Kapur intends a third installment if Blanchett is willing). Elizabeth: The Golden Age is a rush of royal intrigue, bloody torture, fantastic headpieces, and irresistibly ripe dialogue, like "I have a hurricane in me that will strip Spain bare if you dare to try me!" To Kapur, victory for the Virgin Queen was a viable alternative to sex. --Kathleen C. Fennessy

Stills from Elizabeth â€" The Golden Age (click for larger image)




!



Academy Award® winners Cate Blanchett, Geoffrey Rush and Richard Attenborough lead a distinguished cast in Elizabethâ€"the critically acclaimed epic of the queen’s turbulent and treacherous rise to power. Before the Golden Age, Elizabeth was a passionate and naïve girl who came to reign over a land divided by bloody turmoil. Amid palace intrigue and attempted assassinations, the young queen is forced to become a cunning strategist while weighing the counsel of her mysterious advisors, thwarting her devious rivals and denying her own desires for the good of her country. Relive the majesty and drama of one of history’s greatest monarchs in this stunning production that was honored with 7 Academy Award® nominations, including Best Picture!

One of the big Elizabethan-era films of 1998, Shekhar Kap! ur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies! before they get to her first. But her rise ultimately entails! rejecti ng love and marriage to redefine herself as the indisputable Virgin Queen.

Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee

Studio: Hbo Home Video Release Date: 11/20/2007Helen Mirren's Elizabeth I could al! most be cousin to her Jane Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed. Because Robert wishes to produce an heir, he marries another, garnering Elizabeth's disfavor (and nor is he all that thrilled about her dalliance with Henry, the Duke of Anjou). In time, he'll return to her good graces. As she explains, "Friendship outlasts love and is stronger than love." Then, as his health begins to fails, she'll turn to his stepson, the dashing, if duplicitous Robert Devereaux, the Earl of Essex (Hugh Dancy, the Hooper-directed! Daniel Deronda). Meanwhile, Mary, Queen of Scots (Barb! ara Flyn n) plots against her Protestant cousin. Even after Mary makes her exit, plenty of other powerful Catholics will stop at nothing to seize the crown. Marked as much by triumph as tragedy, the role of Elizabeth I has been catnip for many illustrious actresses, notably Bette Davis, Glenda Jackson, and Cate Blanchett. Mirren's multi-faceted portrayal of the queen's golden years is a worthy addition to that canon and Irons is a particularly formidable foil. --Kathleen C. FennessyAcademy Award® winners Cate Blanchett and Geoffrey Rush join Academy Award® nominee Clive Owen in a gripping historical thriller full of suspense, intrigue and adventure! Elizabeth: The Golden Age tells the thrilling tale of one woman's crusade to control her love, destroy her enemies and secure her position as a beloved icon of the Western world.In 1998's Elizabeth, Shekhar Kapur added a layer of suds to his history lesson; the director follows the same audience-pleasing recipe in Elizabeth: The Golden Age. Since the first film, Blanchett scored an Oscar for her note-perfect rendition of Katharine Hepburn in The Aviator, and she plays the preternaturally bemused monarch in a similar fashion. By 1585, Elizabeth I is an experienced ruler about to face two of her biggest challenges: betrayal by her Catholic cousin, Mary Stuart (Control's Samantha Morton), and invasion by the Spanish Armada. It isn't so much that the Protestant Elizabeth wishes to rid England of "papists," but that she wants her country to remain free from foreign domination. Closer to her home, she enjoys a sisterly relationship with lady-in-waiting Bess (rising Aussie star Abbie Cornish). That changes when Sir Walter Raleigh (a dashing Clive Owen) hits the scene. In order to continue exploring the New World, he seeks the queen’s sponsorship. She is charmed, but Raleigh only has eyes for Bess. As in the previous picture, Elizabeth enjoys better luck at affairs ! of state than affairs of the heart, but the conclusion is more! beatifi c than before (and Kapur intends a third installment if Blanchett is willing). Elizabeth: The Golden Age is a rush of royal intrigue, bloody torture, fantastic headpieces, and irresistibly ripe dialogue, like "I have a hurricane in me that will strip Spain bare if you dare to try me!" To Kapur, victory for the Virgin Queen was a viable alternative to sex. --Kathleen C. Fennessy

Stills from Elizabeth â€" The Golden Age (click for larger image)







One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Jo! seph Fiennes) is married, however, and shows he cannot stand u! p to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.

Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses! you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon GeeOne of the most important rulers in history, Elizabeth I came to the throne at a time when England was under threat of annexation from abroad and collapse from within. When she died after a reign of 45 years, she left behind a nation protected by the greatest navy on earth and in the midst of a cultural explosion she made possible. Hosted by the world-renowned historian David Starkey (author of Elizabeth: The Struggle for the Throne) ELIZABETH explores the life and rule of the woman who gave her name to an era. A compelling blend of dramatic re-creations and incisive commentary brings alive the courtly intrigues and epic conflicts that shaped her reign, opens a window into the Queen's private struggles and convictions, and examines her monumental legacy. The four volumes in this epic set are From the Prison to the Palace, The Virgin Queen, Heart of a King and Gloriana.