Wednesday, January 25, 2012

Calendar Girls

Thursday, January 19, 2012

Brady 81843 18" Width x 7" Height B-523 High Intensity Self Sticking Polyester, Glow-In-The Dark Safety "Exit to Street" Guidance Sign (Pack of 10)

  • NYC Approved
DARK STREETS - DVD MovieAcclaimed soundtrack to the motion picture "Dark Streets"

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

No Description Available.
Genre: Horror
Rating: R
Release Date: 18-MAR-2008
Media Type: DVDBRITISH CINEMA - DVD MovieRosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-! old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sex! ual assault and interracial rape fueled civil rights campaigns! through out the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she he! lped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a ! twenty-four-year-old mother and sharecropper, Recy Taylor, who! strolle d toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil righ! ts campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becomin! g a leader of the movement she helped to start, was turned int! o a symb ol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and shar! ecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and int! erracial rape fueled civil rights campaigns throughout the Sou! th that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was ! turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class proprietyâ€"her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.Exit to street signs mark intermediate exit doors leading to a street level lobby. BradyGlo photoluminescent signs provide a bright, long-lasting afterglow during a lights-out evacuation. Maximum charge is achieved in two hours with 2 foot-candles of bright white light. Brady B-523 BradyGlo high intensity laminate is a glow-in-the-dark (photoluminescent) polyester film coated with an aggressive pressure sensitive adhesive. Brady B-523 BradyGlo high intensity laminate is designed to provide high adhesion and luminance for egress m! arking in low light areas in and along stairwells of public bu! ildings as required by the city of New York. Complies with all indoor use requirements specified in RS 6-1 and 6-1A of New York local law 26 including photoluminescence, washability, flammability, toxic gas generation, and radioactivity. Brady B-523 is a non-toxic, non-radioactive, explosion safe (does not generate energy to induce explosions) material allowing for safe and effective egress marking. With nearly 150 different options for exit signs. Brady has a wide range of egress signage products to help you mark the location of your facility's exits, including photoluminescent exit signs (glow-in-the-dark exit signs), LED exit signs, directional exit signs, and other exit signage. Brady also offers exit signs with combination lighting and emergency floodlights, as well as exit markings with safety and egress instructions.

Goodbye Bafana - Laminated Movie Poster - 27 x 40 Inch (69 x 102 cm)

  • You are looking at a beautiful, professionally laminated poster.
  • Lamination is a cost effective way to extend the life of your print or poster.
  • Rolled and shipped in a sturdy tube.
  • Clear lamination is an effective solution for protecting your print or poster from fading, dirt, fingerprints, moisture, bends, tears and rips.
  • This poster is from Goodbye Bafana (2007)
An account of how the author was Nelson Mandela's gaoler for over twenty years. Despite opposing political views and Gregory's initial dislike of Mandela, the two gradually formed a firm friendship, becoming each other's confidant and source of comfort. Gives insight into the character and political beliefs of Mandela.Joseph Fiennes (Running with Scissors, Shakespeare in Love) and Dennis Haysbert (TV's 24) star in the incredible true story of the deep bond that develops between political prisoner Nels! on Mandela and James Gregory, the racist white South African who was Mandela's prison guard for more than 20 years. Based on Gregory's controversial memoir, Goodbye Bafana, The Color Of Freedom powerfully chronicles the life-changing journey both men experience during Mandela's imprisonment - as one man confronts the racism he has always known, the other's struggle for freedom makes him a worldwide symbol of South Africa's heroic fight for democracy.Inspired by James Gregory's memoir, Goodbye Bafana, The Color of Freedom offers an inside look at the 27-year incarceration of future South African President Nelson Mandela (24's Dennis Haysbert). Apartheid-friendly guard Gregory (Shakespeare in Love's Joseph Fiennes), social-climbing spouse Gloria (National Treasure's Diane Kruger), and their two children move to Robben Island, home of the infamous political prison, in 1968. Because he speaks Xhosa, Gregory’s superior charges the warder with! censoring correspondence and supervising visits between the A! frican N ational Congress (ANC) leader and his wife, Winnie (Faith Ndukwana). As it transpires, the guard had a black childhood friend named Bafana, and his relationship with Mandela rekindles Gregory’s long-lost belief in racial equality. Directed by Denmark's Bille August (The Best Intentions), The Color of Freedom captures the natural beauty of South Africa and the unnatural fashions of yesteryear (including Kruger's '60s-era foundation garments). The actors also give it their all, particularly Fiennes, who nails the Afrikaner dialect, but predictability and underdeveloped personalities dilute the drama (it's also worth noting that Mandela hasn't corroborated the facts in Gregory's book, contributing to its controversial reputation). The six-foot-four Haysbert's dissimilarity to the Nobel Peace Prize winner also proves distracting. Like Blood Diamond and other recent motion pictures concerning African history, August's effort means well, but fails to registe! r as more than a made-for-TV movie with superior production values. --Kathleen C. FennessyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

Wednesday, January 18, 2012

Heavyweights

  • From the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to
When a harried businessman and a hapless crook collide on the biggest day of both their careers the only road seems to lead straight to comic disaster. A workaholic advertising executive (David Paymer) is stuck driving the neighborhood carpool on the day of a make-or-break presentation. A down-on-his luck carnival owner (Tom Arnold) fleeing a bungled robbery takes the exec and his vanful of kids hostage and begins a comic day-long chase through the city streets where the two men learn some unexpected lessons! and forge an unlikely friendship.Running Time: 93 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393183226Studio: Paramount Home Video Release Date: 11/20/2007 Run time: 109 minutes Rating: PgFrom the creator of THE MIGHTY DUCKS comes HEAVYWEIGHTS, a comedy of enormous proportions! It's the hilarious story of a group of underdog kids who discover their beloved summer camp has been sold to a crazy fitness fanatic who's determined to make their lives miserable! The new owner plans to keep the boys huffing and puffing, but these hungry kids have a plan of their own. They unite to turn the tables, take back their woodsy hideaway, and challenge the rival camp to the most outrageous summer games of all! You'll laugh out loud with these HEAVYWEIGHTS -- they're big, loud, and proud, and ready to win their way into your heart!

Cowboys & Angels

Rocawear Men's R Plus Loose Fit Core Jean, Deep Indigo, 38x30

Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's Finest).This family drama beg! ins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberl! y HeinrichsThis family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsBased on the award w! inning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in D! a Noise, Bring in Da Funk) is apparent; adapted by scriptw! riter Ru ben Santiago-Hudson from his own autobiographical play, Lackawanna Blues is less a story than a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to ov! erlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhome country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Tuesday, January 17, 2012

Good Bye, Lenin! [Russian, German][PAL][REGION 5][IMPORT]

  • DVD
  • PAL
  • Import
Contemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile heal! th must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks,! so Alex creates an illusive reality around his bedridden moth! er to co nvince her that communism is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism ! is still alive. Good bye, Lenin! delicately balances wry satire with its rich investment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerContemporary comedies rarely stretch themselves beyond a bickering romantic couple or a bickering couple and a bucket of bodily fluids, which makes the ambition and intelligence of Good bye, Lenin! not simply entertaining but downright refreshing. The movie starts in East Germany before the fall of communism; our hero, Alex (Daniel Bruhl), describes how his mother (Katrin Sass), a true believer in the communist cause, has a heart attack when she sees him being clubbed by police at a protest. She falls into a coma for eight months--during which the Berlin Wall comes down. When she awakens, her fragile health must avoid any shocks, so Alex creates an illusive reality around his bedridden mother to convince her that communism is still alive. Good b! ye, Lenin! delicately balances wry satire with its rich in! vestment in the lives of Alex, his mother, and other characters around them. Funny, moving, and highly recommended. --Bret FetzerEast Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot...

Dinosaurs: Giants of Patagonia (IMAX) [Blu-ray 3D]

Dorian Blues

  • Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). He s an outcast and the butt ofmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes
Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). Hes an outcast and the butt of classmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes that hes gay. Before his archconservative dad (Steven C. Fletcher, in a hilarious role) can throw ! him out of the house, hes off to NYU where he encounters a new world of cafes, sophisticates and handsome men but this life proves just as frustrating as his world back home.Like That 70's Show and Napolean Dynamite, director Tennyson Bardwell's debut feature, Dorian Blues, stylishly contemplates the hellishness of high school in the '70s, but through a gay protagonist. Dorian Lagatos (played by Michael McMillan) is raised by Nixon-loving conservatives, and his manly brother is star of the football team, so it's difficult for him to admit, even to himself, that he is gay. Coming-out scenes construct a picture that is wrought by fear made into dry comedy. Dorian cries to himself in the middle of the night, gets beat up in the school halls, falls in love with his male therapist, talks to a dummy in order to practice breaking the news to his father, and tries to learn how to fight his brother when he finds out that Dorian is a "sissy." When Dorian leaves f! or New York, he meets his first boyfriend, and befriends a viv! acious l esbian named El. Scenes in S&M clubs, coffee bars, and New York lofts show Dorian slowly coming to terms with his true identity. The film's opening and closing shots take place at the cemetery during Dorian's father's funeral, accentuating not only the hatred Dorian feels for this stubborn man, but also the anger and fear Dorian harbors for himself. Ultimately, he must obliterate this order to find real happiness. Dorian Blues is a study in self-confidence, made funny by familiar scenes that teenagers struggling to fit in will know all too well.--Trinie Dalton

Monday, January 16, 2012

How The Grinch Stole Christmas! - Dr. Seuss

Cop Out

Friday, January 13, 2012

Around the World in Eighty Days (Signet Classics)

  • ISBN13: 9780451529770
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Jules Verne's all-time bestseller "Around the world in 80 Days"This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the ! digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Phileas Fogg bet his fellow club members that he can circle the globe in eighty days. That may not be impressive today, but in 1872, it was nearly impossible. Accompanied by his valet, Passepartout, and the wandering Princess Aouda, Fogg crosses Europe, India, Japan, the Pacific and the United States.This Mike Todd production was a star-studded, multi-million dollar extravaganza when first released in 1956. It remains enjoyable family fare, but time has somewhat dulled its shine. Still, it compares favorably to the overly long, TV mini-series starring Pierce Brosnan and Eric Idle.

Elegant David Niven plays the neurotically punctual Phileas Fogg, a British gent who is spurned on by a wager to prove he can travel around the world in 80 days. He is accompanied by his valet, played with persnickety humor by Cantinflas.

Nominated ! for several Academy Awards, this was written by John Farrow (M! ia's dad ) and S.J. Perelman, based on Jules Verne's 1873 classic. The fun part is the razzle-dazzle. Todd knew what he was doing with all those exotic locales and over 40 cameo appearances, including Charles Boyer, Ronald Colman, Marlene Dietrich, José Greco, Peter Lorre, Buster Keaton, Frank Sinatra, and Red Skelton. A very young Shirley MacLaine was painted and dyed to play a lively Indian Princess. --Rochelle O'GormanTake a journey of imagination.

In this all-time favorite, Phileas Fogg and his manservant set out to win a wager by travelling around the world in 80 days. They embark on a fantastic, action-packed journey into a world filled with danger and beauty, from India to the American frontier.

Wednesday, January 11, 2012

Balibo Poster Movie Australian 11x17 Anthony LaPaglia Oscar Isaac Nathan Phillips Gyton Grantley

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Balibo 11 x 17 Inches Australian Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material

Featuring six additional chapters, this revised edition reveals the provocative story of one of the most shameful episodes in Australia's history, providing a firsthand account of the 1975 deaths of five young television reporters killed by the Indonesian military in the East Timor border town of Balibo. Chronicling how the reporters died as well as the eventual execution of a sixth reporter who attempted to investigate their fate, this gripping depiction also documents the personal narratives behind the families of the v! ictims and their heartbreaking struggle for the truth. Contending that the Australian government was always aware of the circumstances of the killings, this argument maintains that their cover-up was a key factor in Indonesia's decision to invade and occupy East Timor. With a striking collection of photographs from its thrilling companion film, this searing recollection is as much an investigation of the Indonesian occupation of East Timor as it is a case study of the Balibo killings.

THE MUSIC IN BALIBO COMBINES AN ORIGINAL SCORE BY WORLD RENOWNED AUSTRALIAN COMPOSER LISA GERRARD, WITH TRADITIONAL TIMORESE SONGS. ADDITIONAL ORIGINAL SCORE IN BALIBO WAS COMPOSED BY MARCELLO DE FRANCISCI AND SAM PETTY. TRADITIONAL TIMORESE SONGS ARE A POWERFUL PART OF THE SOUNDTRACK IN BALIBO, AND INCLUDE A CHILDREN'S CHOIR FROM TIMOR OPENING THE FILM WITH THE POWERFUL O HELE HO, THE FRETILIN MILITARY ANTHEM FOHO RAMELAU, AND THE POLITICAL SONG KOLELE MAI. THE FILM CONCLUDES! WITH EGO LEMO'S BALIBO, A TETUM LANGUAGE SONG COMPOSED FOR TH! E FILM D ESCRIBING THE EXPERIENCES OF THE BALIBO FIVE JOURNALISTS THE NIGHT BEFORE THEY WERE TO DIE. EGO IS ONE OF EAST TIMOR'S BEST KNOWN SINGERS, AND HAS SPENT THE LAST 12 MONTHS TOURING AUSTRALIA WITH GEOFFREY GURRUMUL YUNUPINGU.Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: 2-DVD Set, Anamorphic Widescreen, Behind the scenes, Commentary, Deleted Scenes, Documentary, Interactive Menu, Scene Access, Trailer(s), SYNOPSIS: After five Australian-based journos go missing, veteran correspondent Roger East is lured to East Timor by the charismatic Jos Ramos-Horta to tell his tiny nation's story and investigate the men's disappearance. As the threat of Indonesian invasion intensifies, an unlikely friendship develops between him and Horta. BALIB! O is a political thriller that tells the true story of crimes that have been covered up for 30 years. SCREENED/AWARDED AT: Australian Film Institute, ...Balibo ( The Balibo Conspiracy )Sweden released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), Danish ( Subtitles ), Finnish ( Subtitles ), Norwegian ( Subtitles ), Swedish ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: As Indonesia prepares to invade the tiny nation of East Timor, five Australian based journalists go missing. Four weeks later, veteran foreign correspondent Roger East is lured to East Timor by the young and charismatic José Ramos-Horta to tell the story of his country and investigate the fate of the missing men. As East's determination to uncover the truth grows, the threat ! of invasion intensifies and an unlikely friendship develops be! tween th e last foreign correspondent in East Timor and the man who will become President. BALIBO is a political thriller that tells the true story of crimes that have been covered up for over thirty years. SCREENED/AWARDED AT: Australian Film Institute, ...The Balibo Conspiracy ( Balibo )When foreign correspondent Tony Maniaty goes back to Timor for the first time since he fled for his life thirty years before, he discovers a land of ghosts some he left behind, and some he's brought with him. He's there to watch five young actors play out the last days of five friends of his men who were murdered by the Indonesian army in one of the most infamous incidents (and cover-ups) in Australian foreign affairs. He's also there to talk to some friends who survived Gusmao, Ramos-Horta people he knew as guerrillas and who now run the country. When he arrives, past and present, fiction and fact begin to overlap: at the Hotel Turismo he's assigned room eleven the room he had in 1975. And, he! later discovers, the room the actor playing his young self had been staying in. Old contacts appear out of the jungle, and disappear into rooms of state. But the most harrowing overlap is when he watches five young men being taken into a shack on the outskirts of Balibo, towards death.Balibo reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Australian Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

A History of Violence [Blu-ray]

  • An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner. Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: R Age: 883929037926 UPC: 883929037926 Manufacturer No: 1000042712
All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic c! ompetition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.A new edition of the hard-hitting graphic novel that inspired the Academy Award-nominated 2005 motion picture starring Viggo Mortensen, Ed Harris and William Hurt.

In this suspenseful crime story, Tom McKenna is a family man who becomes an instant media celebrity when he thwarts a robbery at his own diner â€" a robbery attempted by wanted murderers. McKenna’s newfound fame draws the attention of a group of merciless mobsters who have been looking to settle a score with him for over 20 years. Now, as the killers descend upon his small town in Middle America, the Brooklyn native must face the actions of his youth and relive his past history of violence as he attempts to salvage the life he has built and keep his family out of harmâ! €™s way.

A new edition, including the story of the founding! of the Harlem Children’s Zone
 
Long before the avalanche of praise for his workâ€"from Oprah Winfrey, from President Bill Clinton, from President Barack Obamaâ€"long before he became known for his talk show appearances, Members Project spots, and documentaries like Waiting for “Superman”, Geoffrey Canada was a small boy growing up scared on the mean streets of the South Bronx. His childhood world was one where “sidewalk boys” learned the codes of the block and were ranked through the rituals of fist, stick, and knife. Then the streets changed, and the stakes got even higher. In his candid and riveting memoir, Canada relives a childhood in which violence stalked every street corner.

 The rise of collective violence and genocide is the twentieth century's most terrible legacy. Martha Minow, a Harvard law professor and one of our most brilliant and humane legal minds, offers a landmark book on our attempts to heal after such large-scale tragedy. Wri! ting with informed, searching prose of the extraordinary drama of the truth commissions in Argentina, East Germany, and most notably South Africa; war-crime prosecutions in Nuremberg and Bosnia; and reparations in America, Minow looks at the strategies and results of these riveting national experiments in justice and healing.Although mass atrocities are not unique to the 20th century, organized response to such violence has taken new forms, some of which offer hope of some small redress to the victims of war and genocide. In the groundbreaking and timely Between Vengeance and Forgiveness, Harvard Law School professor Martha Minow explores the benefits and drawbacks of a variety of forms of settlement.

For those who have recoiled in horror and outrage at collective violence in Rwanda, Bosnia, Cambodia, and elsewhere, this book--with chapters titled "Trials," "Truth Commissions," "Reparations," and "Facing History"--is a primer on how the world, and indiv! iduals, might respond to such acts once the shock subsides. M! inow res ists the idea that compensatory measures such as war-crimes tribunals and financial payback can ever bring true closure for those who have suffered. "Legal responses," she writes, "are inevitably frail and insufficient." Nevertheless, Minow advocates addressing these atrocities in a formal way: "The victimized deserve the acknowledgment of their humanity," she asserts, "and the reaffirmation of the utter wrongness of its violation." --Maria Dolan This book offers a fascinating and insightful overview of seven centuries of murder in Europe. It tells the story of the changing face of violence and documents the long-term decline in the incidence of homicide. From medieval vendettas to stylised duels, from the crime passionel of the modern period right up to recent public anxieties about serial killings and underworld assassinations, the book offers a richly illustrated account of murder's metamorphoses.


In this original and compelling contribution, Spi! erenburg sheds new light on several important themes. He looks, for example, at the transformation of homicide from a private matter, followed by revenge or reconciliation, into a public crime, always subject to state intervention. Combining statistical data with a cultural approach, he demonstrates the crucial role gender played in the spiritualisation of male honour and the subsequent reduction of male-on-male aggression, as well as offering a comparative view of how different social classes practised and reacted to violence.


This authoritative study will be of great value to students and scholars of the history of crime and violence, criminology and the sociology of violence. At a time when murder rates are rising and public fears about violent crime are escalating, this book will also interest the general reader intrigued by how our relationship with murder reached this point.A masterful reconstruction of one of the worst Indian massacres in American histo! ry

In April 1871, a group of Americans, Mexicans, ! and Toho no O'odham Indians surrounded an Apache village at dawn and murdered nearly 150 men, women, and children in their sleep. In the past century the attack, which came to be known as the Camp Grant Massacre, has largely faded from memory. Now, drawing on oral histories, contemporary newspaper reports, and the participants' own accounts, prize-winning author Karl Jacoby brings this perplexing incident and tumultuous era to life to paint a sweeping panorama of the American Southwest-a world far more complex, diverse, and morally ambiguous than the traditional portrayals of the Old West.

To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the region's residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, a! s well as the bloodshed associated with the coal labor strikes, cemented Appalachia's violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the region's rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.

All societies must deal with the possibility of violence, and th! ey do so in different ways. This book integrates the problem o! f violen ce into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavio! r are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some 25 countries have made the transition between the two types.An average family is thrust into the spotlight after the father (Viggo Mortensen) commits a seemingly self-defense murder at his diner.On the surface, David Cronenberg may seem an unlikely candidate to direct A History of Violence, but dig deeper and you'll see that he's the right man for the job. As an intellectual seeker o! f meaning and an avowed believer in Darwinian survival of the ! fittest, Cronenberg knows that the story of mild-mannered small-town diner proprietor Tom Stall (Viggo Mortensen) is in fact a multilayered examination of inbred human behavior, beginning when Tom's skillful killing of two would-be robbers draws unwanted attention to his idyllic family life in rural Indiana. He's got a loving wife (Maria Bello) and young daughter (Heidi Hayes) who are about to learn things about Tom they hadn't suspected, and a teenage son (Ashton Holmes) who has inherited his father's most prominent survival trait, manifesting itself in ways he never expected. By the time Tom has come into contact with a scarred villain (Ed Harris) and connections that lead him to a half-crazy kingpin (William Hurt, in a spectacular cameo), Cronenberg has plumbed the dark depths of human nature so skillfully that A History of Violence stands well above the graphic novel that inspired it (indeed, Cronenberg was unaware of the source material behind Josh Olson's chilling adapt! ation). With hard-hitting violence that's as sudden as it is graphically authentic, this is A History of Violence that's worthy of serious study and widespread acclaim. --Jeff Shannon

Flipped

  • ISBN13: 9780375863479
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
When second-graders Bryce and Juli first meet, Juli knows it’s love. Bryce isn’t so sure. In the days and years ahead, Bryce (Callan McAuliffe) does all he can to keep his wannabe girlfriend at arm’s length â€" and the smart, independent-minded Juli (Madeline Carroll) continues to give him the benefit of the doubt. This tender coming-of-age romantic comedy from director Rob Reiner takes the pair from grade school to junior high, through triumph and disaster, family drama and first love, as they make discoveries that will define who they are â€" and who they are to each other.Even if you're not a child of the early '60s, Flipped's tale will resonate with your heart. Director Rob Reiner trea! ts viewers to a sweet but honest glimpse into the lives of a young girl and boy during the early 1960s as they maneuver through first crushes and heartbreak. Reiner once again shows he understands how to put together a compelling, yet simple, human story. We meet Juli Baker (Madeline Carroll) and Bryce Loski (Callan McAuliffe) on the day Bryce's family moves across the street from Juli's. Told by "flipping" between Juli and Bryce's voices, a tale of early childhood love emerges. Juli loves Bryce's baby blues from the first moment she sees them and she just knows he's holding onto her first kiss. Bryce thinks Juli, who raises chickens and loves the neighborhood sycamore tree, is weird. The story doesn't merely flip between the two stories, though. In 1963, the year eighth grade comes around, Juli begins to wonder if there's any substance behind those baby blues… just as Bryce starts to see Juli's eccentricities as endearing instead of embarrassing. Sweetly reminiscent with! out a saccharine aftertaste, the overall story is perhaps a ta! d predic table but is skillfully directed and acted--the families are played by a supporting cast of recognizable names, including Aidan Quinn, Anthony Edwards, Rebecca De Mornay, Penelope Ann Miller, and John Mahoney--so that you don't mind getting exactly what you expect. Based on the novel of the same name by Wendelin Van Draanen. --Jill CorddryWendelin Van Draanen’s highly acclaimed he-said, she-said teen romance is going to be a major motion picture. Written and directed by Rob Reiner, the film features a stellar cast, including Madeline Carroll and Callan McAuliffe as Juli and Bryce, and Aidan Quinn, Rebecca De Mornay, Anthony Edwards, Penelope Ann Miller, and John Mahoney.

This movie tie-in edition will feature full-color movie stills, an interview with the author, and a preview of her next romantic comedy, Confessions of a Serial Kisser.

Flipped is a romance told in two voices. The first time Juli Baker saw Bryce Loski, she flipped. The ! first time Bryce saw Juli, he ran. That’s pretty much the pattern for these two neighbors until the eighth grade, when, just as Juli is realizing Bryce isn’t as wonderful as she thought, Bryce is starting to see that Juli is pretty amazing. How these two teens manage to see beyond the surface of things and come together makes for a comic and poignant romance.Juli Baker devoutly believes in three things: the sanctity of trees (especially her beloved sycamore), the wholesomeness of the eggs she collects from her backyard flock of chickens, and that someday she will kiss Bryce Loski. Ever since she saw Bryce's baby blues back in second grade, Juli has been smitten. Unfortunately, Bryce has never felt the same. Frankly, he thinks Juli Baker is a little weird--after all, what kind of freak raises chickens and sits in trees for fun? Then, in eighth grade, everything changes. Bryce begins to see that Juli's unusual interests and pride in her family are, well, kin! d of cool. And Juli starts to think that maybe Bryce's brill! iant blu e eyes are as empty as the rest of Bryce seems to be. After all, what kind of jerk doesn't care about other people's feelings about chickens and trees? With Flipped, mystery author Wendelin Van Draanen has taken a break from her Sammy Keyes series, and the result is flipping fantastic. Bryce and Juli's rants and raves about each other ring so true that teen readers will quickly identify with at least one of these hilarious feuding egos, if not both. A perfect introduction to the adolescent war between the sexes. (Ages 12 to 14) --Jennifer Hubert

Encino Man

  • Starring outrageously hip Pauly Shore, Encino Man unearths the biggest laughs in 2 million years! The fun kicks off when two high school buddies dig up a frozen caveman in their backyard! Once the living fossil thaws out, the friends figure he s their ticket to being cool. But the plan backfires when the newcomer turns everyday life upside down, generating pre-hysterical craziness wherever he roam
They're weird, they're wild and they're going totally environmental! Two deadbeat dudes are about to trade beer and pizza for soymilk and tofu in this outrageously funny comedy from the producers of Dumb and Dumber. Before Earth Day 1996, the closest Bud (Pauly Shore) and Doyle (Stephen Baldwin) had ever come to a garbage dump was the floor of their apartment! So when their ecology-conscious girlfriends ask them to stop wasting time and start cleaning waste, the dimwitted duo makes it clear that th! ey'd rather talk trash than pick it up. But their world suddenly changes when they're accidentally trapped inside Bio-Dome a year long scientific ecological experiment with no fast food or cable television! Will Bud and Doyle adapt to their new found habitat or will their very presence spell extinction for themselves, the project and perhaps the entire planet?!Disc 1: Bio Dome Disc 2: P.C.U. Disc 3: Back to SchoolThey're weird, they're wild and they're going totally environmental! Two deadbeat dudes are about to trade beer and pizza for soymilk and tofu in this outrageously funny comedy from the producers of Dumb and Dumber. Before Earth Day 1996, the closest Bud (Pauly Shore) and Doyle (Stephen Baldwin) had ever come to a garbage dump was the floor of their apartment! So when their ecology-conscious girlfriends ask them to stop wasting time and start cleaning waste, the dimwitted duo makes it clear that they'd rather talk trash than pick it up. But their world suddenly ch! anges when they're accidentally trapped inside Bio-Dome a year! long sc ientific ecological experiment with no fast food or cable television! Will Bud and Doyle adapt to their new found habitat or will their very presence spell extinction for themselves, the project and perhaps the entire planet?! Starring Pauly Shore, Encino Man unearths the biggest laughs in 2 million years! The fun kicks off when two high school buddies dig up a frozen caveman in their backyard! Once the living fossil thaws out, the friends figure he's their ticket to being cool. But the plan backfires when the newcomer turns everyday life upside down, generating pre-hysterical craziness wherever he roams! Co-starring Sean Astin (Bulworth) and Brendan Fraser (The Mummy), you'll definitely dig Encino Man-- the totally irreverent, totally awesome comedy that shows just how hilariously out-of-control things evolve once the stone age meets the rock age head-on!Brendan Fraser made his film debut in this 1992 comedy that never quite discovers its audienc! e constituency. On the one hand, it features Pauly Shore, which would seem to define the picture's tone and identity accordingly. On the other hand, the film's other leading man is Sean Astin, the earnest star of Rudy, suggesting that Encino Man will have a lot of heart despite its silly premise. But none of that turns out to be true. Fraser plays an unfrozen caveman discovered by a pair of California high school outcasts (Shore and Astin). As the grunting newcomer becomes popular with the other kids, Shore and Astin try to bask in his reflected glow. Fraser, beginning a long movie career playing cartoonish goofballs, works entirely on instinct and earns his laughs. Shore, however, relies on his familiar verbal shtick, and Astin makes a great overgrown puppy pining after a lost girlfriend. Directed by Les Mayfield, who came to this project from his acclaimed documentary, Hearts of Darkness: A Filmmaker's Apocalypse. --Tom Keogh

Qualatex 260 Balloons (100/bag) Assorted Pink, Pastel Blue, White, Onyx Black, Quartz Purple, Sapphire Blue, Emerald Green, Ruby Red, Citrine Yellow and Mandarin Orange

Saturday, January 7, 2012

Blood & Chocolate

  • Languages - English, French
  • Subtitles - English, French, Spanish.
  • Anamorphic Widescreen 2.35:1
  • Dolby Digital 5.1

As a young girl living in the remote mountains of Colorado, Vivian (Bruckner) watched helplessly as her family was murdered by a pack of angry men for the secret they carried in their blood. Vivian survived the attack by running into the woods and changing into a wolf. Ten years later, Vivian is living a relatively safe and normal life in Bucharest, Romania. Vivian spends her days working in a chocolate shop and nights trawling the city’s underground clubs, fending off the reckless antics of her cousin Rafe, and his gang of delinquents he refers to as "The Five."

Vivian’s life begins to unravel when she has a chance encounter with Aiden (Dancy), an artist researching Bucharest’ ancient art and relics for his next graphic novel. Aiden pursue! s Vivian until she relents and begins to see him, but she can’t bring herself to tell him the truth - and lives in fear of showing him who she really is. Even though Vivian has sworn never to kill, she is as much an animal as she is human, and her love for Aiden threatens to cast him to the very wolves who saved her life and who are waiting for their chance to hunt him as prey.

Stills from Blood & Chocolate (click for larger image)







Beyond Blood & Chocolate at Amazon.com


Gothic Horror on DVDs

More from Olivier Martinez

DVDs of "Things That Go Bump"

When graphic novelist Aiden (Hugh Dancy) travels to Bucharest to research the loup garou legend, he nearly gets devoured in the latest female werewolf film, Blood and Chocolate. In the tradition of Werewolf Woman and Ginger Snaps, Blood and Chocolate stars Vivian Gandillon (Agnes Bruckner), a girl who's forced to face her lupine tendencies in order to discover how capable of loving Aiden she really is. Based on a book by Annette Curtis Clause, the film chronicles the lives of the remaining loup garou who are an extended Romanian family waiting for their pack leader, Gabriel, to select his new mate. His desire for Vivian means trouble when her wish to be with Aiden results in her revea! ling too much about the clan's secretive lifestyle. In this fi! lm, were wolves look fully human until their eyes glow with colored contact lenses while they fly through the air to then land as full-fledged wolves. Gone are the days, apparently, of films showing the transformation in all its hairy, explosive detail. A lack of scenes describing the werewolf metamorphosis make this film more a love story than a monster tale, though two forest gatherings in which the loup garou hunt human sacrifices offer some grizzly satisfaction. Unlike the aforementioned femme werewolf films, Blood and Chocolate features a girl fighting her urge to kill in a bid to unite humans with her brethren, making this movie the most peaceful in its genre. With a tame wolf as protagonist, the potential nightmare is really just a pleasant dream to unite the two disparate worlds. The question is: Do we want that to happen? --Trinie Dalton

Professionally Framed Barnyard: The Original Party Animals Movie (On Bikes, Original) Poster Print - 11x17 with RichAndFramous Black Wood Frame

  • Your professionally framed poster ships ready-to-hang!
  • Premium quality RichAndFramous wood frame with 1.25 inch wide moulding.
  • Lightweight, glare-reducing styrene front secures and protects artwork.
  • Custom Made for years of quality enjoyment.
  • Frame size approximately 12.00 by 18.00 inches for print size 11.00 by 17.00.
Move over, all you pretenders...here are the original party animals â€" the animated gang of Barnyard! This laugh-filled adventure stars Otis, a carefree cow who spends his days singing, dancing and playing tricks on humans...much to the dismay of his father, Ben. Wild, wacky and "udderly" hilarious, here’s a herd of animated pranksters that’ll keep you laughing out loud!When the farmer's back is turned, the animals party down in Barnyard. A young cow named Otis (voiced by Kevin James, The King of Queens) loves to have fu! n at the farm's wild late-night hoe-downs, despite the disapproval of his father, Ben (Sam Elliott, Thank You for Smoking). When Ben dies defending the barnyard from marauding coyotes, Otis is chosen as the new leader--but responsibility sits uneasily on Otis' head and he fears he may not be able to protect his friends from the coyotes. Barnyard's design of the cows seems inspired by Gary Larson's The Far Side comics; though the style is simple, the characters are surprisingly expressive. From moment to moment, the movie is reasonably entertaining. The actors--including Courteney Cox, Danny Glover, and David Koechner (Anchorman) as a very menacing coyote--do solid voice work and there are plenty of amusing gags. But as Barnyard gallops towards its end, the combination of cliches (the story is a clumsy reworking of The Lion King), odd choices (the male cows have udders), and lackluster dialogue makes the movie sag. --Bret FetzerWhen the farmer's away, all the animals play ... and sing, a! nd dance . Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis (James), a carefree cow.

House of D

  • Actors: David Duchovny, Tea Leoni, Robin Williams, Anton Yelchin, Erykah Badu.
  • Format: Closed-captioned, Color, Dolby, DVD, Special Edition, Subtitled, Widescreen, NTSC.
  • Language: English, French. Subtitles: English, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated PG-13. Run Time: 97 minutes.
In his directorial debut David Duchovny delivers a classic coming-of-age tale. To reconcile with his 13-year-old son and estranged wife artist Tom Warshaw (Duchovny) revisits the life changing events of his own adolescence in New York City in 1973 when his best friends were Pappass (Robin Williams) a mentally challenged janitor and Lady (Erykah Badu) a truth-dispensing detainee in the East Village's legendary Women's House of Detention. Filled with laugh-out-load moments as well as poignancy House Of D is a warmhearted and wise film.System Requirements: Running Tim! e 97 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 031398177654 Manufacturer No: 17765House of D is a bittersweet, moving story of an American expatriate's painful decision to come to terms with the childhood he fled in early 1970s New York City. David Duchovny wrote and directed this comedy-drama; he also stars as the adult version of the film's hero, Tom Warshaw, an illustrator who has spent most of his life in Paris and decidesâ€"on the occasion of his son's birthdayâ€"to finally reveal long-withheld facts about his past.

The bulk of the story, told in flashback, portrays 13-year-old Tom (Anton Yelchin) as a quick-witted prince of his neighborhood, a delivery boy who knows every eccentric on his bicycle route and a Catholic school kid fond of playing pranks on his clueless French teacher and soulful principal (Frank Langella). His best friend is the school's mildly retarded, 41-year-old janitor, Pappas (Robin Williams), and his advisor on matters o! f the heart is Lady (Erykah Badu), a prison inmate whom the fa! therless Tom (or Tommy, as he's called in 1973) can neither see nor touch. Tommy's vivacity is an asset at home, where his mother (Tea Leoni), a grieving widow with a mounting addiction to pills, is slipping away from her son's ability to help. Duchovny's screenplay sometimes borders on the precious: A number of scenes are enamored with their own boldness and originality, as if Duchovny has been squirreling away lots of colorfully expressive storytelling details for years, and unloaded them here. But that flaw all but disappears in the glow of House of D's emotional resonance and honesty, not to mention several exceptional performances. Among these is Zelda Williams's work as Tommy's sage-beyond-her-years girlfriend, Melissa, whose name offers a suitable excuse to work a rather lovely Allman Brothers song into the soundtrack. --Tom Keogh