Trilogy of Terror (Special Edition)

• Legendary producer/director Dan Curtis (DARK SHADOWS, THE NIGHT STALKER) teams up with writers Richard Matheson (I AM LEGEND, THE TWILIGHT ZONE) and William F. Nolan (LOGAN S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays four

It's back! The classic TV MOW that continues to cast a spell almost 40 years after it was first broadcast; in a new remastered and enhanced edition. Sally (Kim Darby) and Alex Farnham's (Jim Hutton) marriage has a sinister wedge driven through it; when her occult "imaginings" threaten to derail his career after they inherit Sally's grandmother's house. Also starring William Demarest. Enhanced Content: Superfan commentary track from horror fans and pros Jeffrey Reddick, Steve Barton ("Uncle Creepy") ! and Sean Abley.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

An old house...a mysterious locked room... a terrifying secret. Elements that make a horror movie memorably chilling get a taut, spooky reworking in Don't Be Afraid of the Dark. Kim Darby (True Grit) and Jim Hutton (The Green Berets) star as Sally and Alex, young marrieds who inherit a crumbling mansion. Despite warnings to leave well enough alone in her new home, Sally unlocks the mysterious room, opens a bricked-up fireplace - and unleashes a horde of hideous, whispering, murdering mini-demons only she can see and hear. Alex thinks she's imagining things. We know she isn't. And we know Sally should be very, very afraid of the dark!

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Legendary producer / director Dan Curtis (DARK SHADOWS, THE NIG! HT STALKER) teams up with writers Richard Matheson (I AM LEGEN! D, THE T WILIGHT ZONE) and William F. Nolan (LOGAN’S RUN, BURNT OFFERINGS) to present three tales of horrific suspense in this made-for-television anthology that also showcases the tremendous acting talent of Karen Black (FIVE EASY PIECES, THE DAY OF THE LOCUST), who plays no less than four distinct roles. In "Julie," an aggressive college student seduces and ultimately blackmails his seemingly shy English professor. In "Millicent and Therese," two polar-opposite sisters become increasingly hell-bent on the undoing of one another. And in "Amelia," a woman falls prey to a murderous Zuni fetish doll.

Dan Curtis, the creator and producer of such out-of-the-ordinary TV classics as the willfully offbeat gothic soap opera Dark Shadows and the proto-X-Files series The Night Stalker, remains best known for the Zuni fetish doll that terrorizes Karen Black in Trilogy of Terror. The wild-eyed doll, with its snapping jaws and screeching yells, borders on camp, y! et its relentless attacks and single-minded, homicidal drive make it an absolutely terrifying figure in the climactic chapter of this trilogy of short films based on stories by Richard Matheson. In the first story, "Julie," Karen Black plays a mousy college professor blackmailed by an obsessed student, and in "Millicent and Therese" she plays sisters consumed with an intense hatred of one another that comes to a head when their father dies. Both of these films conclude with Twilight Zone-ish twists and are more clever than gripping, kept alive mostly by Black's gleefully theatrical performances. With "Amelia," however, Black delivers an almost solo show, playing against the famous Zuni fetish doll, a wooden statue that comes to life when the a protective chain slips off the figure and releases the evil spirit. Curtis turns her apartment into a claustrophobic cage trapping the increasingly hysterical woman as the unstoppable figure hacks at her legs with a kitchen kni! fe and chomps down on her arms and neck with the relentless in! tensity of a bulldog. It's still a classic of small-screen horror. --Sean Axmaker

Oggi Pro Stainless-Steel 10-Piece Cocktail Shaker and Bar Tool Set

• 10-piece stainless-steel bar set, great for home bars and parties
• Includes a double jigger and a 2-piece glass and stainless shaker set for mixing drinks
• Also comes with lemon/lime slicing knife, bottle opener, cocktail strainer, stirrer, and tongs
• All tools made of durable stainless steel with contemporary black accents
• Includes cutting board and black stand for storage

The Professional Bartender s Handbook is written for the professional bartender, but anyone can learn the simple tips and tricks this book provides. A copy belongs behind every bar, big or small. Whether running a stand-alone business or one incorporated into a restaurant, hotel, or food service operation, the successful bartender needs product and equipment knowledge and a strong grasp of mixology. The Professional Bartender s Handbook is more than a recipe guide. If you have ever wondered wha! t ingredients were in your favorite drink, this book will teach you. With nearly 1,500 different cocktails, shooters, and even a non-alcoholic section, there is a drink (or two) for everyone. This new book is fun and easy to read. The recipes are in alphabetical order, along with suggested glassware, ingredients, and garnishes. You will learn tips and tricks, bar terminology, measurements, how to set up a bar, glassware, responsible serving issues, garnishes, bar games and tricks, famous toasts, and much more. You will learn the most popular brands of alcohol, as well as what wines complement your dinner selection.The newest and ninth edition to the Bartenders Black Book franchise adds 143 brand-new recipes that were created by bartenders, professional and laymen, around the world in the last two years. That brings the total beverage count to 3,000, more than double that of any other drink guide. All the sections have been expanded and updated, including Robert M. Parker, J! r. s Vintage Guide and Mr. Cunningham s already vast Martini s! ection. Of course this book still has all its classic features: an index by ingredients, in-depth mixing instructions, metric conversion tables, a list of every possible garnish, sections on hot drinks, frozen drinks, beers, ales, lagers, and malternatives.The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Cooking / Beverages / Bartending;

Mix Drinks Like A Pro

Now you can with this indispensable handbook, the most thorough'and thoroughly accessible'bartending guide ever created for both professional and home use. Encyclopedic in scope and filled with clear, simple instructions, The Bartender's Bible includes information on:

• Stocking and equipping a bar'from liquors and mixers to condiments, garnishes, and equipment

• Shot-by-shot recipes for over 1,000 cocktails and mixed drinks! from bourbon to rum to whiskey

• Wine drinks

• Beer drinks

• Nonalcoholic drinks

• Special category drinks'tropical, classics, aperitifs, cordials, hot drinks, and party punches

• Anecdotes and histories of favorite potables

• And more!

If you've ever wondered whether to shake or stir a proper Martini, or what to do with those dusty bottles of flavored liqueurs,The Bartender's Bibleis the only book you need!

A bartender, as a rule, is a person who enjoys the company of others, endeavors to solve problems, listens to the woes of the world, sympathizes with the mistreated, laughs with the comedians, cheers up the down at heart, and generally controls the atmosphere at his or her bar. A bartender is the manager of moods, the master of mixology.

Certain scenarios are played out over and over again in bars everywhere. The questions are basically the same; only the details vary: What's in ! a true Singapore Sling? How long has the Martini been around? ! What's t he difference between a Fix and a Fizz? A reference book is as necessary to a bartender as ice.

-- from The Bartender's Bible

Cocktails are bigger than ever, and this is the first real cookbook for them, covering the entire breadth of this rich subject. The Craft of the Cocktail provides much more than merely the same old recipes: it delves into history, personalities, and anecdotes; it shows you how to set up a bar, master important techniques, and use tools correctly; and it delivers unique concoctions, many featuring Dale DeGroff’s signature use of fresh juices, as well as all the classics.

Debonair, a great raconteur, and an unparalleled authority, Dale DeGroff is the epitome of Perfect Bartender, universally acknowledged as the world’s premier mixologist. From Entertainment Weekly and USA Today to the Culinary Institute of America and the nation’s best restaurants, whenever anybody wants! information or training on the bar, they turn to Dale for recipes, for history, for anecdotes, for funâ€"for cocktail-party conversation as well as for cocktails.

That’s what The Craft of the Cocktail isâ€"the full party, conversation and all. It begins with the history of spirits, how they’re made (but without too much boring science), the development of the mixed drink, and the culture it created, all drawn from Dale’s vast library of vintage cocktail books. Then on to stocking the essential bar, choosing the right tools and ingredients, mastering key techniquesâ€"hints worthy of a pro, the same information that Dale shares with the bartenders he trains in seminars and through his videos. And then the meat of the matter: 500 recipes, including everything from tried-and-true classics to of-the-moment originals. Throughout are rich stories, vintage recipes, fast facts, and other entertaining asides. Beautiful color photographs and a striking design roun! d out the cookbook approach to this subject, highlighting the ! differen ce between an under-the-bar handbook and a stylish, full-blown treatment. The Craft of the Cocktail is that treatment, destined to become the bible of the bar.With innovative designs and contemporary finishes, Oggi’s kitchen, bar and bath wares are truly tomorrow’s house wares today. Oggi’s 10-Piece Stainless Steel Bar Set with Rectangular Stand is no exception. Black stand and cutting board. Stainless steel tools with black accents. Set includes a two-piece glass and stainless shaker set, double jigger, lemon / lime slicing knife, bottle cap lifter, cocktail strainer, stirrer, tongs, chopping board and a rectangular stand. Set is great for home bars and parties.

America: Freedom to Fascism

• Tax protestor
• IRS
• 16th amendment
• Ron Paul
• Constitution

Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identificat! ion (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax and an ever increasing movement to keep tabs on American citizens at all costs.

Galaxy Quest

• Comedy DVD

GALAXY QUEST (DELUXE EDITION) - DVD MovieYou don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who th! reatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shann! onFor four years, the courageous crew of the NSEA protecto! r - "Com mander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison (Sigourney Weaver) and "Dr.Lazarus" (Alan Rickman) - set off on a thrilling and often dangerous mission in space...and then their series was cancelled! Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beam up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives.You don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes al! ways stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and th! e phenomenon of fandom. Best of all is the splendid cast, incl! uding Si gourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff ShannonFor four years, the courageous crew of the NSEA Protector - "Commander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison" (Sigourney Weaver) and "Dr. Lazarus" (Alan Rickman) - set off on thrilling and often dangerous missions in space . . . and then their series was canceled!

Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beamed up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives in this hilarious adventure Jeffery Lyons (NBC-TV) calls "The funniest, wittiest comedy of the year."You! don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, ! having studied the "historical documents" of the Galaxy Que! st T V show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shannon

How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

• High Quality Product
• Great Collectible
• Great Gift Item
• Brand New Item
• Perfect Wall décor

HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.You'll Never Eat Lunch in This Town Again meets The Bonfire of the Vanities, as told by...a male Bridget Jones? And it all really happened.
In 1995 high-flying British journalist Toby Young left London for New York to become a co! ntributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." (USA Today)You'll Never Eat Lunch in This Town Again meets The Bonfire of the Vanities, as t! old by...a male Bridget Jones? And it all really happened.
! In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." (USA Today)How To Lose Friends! & Alienate People is directed by Robert Weide (Curb Your Enthusiasm), produced by Stephen Woolley (The Crying Game) and Elizabeth Karlsen. Based on the bestselling memoir by Toby Young and screenplay by Peter Straughan. The soundtrack features Joey Ramone, Duffy, Motorhead, The Bees, Dusty Springfield, Nino Rota, Electrovamp, Guillemots, Leona Naess, The Kinks, Scissor Sisters, The Killers, Robyn and David Arnold. The cast is led by Simon Pegg (Shaun of the Dead), Kirsten Dunst (Spider-Man), Danny Huston (The Constant Gardener, ), Gillian Anderson (The X-Files), Megan Fox (Transformers), Max Minghella (Hippie Hippie Shake) and Jeff Bridges (The Big Lebowski).Brand New Product

Dracula - Dead and Loving It

• A comic reinvention of the Bela Lugosiic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.Running Time: 90 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Ag

A comic reinvention of the Bela Lugosi classic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.

DVD Features:
Audio Commentary:Commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck, and co-writers Rudy De Luca and Steve Haberman
Theatrical Trail! er

In 1995, it was promising to hear that Mel Brooks was creating "the companion piece to Young Frankenstein." He had also brought in the heavyweight of deadpan--Leslie Nielsen. As Lt. Frank Drebin in the Police Squad movies, Nielsen has no peer for silly stuff--just the player Brooks would seem to need for a strong movie, as any fan of Brooks perpetually hopes a new film may rekindle his madcap magic. Alas, the end results in Dracula: Dead and Loving It include a sprinkling of amusements and one big belly laugh. Brooks and his writers use a very tight adaptation of Bram Stoker's novel, but the spoofs can be spelled out as we go, as if they are paint-by-number. Some are jabs at Coppola's version of Dracula, but most are attached to classic Dracula films. If any real pleasure comes from the movie it's thanks to the efforts of the cast. Peter MacNicol plays the crazed Renfield to the letter, Steven Weber has a good time as the tight Bri! tish Harkin, and Lysette Anthony charms as the doomed Lucy. Br! ooks and Nielsen ham it up just fine. There's even a surprisingly controlled performance by Harvey Korman (a character spoofing Anthony Hopkins's role in the misfire The Road to Wellville). As with Brooks's period comedies, the film looks better than it needs to and includes a few tricky special effects for good measure. This has nothing to do with the audience laughing--we need bigger jokes. And when you double over laughing in one scene--involving a stake through the heart and a bucket of blood--you want the movie to achieve Brooks's days of glory, when hearty laughter was the norm, not an isolated moment. --Doug Thomas

Breach

• Breach is a first-person multiplayer shooter that arms you with a Destruction Toolbox - a whole new set of real military tactics that are not possible in any other military game.
• Destruction Toolbox - Blow out the ceiling to send your enemy flailing down in front of you, saw away your enemy's cover with your .50, or create a protected vantage point anywhere by shooting a few bricks out of a wall.
• Join the CIA's mysterious Special Activities Division as it executes deniable operations. Breach brings the clandestine world of black operations to life with accurate weapons, gear, and unique real-life spy gadgets that you can earn.
• Active Cover gives you huge advantages for using cover - even while it's being destroyed! Use Active Cover to turn the poor fool who runs around in the open into more Experience Points for you!Attach instantly to cover with the push of a button.
• I! nitially, you'll start with four character classes: Rifleman, Support, Sniper, or Gunner. You can unlock the Recon class once you've mastered the Sniper and Rifleman classes.

Inspired by the incredible true story of the greatest security breach in U.S. intelligence history, Breach is a spellbinding thriller starring Academy Award® winner Chris Cooper, Ryan Phillippe, Academy Award® nominee Laura Linney and Dennis Haysbert. Eric O'Neill (Phillippe) is assigned to work with renowned operative Robert Hanssen (Cooper), the sole subject of a long-term, top-secret investigation. Determined to draw this suspected double-agent out of deep cover, O'Neill finds himself in a lethal game of spy vs. spy, where nothing is as it seems. Critics are hailing Breach as "electrifying" (Peter Travers, Rolling Stone) and "suspenseful" (Ty Burr, The Boston Globe). Starring: Chris Cooper, Ryan Phillipe, Laura Linney, Dennis Haysbert, Caroline Dhavernas, Kathleen Quinlan, Gary Cole, Br! uce Davison, Ryan Phillippe Directed by: Billy RayIs a mystery! really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's genuinely stranger than fiction: FBI agent Robert Hanssen spent over 20 years selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative c! ipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen's treachery; thinking he's been brought in only to gather evidence about his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames ! (i.e., Hanssen's arrest in February 2001); the exquisite tortu! re of O' Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key element: the relationships that O'Neill maintains with Hanssen, his father (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamINSPIRED BY TRUE EVENTS, THIS TAKES YOU DEEP INSIDE THE HALLS OF THE FBI FOR A TOP-SECRET INVESTIGATION TO UNCOVER THEGREATEST BREACH IN THE HISTORY OF U.S. INTELLIGENCE.Is a mystery really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's genuin! ely stranger than fiction: FBI agent Robert Hanssen spent over 20 years selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative cipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen'! s treachery; thinking he's been brought in only to gather evid! ence abo ut his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames (i.e., Hanssen's arrest in February 2001); the exquisite torture of O'Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key element! : the relationships that O'Neill maintains with Hanssen, his father (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamUniversal Breach (HD-DVD / DVD Combo) Inspired by true events, "Breach" is a gripping and intense thrillerthat takes you deep inside the halls of the FBI for a top-secret investigation to uncover the greatest breach in the history of US Intelligence. Featuring powerful performances by Chris Cooper and Ryan Phillipe, nothing is as it seems in this suspenseful, action-packed film that will keep you riveted until the climatic ending.Is a mystery really mysterious when the end isn't a secret? Is espionage still thrilling when you know beforehand that the cloak has been pulled back and the dagger revealed? If it's a film as good as Breach, the answer is a resounding yes. Here is a true story that's gen! uinely stranger than fiction: FBI agent Robert Hanssen spent o! ver 20 y ears selling government secrets to the Russians, making him the most egregious traitor in U.S. history. He was an Opus Dei Catholic and a devout churchgoer who was also a sexual deviant, a straitlaced company man so trusted by his employers that they once appointed him to lead an investigation designed to reveal who the spy was--when in fact it was Hanssen himself. And in the end, he was brought down in part by 26-year-old Eric O'Neill, an agent-in-training who worked with him for just two months. Chris Cooper, a 2003 supporting actor Oscar winner for Adaptation, is brilliant in the lead role, playing Hanssen as a dour, cold, ultraconservative cipher (women in pantsuits are just one of his peeves) whose conversations more closely resemble interrogations. Ryan Phillippe is also excellent as O'Neill, who's initially kept in the dark by the superior (Laura Linney) who assigned him to help expose Hanssen's treachery; thinking he's been brought in only to gather evidence a! bout his boss' sexual transgressions, O'Neill finds himself caught in a profound moral conundrum, grudgingly admiring Hanssen even as his own marriage is severely tested by the older man's creepy and hypocritical intrusion into their lives, not to mention the FBI's strict rules against discussing the case.

Director Billy Ray (whose previous feature was also a true story: Shattered Glass, about the young writer who fabricated stories for The New Republic) and co-screenwriters Adam Mazer and William Rotko do an extraordinary job of maintaining the tension as the story leads to the conclusion that's been revealed in the first few frames (i.e., Hanssen's arrest in February 2001); the exquisite torture of O'Neill's having to keep Hanssen distracted while Bureau technicians search the latter's car is but one example. Moreover, notwithstanding the plot developments, the filmmakers manage to keep their focus on the personal interactions that are the film's key ele! ment: the relationships that O'Neill maintains with Hanssen, h! is fathe r (a cameo by Bruce Davison), his wife (Caroline Dhavernas), and others are entirely credible. At once fascinating and horrifying, Breach is inarguably one of the best films of 2007. --Sam GrahamOnline play ONLY, no single play. Stun and obliterate your opponents with a whole new set of real military tactics not possible in any other game. Breach is a first-person multiplayer shooter that introduces the first destruction system robust enough to radically alter how you play.