Friday, November 18, 2011

Flawless

  • From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater expe
From director Michael Radford (THE MERCHANT OF VENICE IL POSTINO) comes FLAWLESS a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn a bright driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs the nighttime janitor at London Diamond who is virtually invisible to the exec! utives that work there but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura s frustration he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura Hobbs plans go even farther than he s let on and together they set in motion a thrilling heist of dizzying proportions the likes of which London has never seen.System Requirements:Running Time: 109 mintuesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: PG-13 UPC: 876964001038 Manufacturer No: 10103It would be overpraise to propose that Flawless reviews itself with its title, but... how about "supremely decorous"? It is, at any rate, a film that merits a grateful salute from audiences weary of being beaten about the head and shoulders in pursuit of an engrossing caper movie. A plot to make off with a fortune in gems from England's premier diamond co! mpany unfolds without explosions, vrooming vehicles, or rapid-! fire sho otouts. It's like a feature-length variation on those sly, soft-spoken Alfred Hitchcock Presents episodes of the '50s, with the patient accumulation of mood, detail and character leading to wry twists and satisfying revelations. We are in 1960 and a London not yet disposed to swing. Laura Quinn (Demi Moore), the lone female officer of London Diamond Corporation, is smarter and more capable than her male colleagues, but that doesn't deter the company from promoting them over her while profiting from her talents. This has long since gotten old, so when Mr. Hobbs (Michael Caine), the mild-mannered night janitor, enlists her in a scheme to fill his thermos with two million pounds' worth of diamonds from the vault, she listens. Suffice it to say that the vault is penetrated according to plan--and then the real tension sets in. Things are not what they seem, even to those supposedly in the know (us, for instance), and distrust springs up between the conspirators as they fin! d themselves under close scrutiny by a steely investigator (Lambert Wilson).

All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an invisible man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings. --Richard T. Jameson

Coraline (Two-Disc Blu-ray/DVD Combo w/ Anaglyph 3D)

  • Format: AC-3, Animated, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, 3D, Widescreen
  • Language: English, Spanish, French
  • Aspect Ratio: 1.85:1
  • Run Time: 100 minutes
  • Actors: Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders, Dawn French
From the Director of The Nightmare Before Christmas comes a visually stunning stop-motion animated feature! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Critics are hailing Coraline as "a remarkable feat of the imagination" (Kenneth Turan, Los Angeles Times). Directed by: Henry SelickIncludes: 3D Glasses (4 pairs) From the Director of The Nightmare Befor! e Christmas comes a visually stunning stop-motion animated feature - the first to be originally filmed in 3-D! Discover how the filmmakers and artisans created the magical handmade world of Coraline, exclusively in this 2-Disc Collector's Edition! Coraline Jones is bored in her new home until she finds a secret door that leads her into a world that's just like her own...but better! But when this fantastical adventure turns dangerous and her "other" Mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. Coraline is "A visual marvel." (Claudia Puig, USA TODAY). Directed by: Henry SelickA dark and creepy film about family relationships directed by Henry Selick of Nightmare Before Christmas and James and the Giant Peach fame, Coraline is based on the haunting book Coraline by Neil Gaiman. The first stop-motion feature shot in stereoscopic 3-D, Coraline features big-headed, stick-bodied animated! characters with huge eyes and demonic grins set against menac! ing back grounds and an undercurrent of spooky music. Coraline is a teenager who has just moved to an old house in the middle of nowhere with her writer parents and she is bored, bored, bored. Her only companions are an annoyingly talkative boy Wybie (short for Why Born), some eccentric neighbors from the theater and circus, and a strange, button-eyed doll with a marked resemblance to Coraline which Wybie found in an old trunk of his grandmother's. When Coraline finds an old door hidden behind an armoire and papered over with wallpaper, she convinces her mother to unlock it, only to find a wall of bricks. When Coraline revisits the door later that night, the bricks magically disappear and she discovers a strange pathway to another world where everything is just what she wishes for. In stark contrast to the real world where Coraline's parents just don't have time for her, her "Other Mother" and "Other Father" in this alternate world are the perfect loving, attentive parents who antici! pate her every need and desire. Initially comforted and quite happy in this new world, suspicion that things may not be quite as they seem grows inside Coraline and her disquiet is furthered by the mute "Other Wybie" and a strange-talking cat that seems to move between both worlds. Eventually, Coraline discovers some dark secrets about her "other parents" and the seemingly perfect "other world," but it may be too late for her to escape back to the real world. Teri Hatcher is especially effective in her dual (voice) role as Mom and "Other Mom" and Dakota Fanning also gives a great performance as Coraline. Coraline is a disturbing, intriguing film that both captivates and frightens. (Ages 11 and older) --Tami Horiuchi

Stills from Coraline (Click for larger image)

Crooks & Castles Men's Knit Transport Angels Crew T-Shirts, White, X-Large

Hunter - After The Fall (Book One)

  • Twenty-First Century Civilization Will Soon Collapse
  • Just One In Ten Thousand Will Survive The Apocalypse
  • You Have Been Chosen To Escape The Great Purging
  • Welcome To The Future...
Publishers Weekly Top 10 Best of the Year

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."-Nancy Pearl, NPR

"Hauntingly beautiful."-Booklist

"Unpredictable and poeti! c work."-The Plain Dealer

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.<
This science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story ha! s something important to say about humanity and packs a punch ! the read er will feel for a while." -- Sarah NicolasThis science fiction collection contains three stories: After Things Went Bad, Mr. Tinker, and At Home on Wintebury Circle.

From SIFT BOOK REVIEWS: "Even more than the distinctive voices, impeccable writing, and well-wrought characters, the dark captivating atmosphere will wrap around you and linger long after you have finished reading. These two are clearly talented writers with wicked imaginations. I believe each story has something important to say about humanity and packs a punch the reader will feel for a while." -- Sarah NicolasThe apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going! to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree ! Award-winner China Mountain Zhang and New York Times! edi tor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.The apocalypse was yesterday. These stories are today.

In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague.

Table of Contents

The Naturalist

Special Economics

Useless Things

The Lost Boy: A Reporter at Large

The Kingdom of the Blind

Going to France

Honeymoon

The Effect of Centrifugal Forces

After the Apocalypse

Praise for Maureen F. McHugh:

"Gorgeously crafted stories."â€"Nancy Pearl, NPR

"Hauntingly beautiful."â€"Booklist

"Unpredictable and poetic work."â€"The Plain Dealer

“Poignant and sometimes heartwrenching.”â€"Publishers Weekly

Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological b! reakthrough, Time Travel, a catastrophic failure occurs. This ! strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited."3 Years After" is a story about a Special Forces team put together to help our nation in a most fragile time. The post 9/11 world has forced the United States government to develop new ways to fight and counter terrorism. During the initial testing of the latest technological breakthrough, Time Travel, a catastrophic failure occurs. This strands the test team three years into the future. They are greeted by a new world which has been decimated by war and infested by zombies.

Will the team and humanity survive?

Do they figure out what happened in time?

This is the new version that has been edited.In volume one of his epic post-apocalyptic adventure saga, master storytelle! r John Phillip Backus brings this not-so-distant vision of the future to life with intriguing characters, gifted narrative, believable settings and mythic heroes and villains. Driven by a riveting storyline brilliantly illustrated by Asheville, NC artist, Chad Schoenauer, the author weaves his linguistic magic until the reader is utterly immersed in this brave new world and dare not fail to turn the next page for fear of missing out. On his own in the Wyoming wilderness, fourteen years after the End War and its aftermath nearly wiped out the human race, self-exiled survivor, Hunter Macintosh, is suddenly faced with more than he bargained for-three sisters and a child crossing the uncharted wilds alone. Suspicious at first, Hunter soon discovers they've traveled more than three hundred miles to find him, at the request of their father, Adam Planchet-Hunter's former commander and comrade-in-arms-whose besieged Colorado community is at risk of being overrun by lawless hordes! Honor-bound by a pledge made many years earlier, Hunter agrees to return with Elise Planchet to help turn the tide before all is lost. Set against the majestic backdrop of the North American Rockies, Hunter - After The Fall is an engrossing tale of adventure, betrayal and hope, where the true character of an individual is thoroughly tested and the outcome uncertain at best. Join Hunter and Elise as they battle bands of outlaws, enraged grizzlies, numbing blizzards, armed militias and their own stubborn hearts in an epic tale of good-versus-evil in a potential future all too easy to conceive!

Day Watch / Dnevnoy Dozor - (PAL/R5 - Russian Import)

District B13

  • In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 876964000208 UPC: 876964000208 Manufacturer No: 10020
In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable! gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer

Charlie's Angels [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen
This five-disc compilation features the entire First Season with the original Angels Farrah Fawcett, Kate Jackson and Jaclyn Smith and all their adventures from one of the most classic shows in television history.

Once upon a time, Jill, Sabrina and Kelly were police officers whose skills were being wasted in menial duties such as answering phones and filing. A mysterious millionaire named Charles Townsend took them away from all that by opening his own private investigation agency and hiring these gorgeous ladies as his operatives with John Bosley acting as their assistant and liaison. America's guiltiest pleasure of 1976--the inaugural season of Charlie's Angels--has returned in all its jiggly, jolly glory in this tidy boxed set. It's hard to describe just how captivated the nation's! media and viewing public were with cheesemeister Aaron Spelling's ABC-TV hit, but for awhile Charlie's Angels was wildly popular appointment television at its most self-consciously banal. The first season's three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith, and Thinking Man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favorite angel as a kind of ink-blot window onto one's subconscious life.

While the 2000 Angels feature film (starring Cameron Diaz, etc.) kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and ! operated by the unseen sybarite, Charlie (voiced--over speaker! phone--b y an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover: as fashion models--no great stretch--in "Night of the Strangler"; nurses in "Terror on Ward One"; roller-derby stars in "Angels on Wheels"; and vulnerable convicts (of course) in "Angels In Chains." The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: The Angels looked out for themselves and each other. --Tom KeoghAdventure has never been more beautiful than Charlie's Angels! Cameron Diaz, Drew Barrymore and Lucy Liu star as the captivating crime-fighting trio who are masters of disguise, espionage and martial arts. When a devious mastermind embroils them in a plot to destroy in! dividual privacy, the Angels are on the spot with their brains, brawn and high-tech toys. Aided by their loyal sidekick Bosley (Bill Murray), the girls are about to bring down the bad guys when a terrible secret is revealed that makes the Angels a target of assassination. Now, it's a matter of life or death as the stunningly smart detectives use their state-of-the-art skills to kick evil's butt in this sexy, high-octane comedy!For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daff! y Bosley (Bill Murray in a casting coup) in tow. A happy, corn! ball pop corn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasAnother season of the hit classic series comes to DVD! This season, the A! ngels go on the Love Boat to investigate a major art theft, go back to college to stop a white slavery ring, and find more than just fingerprints when Charlie's yacht is stolen. Jill gets help from the Angels after her date with a crown prince is interrupted by sniper fire, and Kelly meets a man who may be her long-lost father.The Angels continue to fight the bad guys, with Jill’s little sister Kris taking her place and Charlie's voice guiding them all. Stars Jaclyn Smith, Kate Jackson and introducing Cheryl Lad. Includes all 26 episodes from the second season.Charlie's Angels: The Complete Second Season has no shortage of the good-natured cheese and eye candy that made the primetime television show's debut season wildly popular in 1976. The Angels had a new look in their second year: Farrah Fawcett, arguably the most popular of the show's three actresses, departed before the sophomore season and was replaced by another blonde dazzler, Cheryl Ladd. (Ladd's characte! r, Kris Munroe, was the younger sister of Fawcett's Jill Munro! e, whose exit is explained in the premiere episode as a liberated woman's career move: Jill has decided to race cars in Spain.)

No sooner does Kris settle in than a crisis sweeps through off-screen Charlie's private investigation agency. While cavorting on Oahu in the two-part "Angels in Paradise," Charlie is kidnapped by a smuggler (France Nuyen), who demands the Angels break her husband out of jail in exchange for their boss's life. Bubbly Kris, brainy Sabrina Duncan (Kate Jackson), beauteous Kelly Garrett (Jaclyn Smith), and sidekick Bosley (David Doyle) are compelled to soak up rays and sip fruity mixed drinks in Waikiki while fighting crime in various guises, re-establishing, for another season, Charlie's Angels' dramatic and aesthetic game plan for every episode: start slow with lots of idle chatter, put the girls in a ridiculous undercover situation, and get them out of their clothes as much as possible.

The pattern continues in the silly "Angels on Ice," star! ring old hands Phil Silvers and Jim Backus, in which our heroines join an ice show to find out who kidnapped a pair of skaters. "Pretty Angels All in a Row" finds Kelly and Kris reluctant entrants in a "Miss Chrysanthemum Pageant" (no, you won't find Kate Jackson in a swimsuit this year, either) rigged by organized crime. "Circus of Terror," co-starring James Darren, enlists the Angels in the carney life. If there is anything to complain about regarding season 2, it is that the novelty of Charlie's Angels has worn a little thin, and every episode feels the same. Still, there are surprises: "The Sammy Davis Jr. Kidnap Caper" stars the late rat-packer in peril and much bemused by the presence of three comely bodyguards. --Tom KeoghThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Dig! ital Studios video, sound and mastering engineers and comes ho! used in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laugh! s with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug ThomasThree beautiful private detectives who work for a suave playboy boss are called in to rescue soon-to-be billionaire software mo! gul Eric Knox, when he is kidnapped from his office at Knox Te! chnologi es. While rough-and-tumble Alex, wild-child Dylan, and nerdy Natalie use an impressive array of high-tech gadgetry and martial arts moves to retrieve Knox from the clutches of rival Roger Corwin and his goons, they unwittingly become embroiled in a battle to protect the world from a wide-scale invasion of privacy that threatens to occur when good technology falls into the hands of bad people.For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting co! up) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas

House on Haunted Hill

  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Widescreen; NTSC
When an eccentric millionaire offer a group of opposites $1,000,000 to spend the night in a so called "Haunted House" with a murderous past, they figure it is a quick way to get quick money and leave. All of them are sure it is some made up story just to mess with their heads a little and test their courage. But, once they stay in the house they start to think about the mistake they made in coming there when mysterious things start to happen.House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients! murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter, and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more! suggestive stuff that came before. But that's just the very e! nd; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer