Saturday, April 14, 2012

Gerson Everlasting Glow 5 Piece Set Resin Flameless LED Candle 2-3x4 Inch, 2-3x6 Inch, 1-3x8 Inch Candles

  • 2 - 2" by 4" candles
  • 2 - 3" by 6" candles
  • 1 - 3" by 8" candle
  • 3 AAA batteries included
  • Timer feature
It's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A M! idsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer Studio: Paramount Home Video Release Date: 01/06/2004 Run time: 103 minutes Rating: RIt's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though p! erhaps not in the way one would expect. Colm (Barry McEvoy, wh! o also w rote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Fr! iel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer 5 piece set resin indoor/outdoor flameless LED candles with timer feature.

Saturday, March 24, 2012

Deuce Bigalow Male Gigolo/Hot Chick

  • Deuce Bigalow: Male Gigolo A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious apartment! The fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession and offer his services as a lover for hire! The Hot Chick The hilarious
Comedy superstar Rob Schneider is back once more as Deuce Bigalow, the big-hearted male gigolo with the least down below. Fleeing to Europe following a near run-in with the Malibu PD, Deuce finds himself thrust back into the pleasure-for-pay profession when his former pimp (Eddie Griffin) is wrongly accused of murdering Europe's highest-priced man-whores. Working under-the-covers, Deuce seduces a bevy of super-freaky female clients (as well as Dutch supermodel Hanna Verboom) to learn the identity of the real killer ! in this outrageous laugh-orgy that will have you screaming with delight from start to finish!If the repeated use of the phrase "man-whore" is your recipe for hilarity, Deuce Bigalow: European Gigolo is your movie. Rob Schneider (The Hot Chick, The Animal) returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, Undercover Brother) has set up shop in Amsterdam, where he finds himself accused of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aristophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably! sweet. The fundamental ethos of Deuce Bigalow is that everyon! e, no ma tter how they look, deserves to be loved. Such a downright Christian sentiment is rarely packaged in a movie featuring a cat biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of Deuce Bigalow: European Gigolo. Also featuring Jeroen Krabbe (The 4th Man, The Living Daylights). --Bret FetzerThe hit-making producers of BIG DADDY now deliver DEUCE BIGALOW: MALE GIGOLO -- a hilarious, must-see smash starring the always outrageous Rob Schneider (THE HOT CHICK, THE ANIMAL) in his funniest role yet! A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious Malibu apartment! Then the fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession -- and offer his services to ladies everywhere as a lover for hire! A wild and raunchy comedy t! hat always aims to please -- you won't be able to resist this sidesplitting laugh riot!Saturday Night Live alum and Adam Sandler sidekick Rob Schneider plays the title character of Deuce Bigalow: Male Gigolo, a miserable fish-tank cleaner who stumbles onto a new and different lifestyle when he looks after the fish of a high-priced male prostitute (Oded Fehr from The Mummy). Deuce teams up with a man-pimp (Eddie Griffin), gets harassed by a crazed cop (William Forsythe), and of course falls in love with a cute client (Arija Bareikis). The nonsensical plot is festooned with gags about wet T-shirts, foul-mouthed senior citizens, flatulence, Tourette's syndrome, narcolepsy, and just about everything else you might imagine. More surprising is that, by and large, the movie works. It's a combination of bad taste and goodheartedness, similar to There's Something About Mary, which Deuce Bigalow is clearly emulating. It's not the pat "people should! learn to accept themselves for who they are" theme or the for! mulaic h appy ending; it's that the movie understands that sex is not the same thing as happiness or contentment. For all its crassness, Deuce Bigalow actually treats its characters as people, and the result is silly, obnoxious, and enjoyable. --Bret FetzerIf the repeated use of the phrase "man-whore" is your recipe for hilarity, "Deuce Bigalow: European Gigolo" is your movie. Rob Schneider ("The Hot Chick", "The Animal") returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, "Undercover Brother") has set up shop in Amsterdam, where he finds himself accused of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aris! tophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably sweet. The fundamental ethos of Deuce Bigalow is that everyone, no matter how they look, deserves to be loved. Such a downright Christian sentiment is rarely packaged in a movie featuring a cat biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of "Deuce Bigalow: European Gigolo". Also featuring Jeroen Krabbe ("The 4th Man", "The Living Daylights"). "--Bret Fetzer"If the repeated use of the phrase "man-whore" is your recipe for hilarity, Deuce Bigalow: European Gigolo is your movie. Rob Schneider (The Hot Chick, The Animal) returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, Undercover Brother! ) has set up shop in Amsterdam, where he finds himself accused! of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aristophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably sweet. The fundamental ethos of Deuce Bigalow is that everyone, no matter how they look, deserves to be loved. Such a downright Christian sentiment is rarely packaged in a movie featuring a cat biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of Deuce Bigalow: European Gigolo. Also featuring Jeroen Krabbe (The 4th Man, The Living Daylights). --Bret FetzerTHIS TIME DEUCE HEADS TO AMSTERDAM TO HEL PGET HIS FORMER PIMPOUT OF A JAM.If the repeated use of the ph! rase "man-whore" is your recipe for hilarity, Deuce Bigalow: European Gigolo is your movie. Rob Schneider (The Hot Chick, The Animal) returns as the hapless male prostitute, in this case lured back into the man-whore lifestyle in order to investigate the killings of European man-whores. His former pimp T.J. (Eddie Griffin, Undercover Brother) has set up shop in Amsterdam, where he finds himself accused of both the man-whore murders and of being a homosexual. From this slender, ridiculous premise springs dozens of gags about flatulence, breasts, and male sexual organs--in fact, the number of phallus stand-ins (noses, swords, man-whore of the year awards) would seem excessive to Aristophanes. And yet, despite all things crass and tawdry, Schneider remains bizarrely innocent, and this movie, like the first one, feels inexplicably sweet. The fundamental ethos of Deuce Bigalow is that everyone, no matter how they look, deserves to be loved. Such a dow! nright Christian sentiment is rarely packaged in a movie featu! ring a c at biting a man's testicles or a woman gushing wine out of her tracheotomy hole, yet that's all part of the ineffable mystery of Deuce Bigalow: European Gigolo. Also featuring Jeroen Krabbe (The 4th Man, The Living Daylights). --Bret FetzerTwo-disc set includes "Deuce Bigalow: European Gigolo" and "The Animal."UPC:786936788747
DESCRIPTION:(Deuce Bigalow Male Gigolo) -The hit-making producers of Big Daddy now deliver Deuce Bigalow: Male Gigolo -- a hilarious, must-see smash starring the always outrageous Rob Schneider (The Hot Chick, The Animal) in his funniest role yet! A professional fish tank cleaner, Deuce (Schneider) finds himself in desperate need of cash to quickly repair the damage he's done to a client's luxurious Malibu apartment! Then the fun really takes off when Deuce decides the only way out of this jam is to switch to the world's oldest profession -- and offer his services to ladies everywhere as a lover for hire! A wild and raunc! hy comedy that always aims to please -- you won't be able to resist this sidesplitting laugh riot!

(Hot Chick) - The hilarious Rob Schneider has been a gigolo. He's been an animal. And now a curse will make him something he's never been before -- a woman! Jessica Spencer is the hottest, most popular girl in high school. But she gets a big dose of reality when she wakes up in the body of a 30-something-year-old lowlife male (Schneider) and quickly discovers that trading on your looks isn't so easy when you're a girl who constantly needs a shave. How in the world can Jessica convince her friends (Anna Faris, Scary Movie, Scary Movie 2; Matthew Lawrence, Mrs. Doubtfire; Eric Christian Olsen, Not Another Teen Movie) it really is her? And how can she change herself back into a teenage girl? The Hot Chick is a wild and wacky gender-bending comedy everyone can enjoy -- no matter what sex you are.
END

Tuesday, February 28, 2012

Flushed Away

  • All New Slug Songs
  • Hours of Interactive Fun with DVD-Rom features.
  • 12 Games and Challenges.
  • Soccer Showdown - Belched Away - Sludge Buster
  • Ice Maker - Disco Le Frong - And Many More
Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is rather rudely evicted from his Kensington flat when he is flushed down into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely! hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is v! ery distinctive. Like Nick Park's Chicken Run and Wa! llace an d Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really wor! th the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts from Flushed Away

  • In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromitâ! €™s head is a pencil top in the Jammy Dodger, the penguin from! Wall ace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.!

Stills from Flushed Away (click for larger image)





Set on and beneath the streets of London, Flushed Away is the story of Roddy, an upper-crust "society mouse," who is! rather rudely evicted from his Kensington flat when he is flu! shed dow n into Ratropolis, the bustling sewer world found under London’s streets. There, he meets Rita, an enterprising scavenger who works the sewers in her faithful boat, the Jammy Dodger. Together they must navigate their way through a busy city filled with dangers for any mouse, including terrifying rapids, treacherous whirlpools and, most of all, the villainous Toad and his hench-rats Spike and Whitey. Though completely out of his element at first, the privileged Roddy finds himself an unlikely hero when he learns that Ratropolis is in danger from the world above.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the unde! rworld, the Toad (Ian McKellen), and his henchmen including the French mercenary Le Frog (Jean Reno).

While technically Flushed Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride l! oaded with inside jokes and enough crude humor to earn a PG ra! ting, an d the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts! from Flushed Away

  • In Tabitha's room, there are a variety of dolls from previous DreamWorks Animation films, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker b! us: Ice chest, retro flipping numbers alarm clock, bike la! mp, buck le, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

Stills from Flushed Away (click for larger image)





Limited Edition is packaged in clear case with blue gel-pack that makes it appear the disc and characters are underwater.Flushed Away is a rip-roaring nautical adventure with a twist: The heroes are a pair of rodents braving the sewers underneath London. Roddy (voiced by Hugh Jackman) is an upper-crust house-mouse who finds himself flushed into the subterranean sewers. Eager to return to his posh home, he enlists the help of a boat-captain rat named Rita (Kate Winslet), who has troubles of her own; namely the kingpin of the underworld, the Toad (Ian McKellen), and his henchmen including the French me! rcenary Le Frog (Jean Reno).

While technically Flushed! Away could be considered part of the wave of celebrity-voiced, anthropomorphic-animal movies that hit in 2005-2006 (Madagascar, Over the Hedge, The Wild, etc.), it doesn't inspire the same sense of déjà vu. For one thing, its voice actors are less recognizable than the likes of Bruce Willis and Chris Rock. For another, its look is very distinctive. Like Nick Park's Chicken Run and Wallace and Gromit: The Curse of the Were-Rabbit, it's a joint production of DreamWorks Animation and Aardman Features, and although Park isn't involved, it retains his trademark blocky look of clay animation. But animating the movie by computer rather than by hand allows for some eye-popping tableaux, such as floodwaters rushing through the sewers and an entire town of little animated characters. It's a crazy thrill ride loaded with inside jokes and enough crude humor to earn a PG rating, and the band of singing slugs is also a hoot. --David Horiuchi

On the DVD
It's no surprise that the singing slugs are the stars of the DVD's bonus features. They're featured in two music videos (less than a minute total), and in a 13-minute segment an Aardman animator builds a slug out of plasticine. (In contrast, the lesson on drawing Roddy is a mere two minutes.) A song jukebox jumps to 10 musical points in the film, though the non-slug background music isn't really worth the jump. On the human side, there are eight-minute featurettes on the music and the voices, a set-top game that is easier to control than most such featurettes (and easier to beat too), and a commentary track by directors David Bowers and Sam Fell in which they have a grand old time remembering their inside jokes and showering love on the Spike and Whitey characters. The DVD-ROM has access to 21 more online games. --David Horiuchi


Fun Facts from Flushed Away

  • In Tabitha's ro! om, there are a variety of dolls from previous DreamWorks Anim! ation fi lms, including a Gromit and several bunnies from Wallace & Gromit: The Curse of the Were-Rabbit, an Alex the Lion from Madagascar, and a Dragon from Shrek.
  • Many characters from past films make cameos in Flushed Away. For example, a Chicken Run chicken is on the second page of the Toad’s scrapbook, Gromit’s head is a pencil top in the Jammy Dodger, the penguin from Wallace and Gromit: The Wrong Trousers is on a stamp on the Jammy Dodger, and a poster of Wallace and Gromit: The Curse of the Were-Rabbit is on the side of a bus in Kensington.
  • There are officially 60 million rats in the UK. That’s one rat for every person.
  • The various boats in the film are made up of flotsam and jetsam that rats could conceivably find in the sewer. For the double decker bus: Ice chest, retro flipping numbers alarm clock, bike lamp, buckle, oil drum, soup can, license plate, rope, plastic suitcase, jerry can. ! For the mini cooper: Soda can, battery, sardine can, butter knife, old lights.
  • Simulating the toilet water and making it look realistic proved to be a challenge. After much consideration, it was finally discovered that what was missing was caustics, or the use of light reflection off the bottom of the bowl. This was added and everyone was happy because they could finally get their mind out of the toilet.

Stills from Flushed Away (click for larger image)






Sunday, February 12, 2012

The Butterfly Effect: How Your Life Matters

Wednesday, January 25, 2012

Calendar Girls

Thursday, January 19, 2012

Brady 81843 18" Width x 7" Height B-523 High Intensity Self Sticking Polyester, Glow-In-The Dark Safety "Exit to Street" Guidance Sign (Pack of 10)

  • NYC Approved
DARK STREETS - DVD MovieAcclaimed soundtrack to the motion picture "Dark Streets"

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

No Description Available.
Genre: Horror
Rating: R
Release Date: 18-MAR-2008
Media Type: DVDBRITISH CINEMA - DVD MovieRosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-! old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sex! ual assault and interracial rape fueled civil rights campaigns! through out the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she he! lped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a ! twenty-four-year-old mother and sharecropper, Recy Taylor, who! strolle d toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil righ! ts campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becomin! g a leader of the movement she helped to start, was turned int! o a symb ol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and shar! ecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and int! erracial rape fueled civil rights campaigns throughout the Sou! th that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was ! turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Exit to street signs mark intermediate exit doors leading to a street level lobby. BradyGlo photoluminescent signs provide a bright, long-lasting afterglow during a lights-out evacuation. Maximum charge is achieved in two hours with 2 foot-candles of bright white light. Brady B-523 BradyGlo high intensity laminate is a glow-in-the-dark (photoluminescent) polyester film coated with an aggressive pressure sensitive adhesive. Brady B-523 BradyGlo high intensity laminate is designed to provide high adhesion and luminance for egress m! arking in low light areas in and along stairwells of public bu! ildings as required by the city of New York. Complies with all indoor use requirements specified in RS 6-1 and 6-1A of New York local law 26 including photoluminescence, washability, flammability, toxic gas generation, and radioactivity. Brady B-523 is a non-toxic, non-radioactive, explosion safe (does not generate energy to induce explosions) material allowing for safe and effective egress marking. With nearly 150 different options for exit signs. Brady has a wide range of egress signage products to help you mark the location of your facility's exits, including photoluminescent exit signs (glow-in-the-dark exit signs), LED exit signs, directional exit signs, and other exit signage. Brady also offers exit signs with combination lighting and emergency floodlights, as well as exit markings with safety and egress instructions.

Goodbye Bafana - Laminated Movie Poster - 27 x 40 Inch (69 x 102 cm)

  • You are looking at a beautiful, professionally laminated poster.
  • Lamination is a cost effective way to extend the life of your print or poster.
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  • This poster is from Goodbye Bafana (2007)
An account of how the author was Nelson Mandela's gaoler for over twenty years. Despite opposing political views and Gregory's initial dislike of Mandela, the two gradually formed a firm friendship, becoming each other's confidant and source of comfort. Gives insight into the character and political beliefs of Mandela.Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develops between political prisoner Nels! on Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom makes him a worldwide symbol of South Africa's heroic fight for democracy.Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’s superior charges the warder with! censoring correspondence and supervising visits between the A! frican N ational Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color of Freedom captures the natural beauty of South Africa and the unnatural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effort means well, but fails to registe! r as more than a made-for-TV movie with superior production values. --Kathleen C. FennessyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Wednesday, January 18, 2012

Heavyweights

  • From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to
When a harried businessman and a hapless crook collide on the biggest day of both their careers the only road seems to lead straight to comic disaster. A workaholic advertising executive (David Paymer) is stuck driving the neighborhood carpool on the day of a make-or-break presentation. A down-on-his luck carnival owner (Tom Arnold) fleeing a bungled robbery takes the exec and his vanful of kids hostage and begins a comic day-long chase through the city streets where the two men learn some unexpected lessons! and forge an unlikely friendship.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393183226Studio: Paramount Home Video Release Date: 11/20/2007 Run time: 109 minutes Rating: PgFrom the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to turn the tables, take back their woodsy hideaway, and challenge the rival camp to the most outrageous summer games of all! You'll laugh out loud with these HEAVYWEIGHTS -- they're big, loud, and proud, and ready to win their way into your heart!

Cowboys & Angels

Rocawear Men's R Plus Loose Fit Core Jean, Deep Indigo, 38x30

Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's Finest).This family drama beg! ins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberl! y HeinrichsThis family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsBased on the award w! inning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in D! a Noise, Bring in Da Funk) is apparent; adapted by scriptw! riter Ru ben Santiago-Hudson from his own autobiographical play, Lackawanna Blues is less a story than a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to ov! erlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhome country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Tuesday, January 17, 2012

Good Bye, Lenin! [Russian, German][PAL][REGION 5][IMPORT]

  • DVD
  • PAL
  • Import
Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile heal! th must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks,! so Alex creates an illusive reality around his bedridden moth! er to co nvince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism ! is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good b! ye, Lenin! delicately balances wry satire with its rich in! vestment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerEast Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot...

Dinosaurs: Giants of Patagonia (IMAX) [Blu-ray 3D]

Dorian Blues

  • Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). He s an outcast and the butt ofmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes
Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). Hes an outcast and the butt of classmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes that hes gay. Before his archconservative dad (Steven C. Fletcher, in a hilarious role) can throw ! him out of the house, hes off to NYU where he encounters a new world of cafes, sophisticates and handsome men but this life proves just as frustrating as his world back home.Like That 70's Show and Napolean Dynamite, director Tennyson Bardwell's debut feature, Dorian Blues, stylishly contemplates the hellishness of high school in the '70s, but through a gay protagonist. Dorian Lagatos (played by Michael McMillan) is raised by Nixon-loving conservatives, and his manly brother is star of the football team, so it's difficult for him to admit, even to himself, that he is gay. Coming-out scenes construct a picture that is wrought by fear made into dry comedy. Dorian cries to himself in the middle of the night, gets beat up in the school halls, falls in love with his male therapist, talks to a dummy in order to practice breaking the news to his father, and tries to learn how to fight his brother when he finds out that Dorian is a "sissy." When Dorian leaves f! or New York, he meets his first boyfriend, and befriends a viv! acious l esbian named El. Scenes in S&M clubs, coffee bars, and New York lofts show Dorian slowly coming to terms with his true identity. The film's opening and closing shots take place at the cemetery during Dorian's father's funeral, accentuating not only the hatred Dorian feels for this stubborn man, but also the anger and fear Dorian harbors for himself. Ultimately, he must obliterate this order to find real happiness. Dorian Blues is a study in self-confidence, made funny by familiar scenes that teenagers struggling to fit in will know all too well.--Trinie Dalton

Monday, January 16, 2012

How The Grinch Stole Christmas! - Dr. Seuss

Cop Out

Friday, January 13, 2012

Around the World in Eighty Days (Signet Classics)

  • ISBN13: 9780451529770
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Jules Verne's all-time bestseller "Around the world in 80 Days"This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the ! digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Phileas Fogg bet his fellow club members that he can circle the globe in eighty days. That may not be impressive today, but in 1872, it was nearly impossible. Accompanied by his valet, Passepartout, and the wandering Princess Aouda, Fogg crosses Europe, India, Japan, the Pacific and the United States.This Mike Todd production was a star-studded, multi-million dollar extravaganza when first released in 1956. It remains enjoyable family fare, but time has somewhat dulled its shine. Still, it compares favorably to the overly long, TV mini-series starring Pierce Brosnan and Eric Idle.

Elegant David Niven plays the neurotically punctual Phileas Fogg, a British gent who is spurned on by a wager to prove he can travel around the world in 80 days. He is accompanied by his valet, played with persnickety humor by Cantinflas.

Nominated ! for several Academy Awards, this was written by John Farrow (M! ia's dad ) and S.J. Perelman, based on Jules Verne's 1873 classic. The fun part is the razzle-dazzle. Todd knew what he was doing with all those exotic locales and over 40 cameo appearances, including Charles Boyer, Ronald Colman, Marlene Dietrich, José Greco, Peter Lorre, Buster Keaton, Frank Sinatra, and Red Skelton. A very young Shirley MacLaine was painted and dyed to play a lively Indian Princess. --Rochelle O'GormanTake a journey of imagination.

In this all-time favorite, Phileas Fogg and his manservant set out to win a wager by travelling around the world in 80 days. They embark on a fantastic, action-packed journey into a world filled with danger and beauty, from India to the American frontier.

Wednesday, January 11, 2012

Balibo Poster Movie Australian 11x17 Anthony LaPaglia Oscar Isaac Nathan Phillips Gyton Grantley

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Balibo 11 x 17 Inches Australian Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material

Featuring six additional chapters, this revised edition reveals the provocative story of one of the most shameful episodes in Australia's history, providing a firsthand account of the 1975 deaths of five young television reporters killed by the Indonesian military in the East Timor border town of Balibo. Chronicling how the reporters died as well as the eventual execution of a sixth reporter who attempted to investigate their fate, this gripping depiction also documents the personal narratives behind the families of the v! ictims and their heartbreaking struggle for the truth. Contending that the Australian government was always aware of the circumstances of the killings, this argument maintains that their cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. With a striking collection of photographs from its thrilling companion film, this searing recollection is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.

THE MUSIC IN BALIBO COMBINES AN ORIGINAL SCORE BY WORLD RENOWNED AUSTRALIAN COMPOSER LISA GERRARD, WITH TRADITIONAL TIMORESE SONGS. ADDITIONAL ORIGINAL SCORE IN BALIBO WAS COMPOSED BY MARCELLO DE FRANCISCI AND SAM PETTY. TRADITIONAL TIMORESE SONGS ARE A POWERFUL PART OF THE SOUNDTRACK IN BALIBO, AND INCLUDE A CHILDREN'S CHOIR FROM TIMOR OPENING THE FILM WITH THE POWERFUL O HELE HO, THE FRETILIN MILITARY ANTHEM FOHO RAMELAU, AND THE POLITICAL SONG KOLELE MAI. THE FILM CONCLUDES! WITH EGO LEMO'S BALIBO, A TETUM LANGUAGE SONG COMPOSED FOR TH! E FILM D ESCRIBING THE EXPERIENCES OF THE BALIBO FIVE JOURNALISTS THE NIGHT BEFORE THEY WERE TO DIE. EGO IS ONE OF EAST TIMOR'S BEST KNOWN SINGERS, AND HAS SPENT THE LAST 12 MONTHS TOURING AUSTRALIA WITH GEOFFREY GURRUMUL YUNUPINGU.Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: 2-DVD Set, Anamorphic Widescreen, Behind the scenes, Commentary, Deleted Scenes, Documentary, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: After five Australian-based journos go missing, veteran correspondent Roger East is lured to East Timor by the charismatic Jos Ramos-Horta to tell his tiny nation's story and investigate the men's disappearance. As the threat of Indonesian invasion intensifies, an unlikely friendship develops between him and Horta. BALIB! O is a political thriller that tells the true story of crimes that have been covered up for 30 years. SCREENED/AWARDED AT: Australian Film Institute, ...Balibo ( The Balibo Conspiracy )Sweden released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), Danish ( Subtitles ), Finnish ( Subtitles ), Norwegian ( Subtitles ), Swedish ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: As Indonesia prepares to invade the tiny nation of East Timor, five Australian based journalists go missing. Four weeks later, veteran foreign correspondent Roger East is lured to East Timor by the young and charismatic José Ramos-Horta to tell the story of his country and investigate the fate of the missing men. As East's determination to uncover the truth grows, the threat ! of invasion intensifies and an unlikely friendship develops be! tween th e last foreign correspondent in East Timor and the man who will become President. BALIBO is a political thriller that tells the true story of crimes that have been covered up for over thirty years. SCREENED/AWARDED AT: Australian Film Institute, ...The Balibo Conspiracy ( Balibo )When foreign correspondent Tony Maniaty goes back to Timor for the first time since he fled for his life thirty years before, he discovers a land of ghosts some he left behind, and some he's brought with him. He's there to watch five young actors play out the last days of five friends of his men who were murdered by the Indonesian army in one of the most infamous incidents (and cover-ups) in Australian foreign affairs. He's also there to talk to some friends who survived Gusmao, Ramos-Horta people he knew as guerrillas and who now run the country. When he arrives, past and present, fiction and fact begin to overlap: at the Hotel Turismo he's assigned room eleven the room he had in 1975. And, he! later discovers, the room the actor playing his young self had been staying in. Old contacts appear out of the jungle, and disappear into rooms of state. But the most harrowing overlap is when he watches five young men being taken into a shack on the outskirts of Balibo, towards death.Balibo reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Australian Style A mini poster print

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A History of Violence [Blu-ray]

  • An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929037926 UPC: 883929037926 Manufacturer No: 1000042712
All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic c! ompetition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.A new edition of the hard-hitting graphic novel that inspired the Academy Award-nominated 2005 motion picture starring Viggo Mortensen, Ed Harris and William Hurt.

In this suspenseful crime story, Tom McKenna is a family man who becomes an instant media celebrity when he thwarts a robbery at his own diner â€" a robbery attempted by wanted murderers. McKenna’s newfound fame draws the attention of a group of merciless mobsters who have been looking to settle a score with him for over 20 years. Now, as the killers descend upon his small town in Middle America, the Brooklyn native must face the actions of his youth and relive his past history of violence as he attempts to salvage the life he has built and keep his family out of harmâ! €™s way.

A new edition, including the story of the founding! of the Harlem Children’s Zone
 
Long before the avalanche of praise for his workâ€"from Oprah Winfrey, from President Bill Clinton, from President Barack Obamaâ€"long before he became known for his talk show appearances, Members Project spots, and documentaries like Waiting for “Superman”, Geoffrey Canada was a small boy growing up scared on the mean streets of the South Bronx. His childhood world was one where “sidewalk boys” learned the codes of the block and were ranked through the rituals of fist, stick, and knife. Then the streets changed, and the stakes got even higher. In his candid and riveting memoir, Canada relives a childhood in which violence stalked every street corner.

 The rise of collective violence and genocide is the twentieth century's most terrible legacy. Martha Minow, a Harvard law professor and one of our most brilliant and humane legal minds, offers a landmark book on our attempts to heal after such large-scale tragedy. Wri! ting with informed, searching prose of the extraordinary drama of the truth commissions in Argentina, East Germany, and most notably South Africa; war-crime prosecutions in Nuremberg and Bosnia; and reparations in America, Minow looks at the strategies and results of these riveting national experiments in justice and healing.Although mass atrocities are not unique to the 20th century, organized response to such violence has taken new forms, some of which offer hope of some small redress to the victims of war and genocide. In the groundbreaking and timely Between Vengeance and Forgiveness, Harvard Law School professor Martha Minow explores the benefits and drawbacks of a variety of forms of settlement.

For those who have recoiled in horror and outrage at collective violence in Rwanda, Bosnia, Cambodia, and elsewhere, this book--with chapters titled "Trials," "Truth Commissions," "Reparations," and "Facing History"--is a primer on how the world, and indiv! iduals, might respond to such acts once the shock subsides. M! inow res ists the idea that compensatory measures such as war-crimes tribunals and financial payback can ever bring true closure for those who have suffered. "Legal responses," she writes, "are inevitably frail and insufficient." Nevertheless, Minow advocates addressing these atrocities in a formal way: "The victimized deserve the acknowledgment of their humanity," she asserts, "and the reaffirmation of the utter wrongness of its violation." --Maria Dolan This book offers a fascinating and insightful overview of seven centuries of murder in Europe. It tells the story of the changing face of violence and documents the long-term decline in the incidence of homicide. From medieval vendettas to stylised duels, from the crime passionel of the modern period right up to recent public anxieties about serial killings and underworld assassinations, the book offers a richly illustrated account of murder's metamorphoses.


In this original and compelling contribution, Spi! erenburg sheds new light on several important themes. He looks, for example, at the transformation of homicide from a private matter, followed by revenge or reconciliation, into a public crime, always subject to state intervention. Combining statistical data with a cultural approach, he demonstrates the crucial role gender played in the spiritualisation of male honour and the subsequent reduction of male-on-male aggression, as well as offering a comparative view of how different social classes practised and reacted to violence.


This authoritative study will be of great value to students and scholars of the history of crime and violence, criminology and the sociology of violence. At a time when murder rates are rising and public fears about violent crime are escalating, this book will also interest the general reader intrigued by how our relationship with murder reached this point.A masterful reconstruction of one of the worst Indian massacres in American histo! ry

In April 1871, a group of Americans, Mexicans, ! and Toho no O'odham Indians surrounded an Apache village at dawn and murdered nearly 150 men, women, and children in their sleep. In the past century the attack, which came to be known as the Camp Grant Massacre, has largely faded from memory. Now, drawing on oral histories, contemporary newspaper reports, and the participants' own accounts, prize-winning author Karl Jacoby brings this perplexing incident and tumultuous era to life to paint a sweeping panorama of the American Southwest-a world far more complex, diverse, and morally ambiguous than the traditional portrayals of the Old West.

To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the region's residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, a! s well as the bloodshed associated with the coal labor strikes, cemented Appalachia's violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the region's rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.

All societies must deal with the possibility of violence, and th! ey do so in different ways. This book integrates the problem o! f violen ce into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavio! r are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner.On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker o! f meaning and an avowed believer in Darwinian survival of the ! fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A History of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adapt! ation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff Shannon